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Jezzabella
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- Immissione richiesta originale
- A tall half dragon/nekomimi female with short black hair and four tanish dragon like horns two are short while the others are long and curl a bit (she doesn’t have cat ears, she has human ears). She has some patches of black dragon skales on her pale skin. Her eyes are red and pupils are slim and slit like a dragons. She has a black and skaley dragon tail. Shes wears a fully black maid dress. Where the white normally be is replaced with black. She has black thigh high tights with black heels. Her body is quite curvy and thick. The background should be like the interior of a castles master bedroom. Shes inspired by the dragon maids of Yu-Gi-Oh! Try making her looking up to the camera at a upward angle.
- Modalità
- pro
- Stile
- Neon Vaporwave
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1408 x 1408
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stile: Neon Vaporwave
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copyright: yu-gi-oh!
1girl, solo, tall female, short black hair, four horns, dragon horns, tan horns, two short horns, two long curled horns, human ears, no animal ears, pale skin, black scale patches, dragon scales on skin, red eyes, slit pupils, dragon pupils, black scaly dragon tail, dragon tail, fully black maid dress, black maid apron, black frilled trim, black thighhighs, black heels, curvy, thick thighs, wide hips, large breasts, from below, looking down at viewer, looking up at camera, dutch angle, cowboy shot, castle master bedroom interior, canopy bed, stone wall, tall arched window, single figure,
A low upward camera looks steeply up at one tall woman standing in the master bedroom of a castle, the lens almost at knee height and tilted a few degrees off level so the stone walls lean with her. She tilts her chin down and her red eyes with slim vertical slit pupils drop to meet the lens from under her brows, a faint closed-lip smirk lifting one corner of her mouth, one brow arched. Her short black hair is cut blunt at the jaw and swings slightly back from the motion of the tilt. Four tanish dragon horns rise from her hairline: two short ones near the front and two long ones behind them, each curling a little at the tip. Ordinary human ears sit plainly at the sides of her head, uncovered and unobstructed. Patches of black dragon scale lie across her pale skin — a rough scatter across one cheekbone and temple, a band down the side of her neck, flecks along her bare collarbone above the dress collar. Her fully black maid dress is cut close over a curvy, thick body: apron and bib in matching black, the frilled trim and headpiece all in black rather than white, sleeves puffed at the shoulder and cuffed with black lace. Her hands are clasped loosely at her waist, one thumb hooked in the apron ties, pulling the fabric taut across her hips. Black thigh-high tights sheath both legs to mid-thigh, and black heels plant her weight on one foot with the other set a half-step back. Her black scaly dragon tail sweeps low behind her, its ridged length crossing the frame near the floor and curling back on itself. The room behind her: a tall arched window high on the wall pouring cool daylight down, a four-poster canopy bed with heavy drapes in deep plum-rose cloth, a broad stone floor, and a dark timber chair half seen at the left edge. The window light comes from above and behind her, edging the top of her horns and the crest of her shoulders in pale rose, while her face stays in soft open shadow and her slit pupils catch two small highlights; under the upward angle the heels and the tail are close and large in the foreground, her head smaller and high. Palette of deep brown-plum stone, dusty rose and pale cream cloth, soft mauve shadows, black wool, tan horn and pale skin. Soft anime illustration with sketchy coloured-pencil fills and sketchy edges, visible paper grain, loose linework, slightly rough outlines and layered shading for a hand-drawn feel. Quietly imposing, wry.
Jezzabella
copyright: yu-gi-oh!
1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, human ears, no animal ears, bare top of head, four horns, tan horns, dragon horns, two short horns, two long curling horns, pale skin, black scale patches, scales on cheeks, scales on shoulders, scales on forearms, scales on thighs, red eyes, slit pupils, dragon eyes, black dragon tail, black scaly tail, black crop top, midriff, navel, black short shorts, black thigh-high tights, bare shoulders, bare arms, looking up, looking at viewer, from below, low angle, upward angle, foreshortening, standing, one hand on hip, other hand raised, head tilt, light smile, castle interior, master bedroom, four-poster bed, canopy bed, stone walls, arched window, tapestry, candelabra, warm candlelight, dark teal shadows, dust motes, depth of field,
From a low angle close to the floor, the camera tilts steeply upward, so the tall half-dragon half-nekomimi woman towers over the lens in strong foreshortening: her black thigh-high tights fill the lower foreground, one long leg planted forward with the knee bent and the full weight carried on that hip while the trailing leg is angled back on the ball of the foot, and her thick curvy figure rises in a tapering column toward her short black bob, which swings forward at the cheeks as she tips her face down to meet the camera. Her head tilts so her chin points almost at the lens, and her red eyes with slim slit pupils look down the angle straight into the viewer, the lids half-lowered and one brow arched, one corner of her lips pulled into a small lopsided smile. Her human ears sit at the sides of her jaw entirely uncovered, the top of her head bare, and above it four tan dragon horns rise: the two short ones curve back close to her crown, the two long ones sweep up and outward and curl a little at the tips, catching the warm light along their ridges. Patches of black dragon scales break out over her pale skin -- a scatter across her right cheekbone, a sheet over her left shoulder and forearm, a band around the top of one thigh where the tights end -- glossy and hard against the soft pale surface around them, each patch showing a fine pebbled grain. Her black crop top sits high and tight across the bust, the hem cut above her navel, and her black short shorts pinch at the hips; her right hand rests flat against the outside of her thigh while her left hand hooks a thumb into the waistband of the shorts and pulls it a fraction. Her black scaly dragon tail hangs behind her legs and swings out to the left out of frame, tip curling up, its scales overlapping like roof tiles.
The room behind and above her is the interior of a castle's master bedroom: a massive four-poster bed with a carved dark-wood headboard and a heavy wine-coloured canopy stands to the right, rising out of the top of the frame, and a tall arched window with deep stone reveals lets in a pale violet-blue dusk on the left. A woven tapestry hangs on the cold stone wall between them, and a branched candelabra on a bedside chest burns within arm's reach of her hip. The candles are the dominant source: they light the underside of her chin, the inner edges of her forearms and the flat planes of her thighs, and they throw her elongated shadow up the stone wall behind her, where it stretches because the light sits so low. Cold blue window light rims her horns and shoulders on the side away from the candles, and the room beyond the candle pool drops into deep dark-teal shadow. A thin haze of dust drifts through the nearest candle flame and glows only where it crosses the light. The palette holds to dusty rose, deep brown, muted wine red and warm sand in the skin and fabric tones, while the shadows and the far wall go slate blue-grey, with a single red accent concentrated in her eyes and the canopy's trim. Her rumpled tights show one faint crease at the back of the knee from the bend of her stance. Intimate, quietly commanding.
Jezzabella
copyright: yu-gi-oh!
tall female, half dragon girl, solo, short black hair, four tan dragon horns, two short horns, two long slightly curled horns, human ears, no animal ears on top of head, patches of black dragon scales, pale skin, red eyes, slit pupils, dragon pupils, black scaly dragon tail, curvy, thick, all-black short maid dress, black frills where white would be, black thigh-high tights, black heels, castle interior, master bedroom, four-poster bed, stone walls, from below, dynamic angle, cowboy shot, looking down at viewer, hand on hip, dragon tail curling forward, tail, one eye narrowed, lopsided smirk, castle bedroom in warm mauve and deep umber, black dress with wine-red lining
Low camera placed near the foot of the bed, looking up at her: she stands tall in the middle of a castle master bedroom, the ceiling-high stone wall behind her rising away out of frame, and the pre-dawn glow coming in cold through two tall arched windows on the far side of the room catches only the backs of the bed hangings and the rims of the curtains. Her weight rests on her right leg, the left knee bent slightly and pivoted inward so her hip swings out, and her right hand sits flat on that hip with the fingers spread over the black fabric and thumb hooked into the waist seam; her left arm hangs loose, fingertips brushing the pleated hem of the dress near mid-thigh. The maid dress is black from collar to hem -- black bib and black shoulder frills where the white would normally sit, black apron strap crossing the bodice, black wrist cuffs and a black choker-close collar, the wine-red lining of the short flared skirt just visible where the hem lifts on her turn. Black thigh-high tights run unbroken from under that hem to her black heels, whose straps mark the tops of her feet.
Her head turns a quarter toward the lens and tilts down so her red eyes with their slim slit pupils look straight down at the viewer under low lids, chin dipped; the brow above that eye rises while the other lid stays half-closed, and one corner of her mouth pulls up into a lopsided smirk. Her black hair is cut short and shaped around the skull, tapering at the nape, with one thick strand left long enough to fall along her right cheek. Both human ears are bare and clearly readable at the sides of her head, the short hair tucked behind them, and the top of her skull carries nothing: the four tan dragon horns rise from her hairline instead -- the two inner ones short and blunt-tipped, the two outer ones long, tapering and curling gently backward like weathered antler, their bases ringed by a ridge of pale skin. Black dragon scales cluster in hard, flat patches: a fan along her right temple, a streak down the side of her neck, a scattering on the backs of her hands and forearms and a larger plate over each collarbone, each patch sitting raised and matte against the smooth pale skin, and the low angle makes the light skate off the flat planes of those scales while it slides warm and soft over the skin between them. From behind her left hip the black scaly dragon tail curves out into the bottom of the frame, its armored ridge catching the window light in a thin line of highlights, the tip lifting slightly as though it has just moved.
Behind and around her the bedroom holds depth: the four-poster bed's carved posts stand dark in the midground with its heavy crimson drapes pooled on the floor, a deep wine-red rug lies under her heels with its pile compressed visibly where the stiletto points press in, and tall stone walls with a cold grey-blue wash of shadow rise to a shadowed vault. The only light is from those arched windows, cold and low on the horizon, so the far stonework sinks into deep umber haze while her pale skin and the crimson accents of the room hold warmth; the palette runs mauve and dusty rose across the room, deep brown in the shadows, and black, tan and pale cream on her, the drapery pooling and the rug's crushed pile the evidence of the room's stillness. Soft watercolor washes bleed into the stonework and haze, thin ink lines holding the horns, the scales and the frilled black fabric crisp against all that atmosphere. Quietly imperious.
Jezzabella
copyright: yu-gi-oh!
1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, red eyes, slit pupils, dragon pupils, human ears, no cat ears, four horns, two short horns, two long horns, curled horns, tan horns, black dragon scales on skin, scale patches on cheek, scale patches on shoulders, scale patches on forearms, scale patches on hips, black scaly dragon tail, black crop top, black short shorts, black thigh highs, lying on bed, on back, arms above head, head tilt, looking at viewer, half-closed eyes, light smirk, bed sheet, pillow, castle bedroom, canopy bed, stone walls, tapestry, candlelight, warm light, from above, dutch angle, close-up, foreshortening,
The camera looks down from above at a steep diagonal, tilted a few degrees off level, so the tall curvy woman lying across the castle's master bed fills the frame from her horns to her hips, her legs running away toward the lower corner in strong foreshortening. She lies on her back, spine in a long easy arch over the mattress, one arm flung up above her head with the wrist slack on the pillow, the other bent so her hand rests on her own ribs just under the hem of her black crop top, fingers relaxed and half-curled over the fabric; both shoulders sink into the mattress and the pillow compresses under the back of her skull. Her weight settles into the hips and the left thigh, one knee raised higher than the other so the black thigh-highs pull taut over the bent leg and bunch in a single soft fold behind the other knee; the black short shorts ride up at the hip and the crop top rides up to bare a strip of pale waist, where a scattering of black dragon scales breaks the skin along the hip bone. Her short black hair fans out flat and starfished on the pillow, strands caught in the linen weave; her four tan horns stand clear of it, two short ones jutting just above her brow line and two long ones sweeping back past her crown and curling slightly at the tips, casting small curved shadows onto the pillowcase. Only ordinary human ears sit flat at the sides of her head, uncovered and unobstructed, the pillow creased around them. Her red eyes are half-lidded, the slim slit pupils narrowed in the lamplight, and her gaze comes straight up the tilted axis of the lens with a faint lopsided smirk tugging one corner of her mouth; the black scaly tail slips out from under her hip, drapes across the rumpled sheet and hangs off the mattress edge, its plates catching the candlelight in a hard, glossy line and its tip curling in a slow uncurved loop in the air.
The bed is a broad four-poster of dark carved wood, one post and a fold of heavy velvet canopy crossing the top-left of the frame in front of the far stone wall; a tapestry hangs behind the headboard with its figures worn down to unreadable shapes, and the rest of the room falls away into darkness. The only light is a cluster of candles on a bedside table at the right edge, just outside the frame's crop, so the light rakes in low from the right and strikes the right side of her face, the lift of her raised knee and the long sweep of the tail's top surface, while the left side of her body and the hollows of the sheets go deep brown; every scale patch throws a small crisp shadow, and the sheet bunches in bright ridges where her weight has dragged it. Her pale skin, the bone-white linen and the tan horns read as the room's warm lights against the blacks of her shorts, crop top, thigh-highs and tail; the canopy velvet and the tapestry's weave carry muted rose and plum, and the shadowed stone behind settles into cool slate blue-grey, nothing outside those tones admitted.
Intimate, quietly predatory.
Jezzabella
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