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copyright: yu-gi-oh!
1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, red eyes, slit pupils, dragon pupils, human ears, no cat ears, four horns, two short horns, two long horns, curled horns, tan horns, black dragon scales on skin, scale patches on cheek, scale patches on shoulders, scale patches on forearms, scale patches on hips, black scaly dragon tail, black crop top, black short shorts, black thigh highs, lying on bed, on back, arms above head, head tilt, looking at viewer, half-closed eyes, light smirk, bed sheet, pillow, castle bedroom, canopy bed, stone walls, tapestry, candlelight, warm light, from above, dutch angle, close-up, foreshortening,
The camera looks down from above at a steep diagonal, tilted a few degrees off level, so the tall curvy woman lying across the castle's master bed fills the frame from her horns to her hips, her legs running away toward the lower corner in strong foreshortening. She lies on her back, spine in a long easy arch over the mattress, one arm flung up above her head with the wrist slack on the pillow, the other bent so her hand rests on her own ribs just under the hem of her black crop top, fingers relaxed and half-curled over the fabric; both shoulders sink into the mattress and the pillow compresses under the back of her skull. Her weight settles into the hips and the left thigh, one knee raised higher than the other so the black thigh-highs pull taut over the bent leg and bunch in a single soft fold behind the other knee; the black short shorts ride up at the hip and the crop top rides up to bare a strip of pale waist, where a scattering of black dragon scales breaks the skin along the hip bone. Her short black hair fans out flat and starfished on the pillow, strands caught in the linen weave; her four tan horns stand clear of it, two short ones jutting just above her brow line and two long ones sweeping back past her crown and curling slightly at the tips, casting small curved shadows onto the pillowcase. Only ordinary human ears sit flat at the sides of her head, uncovered and unobstructed, the pillow creased around them. Her red eyes are half-lidded, the slim slit pupils narrowed in the lamplight, and her gaze comes straight up the tilted axis of the lens with a faint lopsided smirk tugging one corner of her mouth; the black scaly tail slips out from under her hip, drapes across the rumpled sheet and hangs off the mattress edge, its plates catching the candlelight in a hard, glossy line and its tip curling in a slow uncurved loop in the air.
The bed is a broad four-poster of dark carved wood, one post and a fold of heavy velvet canopy crossing the top-left of the frame in front of the far stone wall; a tapestry hangs behind the headboard with its figures worn down to unreadable shapes, and the rest of the room falls away into darkness. The only light is a cluster of candles on a bedside table at the right edge, just outside the frame's crop, so the light rakes in low from the right and strikes the right side of her face, the lift of her raised knee and the long sweep of the tail's top surface, while the left side of her body and the hollows of the sheets go deep brown; every scale patch throws a small crisp shadow, and the sheet bunches in bright ridges where her weight has dragged it. Her pale skin, the bone-white linen and the tan horns read as the room's warm lights against the blacks of her shorts, crop top, thigh-highs and tail; the canopy velvet and the tapestry's weave carry muted rose and plum, and the shadowed stone behind settles into cool slate blue-grey, nothing outside those tones admitted.
Intimate, quietly predatory.
Jezzabella
vc
Ryuu
vladimir casanova
copyright: yu-gi-oh!
1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, human ears, no animal ears, bare top of head, four horns, tan horns, dragon horns, two short horns, two long curling horns, pale skin, black scale patches, scales on cheeks, scales on shoulders, scales on forearms, scales on thighs, red eyes, slit pupils, dragon eyes, black dragon tail, black scaly tail, black crop top, midriff, navel, black short shorts, black thigh-high tights, bare shoulders, bare arms, looking up, looking at viewer, from below, low angle, upward angle, foreshortening, standing, one hand on hip, other hand raised, head tilt, light smile, castle interior, master bedroom, four-poster bed, canopy bed, stone walls, arched window, tapestry, candelabra, warm candlelight, dark teal shadows, dust motes, depth of field,
From a low angle close to the floor, the camera tilts steeply upward, so the tall half-dragon half-nekomimi woman towers over the lens in strong foreshortening: her black thigh-high tights fill the lower foreground, one long leg planted forward with the knee bent and the full weight carried on that hip while the trailing leg is angled back on the ball of the foot, and her thick curvy figure rises in a tapering column toward her short black bob, which swings forward at the cheeks as she tips her face down to meet the camera. Her head tilts so her chin points almost at the lens, and her red eyes with slim slit pupils look down the angle straight into the viewer, the lids half-lowered and one brow arched, one corner of her lips pulled into a small lopsided smile. Her human ears sit at the sides of her jaw entirely uncovered, the top of her head bare, and above it four tan dragon horns rise: the two short ones curve back close to her crown, the two long ones sweep up and outward and curl a little at the tips, catching the warm light along their ridges. Patches of black dragon scales break out over her pale skin -- a scatter across her right cheekbone, a sheet over her left shoulder and forearm, a band around the top of one thigh where the tights end -- glossy and hard against the soft pale surface around them, each patch showing a fine pebbled grain. Her black crop top sits high and tight across the bust, the hem cut above her navel, and her black short shorts pinch at the hips; her right hand rests flat against the outside of her thigh while her left hand hooks a thumb into the waistband of the shorts and pulls it a fraction. Her black scaly dragon tail hangs behind her legs and swings out to the left out of frame, tip curling up, its scales overlapping like roof tiles.
The room behind and above her is the interior of a castle's master bedroom: a massive four-poster bed with a carved dark-wood headboard and a heavy wine-coloured canopy stands to the right, rising out of the top of the frame, and a tall arched window with deep stone reveals lets in a pale violet-blue dusk on the left. A woven tapestry hangs on the cold stone wall between them, and a branched candelabra on a bedside chest burns within arm's reach of her hip. The candles are the dominant source: they light the underside of her chin, the inner edges of her forearms and the flat planes of her thighs, and they throw her elongated shadow up the stone wall behind her, where it stretches because the light sits so low. Cold blue window light rims her horns and shoulders on the side away from the candles, and the room beyond the candle pool drops into deep dark-teal shadow. A thin haze of dust drifts through the nearest candle flame and glows only where it crosses the light. The palette holds to dusty rose, deep brown, muted wine red and warm sand in the skin and fabric tones, while the shadows and the far wall go slate blue-grey, with a single red accent concentrated in her eyes and the canopy's trim. Her rumpled tights show one faint crease at the back of the knee from the bend of her stance. Intimate, quietly commanding.
Jezzabella
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