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AI art "Halloween Mahjong" featuring #Yuuna and the Haunted Hot Springs and #PixAI Halloween 2026
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Halloween Mahjong

I figured that if supernatural creatures and monsters were to be active on Halloween, they’d probably enjoy playing games.

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn
#Yuuna and the Haunted Hot Springs
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character: ameno_sagiri_(yuragisou_no_yuuna-san), yunohana_yuuna, arahabaki_nonko, shintou_oboro, copyright: yuragisou_no_yuuna-san 4girls, ameno sagiri, yunohana yuuna, arahabaki nonko, shintou oboro, purple hair, long hair, side ponytail, green eyes, white hair, long hair, red eyes, pink hair, parted bangs, green eyes, facial mark, blue hair, short hair, grey eyes, ninja cosplay, ghost cosplay, oni cosplay, mummy cosplay, sitting, around mahjong table, playing mahjong, mahjong tiles, smiling, open mouth, happy, traditional japanese room, tatami floor, shoji screens, wooden ceiling beams, halloween decorations, small jack-o-lantern, dried branch arrangement, wide shot, from above, slight dutch angle, over-shoulder composition, looking at game, indoors, warm lamplight The camera looks down from just above head height at a slight dutch tilt, catching all four women seated around a low square mahjong table in a tatami room of a traditional Japanese inn. The table sits center-frame on the tatami, an automatic table with its four walls of facedown tile rows; in the middle of the table the discard pool is a loose spiral of white tiles, and small point sticks lie stacked at the corner of each player's tray. A warm paper-shaded lamp hangs low above the table, its light pooling on the green felt and falling off into the room's corners. Ameno Sagiri sits on the near-left side, turned three-quarters toward the table, her purple side ponytail falling forward over one shoulder; her ninja cosplay is a dark indigo wrap top and snug trousers with a cloth face-wrap pushed down around her neck and a forearm guard on the hand that reaches to draw a tile from the wall, her green eyes fixed on the discard pool with a pleased, closed-lip smile. Across from her, Yunohana Yuuna sits at the far side, her long white hair loose over the shoulders of a ghost cosplay: a draped white robe of thin gauzy layers with a small triangular headpiece perched on her head, the hem pooling around her knees on the tatami; she leans forward on both forearms, one hand hovering over the tiles she is about to discard, her red eyes bright and her mouth open in a laughing smile toward Sagiri. On the near-right, Arahabaki Nonko sits with one knee up under the table edge, her pink hair parted and falling long past her shoulders, a single small horn band on her brow and a tiger-stripe cloth sash at her waist over an oni cosplay of rough red-brown fabric and a shoulder wrap; she grins wide, teeth showing, chin lifted, watching the tile Yuuna holds. At the left rear, Shintou Oboro sits smallest in the frame, her short blue-grey hair tucked at the nape, wrapped head to wrists in a mummy cosplay of cream linen bandages with a loose trailing end over one shoulder, only her face and her grey-purple eyes free; her smile is quiet and closed, her eyes crinkled, one bandaged hand raised with a tile pinched between two fingers as she hesitates over where to place it. All four gaze at the table and at each other's hands, and each reacts: Sagiri's brows lift toward Nonko's grin, Nonko tips her chin at Yuuna, Yuuna's laugh turns toward Oboro's held tile. Halloween decoration is sparse and tasteful: one small orange jack-o'-lantern on the low sideboard against the shoji screen, a shallow bowl of dried branches and a couple of tiny gourds beside it, and a single paper bat cutout hung from a ceiling beam, and nothing more. Beyond the shoji screens the room darkens; the lamp is the only source, warm and low, throwing soft multiple shadows of the players across the tatami and leaving the ceiling beams in brown gloom. Palette of warm amber lamplight, the green felt, indigo, gauzy white, red-brown and cream linen against the pale straw of the tatami, with the lamp's glow strongest on the mahjong table and the faces around it, dimming toward the room's edges. The tiles are cool and dense under the fingers, the felt matte, the bandages soft and creased at the elbows and wrists. Cheerful, cozy.
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Immissione richiesta originale
character: ameno sagiri (yuragisou no yuuna-san), yunohana yuuna (yuragisou no yuuna-san), arahabaki nonko (yuragisou no yuuna-san), shintou oboro (yuragisou no yuuna-san), 일본 전통 료칸의 마작 룸에서 네 명이 마작 테이블에 앉아 마작을 두고 있다. 마작룸은 할로윈 분위기의 장식품들이 과하지 않게 장식되어 있고, 네 명은 웃으면서 마작을 즐기고 있다. ameno sagiri은 닌자 코스프레복, yunohana yuuna는 유령 코스프레복, arahabaki nonko는 도깨비 코스프레복, shintou oboro는 미라 코스프레복을 입고 있다.
Modalità
flash
Dimensione
1280 x 720
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Avatar image of 橫山育人
character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster five girls, mummy bandages, full body wrap, kneeling, seiza, halloween street, full body, wide shot, from below, dutch angle, from side, group composition, staggered arrangement, long hair, twintails, double bun, red eyes, brown eyes, ahoge, hair between eyes, orange hair, blonde hair, short hair, purple eyes, black hair, blue eyes, hair ornament, looking at another, head tilt, :d, one eye closed, raised eyebrow, pout, puffy cheeks, bandage slipping, loose bandage end, cobblestone street, jack-o'-lanterns, carved pumpkins, string lights, paper bats, bare autumn trees, night, warm lantern light, cast shadows, teal and amber palette The camera sits low near the pavement and tilted a few degrees off level, looking up the length of a narrow cobbled Halloween street, so the five kneeling figures rise in foreshortened perspective and the carved pumpkins on either side loom at eye height. They are arranged in a loose staggered crescent facing the lens: at the left edge of the frame a black-haired girl with a short blue-black bob and a small bow at the side of her head kneels upright in seiza, knees together on the stones, hands folded one over the other in her lap, head tipped slightly toward the girl beside her, lips pressed in a small uncertain line; a loose bandage end trails from her shoulder down onto the cobbles. Beside her, forward of the others, a girl with long brown hair in two high buns with hanging twintails kneels with her weight rocked onto one hip, knees angled to the side in a less formal kneel, one hand planted flat on the street to steady herself and the other raised in a cheerful peace sign, a wide open-mouthed grin and one eye squeezed shut. At the center a girl with long red hair and a single ahoge springing up leans far forward out of her kneel, hips still low but torso thrust toward the camera with both palms braced on the pavement in front of her knees, chin up, tongue peeking from the corner of a grin, the loose tail of her bandage swinging forward. To her right a blonde girl with a short ash-blonde bob is absorbed in her own body, twisting her torso to peer back over her shoulder at a bandage that has started to unwind from her forearm, one hand catching the trailing strip, mouth a small annoyed pout with brows drawn. At the right edge a long orange-haired girl kneels in a tall seiza with her knees slightly apart, spine upright, chin lowered so she looks out from under her bangs with a sideways glance and a lopsided smirk, one eyebrow arched, a bandage loop slipped down off her shoulder onto her upper arm. Every one of them is wrapped head to toe in dirty off-white cloth bandages, overlapping spiral turns down the limbs, layer bands flattening the torsos, strips wound up the neck under the jaw, a spiral wrapped over the brow and down across one cheek of each girl leaving the eyes, the mouth and a narrow strip of facial skin exposed, and small edges of their hair --- the black bob, the brown buns, the long red strands, the short blonde locks, the orange mane --- pushing out at the crown and where the bandage ends. The bandages are grubby, with grey rubbed patches on the knees, elbows and hip where they press the stones, and their individual bandage ends hang and curl at the ankles, wrists and shoulders. The street is a narrow cobbled lane of dark blue-grey stones running back through the frame between half-timbered facades in shadow. Warm amber light comes from iron lanterns hung on the walls and from the rows of carved pumpkins lining the footpath and stacked on doorsteps, their faces cut in crooked triangles and sickles, each glowing a deep orange on the inside; the lanterns are the only light source and beyond their pools the lane falls away into absolute dark between the buildings. Because the light sits low and to the sides, each girl throws a long hard shadow up the cobbles behind her, and the girls' own faces are lit from below by the pumpkin glow, picking out the coiled ridges of the bandages on their jaws and the moist shine of their eyes. Above, strings of small bulbs cross the lane, and flat black paper bats and ragged cloth ghosts hang from the wires, still; bare autumn branches lean over the rooftops, and scattered dry leaves have collected in the seams between the stones and one leaf is stuck against a girl's bandaged knee. The palette holds to a teal-leaden night in the walls, the slate stones and the shadows, against amber and pumpkin orange in every light source, warm cream in the bandage cloth. Low, tilted, and lit from beneath, the picture reads playful and faintly spooky.
橫山育人
AI artwork
Avatar image of 橫山育人
character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster 5 girls, five subjects, full body, full-body bandage wrappings, mummy costume, bandages covering arms and legs, bandages wound across torso and hips, mummy, kneeling, all five kneeling on the ground, halloween, halloween street, night, jack-o'-lantern, carved pumpkin lanterns, string lights, cobblestone pavement, fallen leaves, fog, from below, wide shot, low angle, group shot, kneeling, long hair, red hair, blonde hair, black hair, orange hair, ahoge, hair between eyes, twintails, double bun, red eyes, purple eyes, brown eyes, bare feet, bandaged hands, bandaged head, loosened bandage ends trailing, looking at viewer, light smile, open mouth, one eye closed, head tilt, tilted heads, cinematic lighting, warm orange lantern light, cool blue night shadows Low-angle wide shot from just above the cobblestones, the camera tilted up so the five kneeling figures rise against the night sky and the Halloween street recedes behind them in a corridor of fog. In the foreground a row of carved pumpkin lanterns sits along the curb, their jagged mouths glowing from candles inside, the warm light thrown upward onto the girls' faces and the undersides of their chins; behind them the street runs away in wet cobblestone, strung with sagging lines of small orange and purple bulbs, shopfronts dark, a paper bat garland stirring, drifts of fallen leaves gathered against the kerb. Each of the five kneels on both knees, shins flat on the stones, weight settled back on the heels, torsos upright and slightly turned so the group reads as a staggered arc rather than a line. Every one of them is wrapped from head to foot in off-white gauze bandages: layers wound in overlapping diagonal bands around the skull, leaving only the eyes and a strip of mouth and nose exposed, down the throat and the shoulders, in tight crossing turns around the chest and waist and hips, spiralling down each thigh and calf and around the ankles, with the feet and the hands wrapped so the individual fingers are bound together as blunt padded mitts. Loose ends trail from a shoulder here and a wrist there and stir in the night air. No other garment is visible anywhere on any of them. On the far left, a girl with long straight black hair spilling out from under the head wrapping in a dark sheet over her bandaged shoulders, a small bow knotted at the side of the gauze, red eyes above the wrap; she kneels with her hip dropped to one side, one bound hand raised and splayed in a stiff theatrical mummy gesture, chin lifted, mouth a thin amused line, gazing level at the viewer. Beside her a girl with short blonde hair poking in tufts through the bandages, purple eyes bright, one eye squeezed shut in a wink, her head tipped toward the girl on her left, one mittened hand lifted to her own cheek and the other braced flat on the cobblestones for balance. In the centre, a girl with brown hair in two low buns half unwrapped at the crown and a pair of twintails hanging free down her back, brown eyes wide and delighted, both bound hands clasped together at her chest, leaning slightly forward so her shoulders round toward the lens. To her right a girl with long vivid red hair escaping in a thick tail from the back of her head wrap, a single ahoge springing up through a gap in the gauze, red eyes narrowed with a lopsided smirk, one knee lifted a few centimetres off the ground as if she is about to rise, one arm hooked loosely over the other's bound shoulder. On the far right, a girl with long orange hair swept out through the wrapping and falling to her waist, brown eyes half-lidded and calm, kneeling upright with her bound hands folded in her lap, tilted a few degrees toward the centre, watching the others rather than the camera. The pumpkin lanterns are the primary light source: candle glow striking each face from below and in front, warming the bandage texture so the weave and the overlapping edges cast fine shadows, while the street's string lights give a second, weaker amber rim along their shoulders and the backs of their heads, and the fog behind them goes blue-grey and cold. The bandages darken into shadow where they wrap under the chins and inside the crooks of the elbows. Wet cobblestones mirror the lantern light in broken orange streaks that stretch long beneath the knees, and one trailing bandage end lies curled on the stones, soaked dark at its tip. Palette held to off-white gauze, pumpkin orange, deep violet night and cold blue fog. Playfully eerie, warmly theatrical.
橫山育人
AI artwork
Avatar image of 橫山育人
character: kasuga_mirai, mogami_shizuka, ibuki_tsubasa, copyright: idolmaster 3girls, full body, kneeling, mummy costume, bandages, wrapped body, halloween, street, night, from above, looking at viewer, kasuga_mirai, mogami_shizuka, ibuki_tsubasa, brown hair, long black hair, blonde hair, yellow eyes, blue eyes, pink eyes A high-angle shot looking down at three girls kneeling in a row on a cobblestone street decorated for Halloween. Each girl is completely encased in thick, off-white linen bandages that wrap tightly around their entire bodies from their necks down to their toes and ankles, leaving only their faces exposed. The bandages are crisscrossed and bound with visible tension, creating a mummy costume. To the left, a girl with short brown hair and yellow eyes tilts her head with a bright, wide-eyed grin. In the center, a girl with long black hair and blue eyes kneels with a reserved, slight blush and a soft, closed-lip smile. To the right, a girl with blonde hair and pink eyes leans slightly forward, one eyebrow arched in a mischievous smirk. They are positioned on a dark street illuminated by the warm, flickering orange glow of carved pumpkins and hanging lanterns; the light casts long, soft shadows across the stones. The background is a blur of autumnal purple and deep orange hues from the festive street decorations. The atmosphere is playful and festive.
橫山育人
AI artwork
Avatar image of 橫山育人
character: takayama_sayoko, kousaka_umi, satake_minako, yokoyama_nao, fukuda_noriko, copyright: idolmaster 5girls, full body, kneeling, wide shot, low angle, mummy, mummy costume, wrapped in bandages, bandage, cloth strips, frayed fabric, halloween, night, street, cobblestone, jack-o'-lantern, glowing pumpkins, lanterns, autumn leaves, damp ground, black hair, long hair, red eyes, short hair, blonde hair, brown eyes, brown hair, twin braids, blue eyes, ahoge, side ponytail, purple eyes, ponytail, playful, outdoors A low-angle, full-body wide shot captures five girls kneeling together in a staggered semicircle across the center of a cobblestone street decked out for Halloween night. Each girl is dressed as a mummy, her entire body snugly wrapped from shoulders to toes in layers of aged, cream-white linen bandages that overlap around their torsos, arms, and legs, with ragged frayed hems trailing against the ground. On the far left, a girl with short ruffled blonde hair and expressive brown eyes kneels with her weight shifted forward, one knee raised slightly while her wrapped palm braces against the wet stones. Beside her, a girl with long straight black hair draping down her bandaged shoulders sits in an upright, poised seiza posture, her striking red eyes gazing calmly ahead with both wrapped hands resting flat on her thighs. In the center, a girl with long brown hair arranged into twin braids falling across her chest leans playfully toward the camera, her bright blue eyes wide with enthusiasm as she raises both bandage-wrapped forearms in a mock-monster claw gesture. To her right, a girl with wavy brown hair featuring a prominent ahoge and a side ponytail sits tilted to one side, her purple eyes gleaming with a mischievous open-mouthed grin as she stretches one bandaged arm forward toward the viewer. On the far right, a girl with long brown hair tied in a high ponytail kneels back comfortably on her heels, smiling warmly with blue eyes while clasping her wrapped fingers loosely across her lap. Carved jack-o'-lanterns line the storefront curbs, their flickering candle flames casting warm amber rims along the ridges of the woven bandages and creating elongated shadows stretching back into the street. A cool twilight-purple wash from the night sky and distant string lights illuminates the wet pavement, where damp cobblestones reflect the lantern glow and darken the tips of the frayed bandage strips trailing across them. Playfully spooky and festive.
橫山育人

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ