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Teodor
Mostra parametri
- Immissione richiesta originale
- Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, autumn, autumn leaves, orange kimono, brown haori, japanese umbrella, sharp fingernails, holding umbrella, open umbrella, rain, village, pavement, dynamic pose,
- Modalità
- pro
- Dimensione
- 1232 x 1632
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati
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1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot,
The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn — left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip.
Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot,
The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn — left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip.
Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot,
The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn — left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip.
Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
Did it rain where you live?
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