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Jezzabella
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- Immissione richiesta originale
- A tall half dragon/nekomimi female with short black hair and four tanish dragon like horns two are short while the others are long and curl a bit (she doesn’t have cat ears, she has human ears). She has some patches of black dragon skales on her pale skin. Her eyes are red and pupils are slim and slit like a dragons. She has a black and skaley dragon tail. Shes wears a pair of black short shorts with a black crop top. She has black thigh high tights. Her body is quite curvy and thick. The background should be like the interior of a castles master bedroom. Shes inspired by the dragon maids of Yu-Gi-Oh! Try making her looking up to the camera at a upward angle.
- Modalità
- pro
- Stile
- Neon Vaporwave
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stile: Neon Vaporwave
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copyright: yu-gi-oh!
1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, red eyes, slit pupils, dragon pupils, human ears, no cat ears, four horns, two short horns, two long horns, curled horns, tan horns, black dragon scales on skin, scale patches on cheek, scale patches on shoulders, scale patches on forearms, scale patches on hips, black scaly dragon tail, black crop top, black short shorts, black thigh highs, lying on bed, on back, arms above head, head tilt, looking at viewer, half-closed eyes, light smirk, bed sheet, pillow, castle bedroom, canopy bed, stone walls, tapestry, candlelight, warm light, from above, dutch angle, close-up, foreshortening,
The camera looks down from above at a steep diagonal, tilted a few degrees off level, so the tall curvy woman lying across the castle's master bed fills the frame from her horns to her hips, her legs running away toward the lower corner in strong foreshortening. She lies on her back, spine in a long easy arch over the mattress, one arm flung up above her head with the wrist slack on the pillow, the other bent so her hand rests on her own ribs just under the hem of her black crop top, fingers relaxed and half-curled over the fabric; both shoulders sink into the mattress and the pillow compresses under the back of her skull. Her weight settles into the hips and the left thigh, one knee raised higher than the other so the black thigh-highs pull taut over the bent leg and bunch in a single soft fold behind the other knee; the black short shorts ride up at the hip and the crop top rides up to bare a strip of pale waist, where a scattering of black dragon scales breaks the skin along the hip bone. Her short black hair fans out flat and starfished on the pillow, strands caught in the linen weave; her four tan horns stand clear of it, two short ones jutting just above her brow line and two long ones sweeping back past her crown and curling slightly at the tips, casting small curved shadows onto the pillowcase. Only ordinary human ears sit flat at the sides of her head, uncovered and unobstructed, the pillow creased around them. Her red eyes are half-lidded, the slim slit pupils narrowed in the lamplight, and her gaze comes straight up the tilted axis of the lens with a faint lopsided smirk tugging one corner of her mouth; the black scaly tail slips out from under her hip, drapes across the rumpled sheet and hangs off the mattress edge, its plates catching the candlelight in a hard, glossy line and its tip curling in a slow uncurved loop in the air.
The bed is a broad four-poster of dark carved wood, one post and a fold of heavy velvet canopy crossing the top-left of the frame in front of the far stone wall; a tapestry hangs behind the headboard with its figures worn down to unreadable shapes, and the rest of the room falls away into darkness. The only light is a cluster of candles on a bedside table at the right edge, just outside the frame's crop, so the light rakes in low from the right and strikes the right side of her face, the lift of her raised knee and the long sweep of the tail's top surface, while the left side of her body and the hollows of the sheets go deep brown; every scale patch throws a small crisp shadow, and the sheet bunches in bright ridges where her weight has dragged it. Her pale skin, the bone-white linen and the tan horns read as the room's warm lights against the blacks of her shorts, crop top, thigh-highs and tail; the canopy velvet and the tapestry's weave carry muted rose and plum, and the shadowed stone behind settles into cool slate blue-grey, nothing outside those tones admitted.
Intimate, quietly predatory.
Jezzabella
copyright: yu-gi-oh!
1girl, solo, tall female, curvy, thick body, wide hips, full bust, half dragon, dragon girl, maid, short black hair, bob cut, human ears, four horns, tan horns, dragon horns, two short horns, two long curled horns, red eyes, slit pupils, dragon pupils, black scale patches on skin, pale skin, black scaly dragon tail, black maid dress, frilled apron, black thighhighs, black high heels, from below, looking up at viewer, upward angle, low angle, looking down at viewer, standing, hand on chest, head tilt, castle bedroom interior, canopy bed, four-poster bed, stone walls, candlelight, warm interior
The camera sits low near the stone floor and tilts steeply upward, so the tall curvy maid towers into the top of the frame: her chin dips toward the lens, red eyes with slim vertical slit pupils aimed straight down at the viewer, one brow faintly arched, lips parted a breath's width in a cool, unimpressed half-smile. Her short black hair hangs close to her jaw and is stirred slightly aside as if she has just turned her head down; two normal human ears sit flat against the sides of her head, bare and unobstructed at the crown, while above them four tan dragon horns rise from her hairline — the two short ones forward and blunt, the two long ones sweeping back in a gentle curl, their tips catching the candle glow. Patches of black dragon scales roughen the pale skin along her neck, her right collarbone and the outside of her left forearm; her figure is thick and full through the bust, waist and hips, the all-black maid dress cut close over a wide-hipped silhouette with a high-collared bodice, puffed sleeves, a frilled apron panel and layered hem all in unrelieved black, each ruffle edged only by a thin sheen of light so the dark cloth still reads as folds. The black scall
Her right hand rests flat against her collarbone, fingertips just touching a scale patch, while her left arm hangs and her fingers close loosely around a fold of the skirt. She stands with her weight settled onto one hip, the other leg relaxed, black thigh-high tights shading from a soft matte at the knee to a tight sheen at the top, and black heels planted on the wide stone floor slabs whose joints run back toward the bed. Her black scaled dragon tail sweeps out from behind her hip and curls low across the floor, its weight resting on the stone, a single highlight tracking the ridged scales along its upper curve.
Behind and around her the castle master bedroom opens in deep shadow: a four-poster canopy bed with heavy dark hangings on the left, a stone arch and a narrow leaded window on the right, a heavy chest and a chair in the midground, a patterned rug fading toward the far wall. Candles in a wall sconce and on a side table to her right are the only light source, warm and low; the flames carve a rim along her right cheek, the long curling horns and the shoulder of her sleeve while the left side of her face and body falls into a soft, deep brown darkness. Her dress and hair sit as near-black silhouettes against the slate grey and dusty rose castle interior, warmed toward tan and wine where the light reaches and cooled toward blue-grey in the depths; her skin pale cream, the scale patches polished black, the horns a muted tan. The whole upward view makes the ceiling beams converge above her as the candle flames bend and gutter in a faint draught. Quiet, imposing.
Jezzabella
copyright: yu-gi-oh!
1girl, solo, half-dragon, dragon girl, human ears, no animal ears, human ears on sides of head, short black hair, black hair, four horns, tan horns, dragon horns, long curled horns, short horns, red eyes, slit pupils, dragon pupils, pale skin, black dragon scales, scale patches on skin, scale patches on cheeks, black scaly dragon tail, thick tail, tall female, curvy, thick thighs, wide hips, large breasts, black crop top, midriff, navel, black short shorts, black thigh-highs, black stockings, zettai ryouiki, lying, lying on back, on bed, head on pillow, on side, looking at viewer, one eye visible, half-lidded eyes, light smile, tail draped over edge of bed, arm above head, hand on pillow, castle interior, master bedroom, four-poster bed, canopy bed, dark bedroom, candlelight, warm rim light, cinematic lighting, from above, high angle, close-up on upper body, foreshortening, vaporwave aesthetic, pink and purple palette, retro 80s style, glitch effect, grid lines, holographic texture, nostalgic digital
The shot is a high angle from above the bed, tilted down the length of the mattress so the half-dragon woman lies foreshortened across the frame: her head on a pillow at the lower left, her body running diagonally up toward the headboard at the upper right. She is on her back, angled toward the camera, one knee bent so the black thigh-high stocking catches a long highlight and the black short shorts sit high on her wide hip. Her thick, curvy figure reads clearly through the short black crop top, which rides up to bare her midriff and navel; one arm is flung above her head on the pillow, the other rests loosely across her stomach with her fingers brushing the hem of the top. Her human ears are visible flat to the sides of her head beneath the short black hair, which fans out on the pillow; from each temple and crown rise four tan dragon-like horns, two stubs above her brow-line and two long, gently curled horns sweeping back toward the pillow, one of them crossing her black hair. Patches of black dragon scales scatter her pale skin: a cluster along one cheekbone and temple, a band down the outside of her shoulder and forearm, a scute-edged patch on her hip above the shorts, and a run down the outside of one thigh where the stocking begins. From her lower back, clear of her hip, the black scaly dragon tail lies over the mattress and hangs off the edge of the bed, its plated ridges glinting. Her red eyes are half-lidded, one catching the light with a thin vertical slit pupil, and she looks up at the viewer with a small, faint closed-lip smile, one brow faintly lifted.
The room is a castle master bedroom: dark stone walls with a tall narrow window and heavy drapes at the upper left, a massive carved wooden four-poster bed with a deep crimson canopy and pillows, a large fireplace on the right wall, and a cold pale moonlight through the window that cuts a long, faint blue rectangle across the quilt. A single candle on the nightstand is the sole warm source in the room, its light drawing a narrow orange rim along her forehead, the tips of her horns, the curve of her shoulder and the top edge of her thigh; beyond that pool the corners of the room sink into deep shadow, cast shadows sitting hard and black under her chin, beneath her lifted knee and along the pillow crease of her cheek. The palette lands dusty mauve and warm muted rose over brown and slate, with a blush-pink canopy and pillow and a soft almond-cream glow on her lit skin, her horns and scale patches reading warm tan against it, a deep claret accent in the canopy and the quilt, and the whole image washed with a faint retro-digital holographic sheen — a soft pink-and-purple bloom, a suggestion of grid lines across the far wall, a slight chromatic split on the window's edge. Her thigh-high stockings compress the quilt where her leg lies on it, and the pillow sinks under her head. Elegant, quietly magnetic.
Jezzabella
copyright: yu-gi-oh!
tall female, half dragon girl, solo, short black hair, four tan dragon horns, two short horns, two long slightly curled horns, human ears, no animal ears on top of head, patches of black dragon scales, pale skin, red eyes, slit pupils, dragon pupils, black scaly dragon tail, curvy, thick, all-black short maid dress, black frills where white would be, black thigh-high tights, black heels, castle interior, master bedroom, four-poster bed, stone walls, from below, dynamic angle, cowboy shot, looking down at viewer, hand on hip, dragon tail curling forward, tail, one eye narrowed, lopsided smirk, castle bedroom in warm mauve and deep umber, black dress with wine-red lining
Low camera placed near the foot of the bed, looking up at her: she stands tall in the middle of a castle master bedroom, the ceiling-high stone wall behind her rising away out of frame, and the pre-dawn glow coming in cold through two tall arched windows on the far side of the room catches only the backs of the bed hangings and the rims of the curtains. Her weight rests on her right leg, the left knee bent slightly and pivoted inward so her hip swings out, and her right hand sits flat on that hip with the fingers spread over the black fabric and thumb hooked into the waist seam; her left arm hangs loose, fingertips brushing the pleated hem of the dress near mid-thigh. The maid dress is black from collar to hem -- black bib and black shoulder frills where the white would normally sit, black apron strap crossing the bodice, black wrist cuffs and a black choker-close collar, the wine-red lining of the short flared skirt just visible where the hem lifts on her turn. Black thigh-high tights run unbroken from under that hem to her black heels, whose straps mark the tops of her feet.
Her head turns a quarter toward the lens and tilts down so her red eyes with their slim slit pupils look straight down at the viewer under low lids, chin dipped; the brow above that eye rises while the other lid stays half-closed, and one corner of her mouth pulls up into a lopsided smirk. Her black hair is cut short and shaped around the skull, tapering at the nape, with one thick strand left long enough to fall along her right cheek. Both human ears are bare and clearly readable at the sides of her head, the short hair tucked behind them, and the top of her skull carries nothing: the four tan dragon horns rise from her hairline instead -- the two inner ones short and blunt-tipped, the two outer ones long, tapering and curling gently backward like weathered antler, their bases ringed by a ridge of pale skin. Black dragon scales cluster in hard, flat patches: a fan along her right temple, a streak down the side of her neck, a scattering on the backs of her hands and forearms and a larger plate over each collarbone, each patch sitting raised and matte against the smooth pale skin, and the low angle makes the light skate off the flat planes of those scales while it slides warm and soft over the skin between them. From behind her left hip the black scaly dragon tail curves out into the bottom of the frame, its armored ridge catching the window light in a thin line of highlights, the tip lifting slightly as though it has just moved.
Behind and around her the bedroom holds depth: the four-poster bed's carved posts stand dark in the midground with its heavy crimson drapes pooled on the floor, a deep wine-red rug lies under her heels with its pile compressed visibly where the stiletto points press in, and tall stone walls with a cold grey-blue wash of shadow rise to a shadowed vault. The only light is from those arched windows, cold and low on the horizon, so the far stonework sinks into deep umber haze while her pale skin and the crimson accents of the room hold warmth; the palette runs mauve and dusty rose across the room, deep brown in the shadows, and black, tan and pale cream on her, the drapery pooling and the rug's crushed pile the evidence of the room's stillness. Soft watercolor washes bleed into the stonework and haze, thin ink lines holding the horns, the scales and the frilled black fabric crisp against all that atmosphere. Quietly imperious.
Jezzabella
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