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AI art "新山聡美(白石城下きものまつり)"
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新山聡美(白石城下きものまつり)

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2nd "Favorite Work" Contest
#Donna matura#Abbigliamento tradizionale giapponese#ornamento per capelli#Obi#Sorriso#più ragazze#Figura intera#Sound! Euphonium#motivo floreale#Satomi Niiyama#Acconciatura raccolta
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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, chignon hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A high-quality event scene set at the venue of the 「白石城下きものまつり」 held in Shiroishi City, Miyagi Prefecture. Against a background of traditional Japanese architecture, women wearing kimonos stand in a horizontal line, taking a commemorative photo for a glamorous kimono fashion show. The venue is a Japanese-style building using a lot of wood, with thick wooden pillars, dark brown waist-high walls, wooden beams, and tatami-matted floors. Behind the women, a long event banner with the name of the festival written in large letters is displayed. The banner has a white and pale purple background with large Japanese characters in black and red, conveying a festive atmosphere typical of a regional traditional event. The banner is treated as part of the background and does not hide the women's faces or kimonos. Multiple women in kimonos are lined up in a horizontal row on the screen. The women are dressed in colorful and elegant Japanese attire, standing to showcase the glamorous patterns of the kimonos, the obis, and the long sleeves. Different colors and patterns, such as blue, white, pale yellow, purple, and light pink, are lined up, enhancing each other's beauty. The kimonos are delicately decorated with floral patterns such as peonies, chrysanthemums, cherry blossoms, and plum blossoms, as well as traditional plant and flower motifs. The obis are tied luxuriously yet elegantly in colors such as gold, orange, purple, and blue. Everyone is facing forward for the event photography, showing bright and natural smiles. For the woman standing in the center, leave the character design, such as facial features and hairstyle, to the character LoRA. The woman in the center is the protagonist of this scene and has a presence that slightly draws the gaze more than the other participants. She faces the camera with a calm and elegant smile. Her posture is a beautiful standing position with her back naturally straight and both feet together. She spreads her arms slightly to the sides and lightly lifts one sleeve so that the long sleeve of the kimono looks beautiful. She also spreads her other hand naturally to show the pattern of the sleeve and the beauty of the entire kimono. Her fingertips are naturally aligned, and her wrists and arms are not unnaturally bent. The pose is elegant and modest, fitting for a commemorative photo introducing a kimono. The center woman's kimono is a high-ranking and subdued houmongi suitable for a married woman in her 30s. The base color is an elegant ivory or pale grayish-white, with rich patterns of purple, light pink, and pale blue-gray flowers and plants drawn from the hem to the chest and sleeves. The fine petal and leaf patterns are delicate, with soft colors spreading over the white ground. The pattern of the kimono is luxurious but not too flashy, giving a neat and graceful impression. The obi is a high-ranking fukuro-obi based on pale wisteria or silver-purple, woven with gold thread and delicate traditional patterns. The obi-jime and obi-age are also coordinated in pale purple or white to match the kimono, and the dressing is neat. The long sleeves spread naturally to the left and right, and beautiful patterns are visible on the inside and edges of the sleeves. On her feet are white tabi and zouri, creating a sense of unity in the overall coordination of the kimono. The woman's long hair is neatly arranged and elegantly tied, appropriate for wearing a kimono. If hair ornaments are worn, they are items that match the atmosphere of the kimono, such as small flower ornaments or modest kanzashi. Western accessories such as earrings or necklaces are not prominent, prioritizing the original beauty of the Japanese attire. The woman's expression is a soft and friendly smile, and her eyes are naturally relaxed. Instead of a tense expression or an exaggerated model pose, it should convey the joy of showing off a festive kimono at a local festival. To the left and right of the central woman, other kimono fashion show participants are lined up. The woman on the left pairs a vivid blue kimono with a gold or white obi, with large traditional patterns in black or navy blue drawn on the sleeves and hem. The woman next to her wears a glamorous kimono with a pale cream base and orange or gold flower patterns. To the right of the central woman is a woman wearing a purple kimono, and further to the right stands a woman with a pale cherry blossom or white base and large flower patterns. The surrounding women also wear kimonos and obis of different colors and patterns, spreading their sleeves to show the patterns while facing the camera with smiles. The surrounding women have a slightly more modest presence than the central woman, so that the central woman's face, kimono, and pose naturally stand out as the protagonist. There are about 5 women in total, maintaining a horizontal line, so that each person's full body and the patterns of the kimonos are visible. The floor of the venue is covered with tatami, and the boundary between the wooden or stone floor is visible in the foreground. The wooden stage has the texture of wood used for many years, and a subdued dark brown wood grain is visible on the pillars and walls. The banner in the background conveys the liveliness of the festival venue, with large red and black Japanese characters placed on a whitish background. The characters do not stand out more than necessary and serve as a background that enhances the women's appearance in kimonos. The roof and beams of the stage are visible at the top, drifting with a warm atmosphere typical of a regional traditional event. The camera is placed in front of the women, shooting from a height close to their eye level. It is a wide-angle group photo where the women's full bodies are captured from head to toe, and the shape and patterns of the kimono hems, obis, and sleeves are clearly visible. The central woman is placed almost in the center of the screen, and the participants to the left and right are lined up evenly. The composition is such that the central woman's face and kimono are particularly easy to see, and the viewer's gaze naturally moves toward the center. The camera is not tilted extremely, creating a natural horizontal composition. Ensure that the women's heads and feet are not cut off at the edges of the screen, leaving a little space on the left and right. While there are natural differences in the women's physiques and standing positions, it is clear that the central woman is the protagonist. The lighting is centered on natural light entering the Japanese-style indoor venue, with soft light that makes the women's faces and kimonos look bright. The white base of the kimonos is not blown out, and the delicate flower patterns and textile textures remain. The colors of the kimonos, such as blue, purple, light pink, orange, and gold, are expressed naturally, and the gold thread and luster of the obis shine modestly. The skin tone is natural, with soft shadows on the faces, and everyone's expressions are easy to see. The wooden background is kept at a slightly subdued brightness so that the figures in kimonos stand out in the foreground. Create an image that emphasizes natural human bodies, correct kimono structure, realistic obi tying, natural spread of sleeves, delicate Japanese patterns, and the texture of tatami and wood, as if actually photographed at a local kimono festival. The hems and sleeves of the kimonos hang naturally due to gravity, and the folds and thickness of the fabric look realistic. The shape of the women's fingers and arms is natural, and the movement of holding the kimono sleeves is not forced. Finish it as a commemorative image of participants in kimonos with the central woman as the protagonist at the venue of the 「白石城下きものまつり」. Do not add new logos, signatures, or watermarks to the image, making the central woman and the colorful kimonos the main focus.
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宮城県白石市で開催される「白石城下きものまつり」の会場を舞台にした、高品質なイベントの情景を描く。日本の伝統的な和風建築を背景に、着物を着た女性たちが横一列に並び、華やかな着物ファッションショーの記念撮影をしている。会場は木材を多く使った和風の建物で、太い木の柱、濃い茶色の腰壁、木造の梁、畳敷きの床が見える。女性たちの背後には、祭りの名前が大きく書かれた横長のイベント用横断幕が掲げられている。横断幕には白や淡い紫色を基調とした背景と、黒や赤の大きな日本語の文字が配置され、地域の伝統行事らしい華やかな雰囲気が伝わる。横断幕は背景の一部として扱い、女性たちの顔や着物を隠さない。 画面には着物姿の女性が複数人、横一列に並んでいる。女性たちは色鮮やかで上品な和装を身にまとい、華やかな着物の柄や帯、長い袖を披露するように立っている。青、白、淡い黄色、紫、薄桃色など、着物ごとに異なる色と柄が並び、互いの着物の美しさを引き立て合っている。着物には牡丹、菊、桜、梅などの花模様や、伝統的な草花の文様が繊細に描かれている。帯は金色、橙色、紫色、青色などの色を使い、豪華でありながら上品に結ばれている。全員がイベントの撮影に合わせて正面を向き、明るく自然な笑顔を見せている。 中央に立つ女性は、顔立ち、髪型などのキャラクター造形はキャラクターLoRAに任せる。中央の女性がこの情景の主役であり、ほかの参加者よりもわずかに視線を引く存在感を持っている。女性はカメラの正面を向き、落ち着いた上品な微笑みを浮かべている。姿勢は背筋を自然に伸ばした美しい立ち姿で、両足をそろえて安定して立っている。両腕を左右にやや広げ、着物の長い袖がきれいに見えるように片方の袖を軽く持ち上げる。もう片方の手も自然に広げ、袖の柄と着物全体の美しさを見せている。指先は自然にそろい、手首や腕が不自然に曲がらない。着物を紹介する記念撮影らしい、上品で控えめなポーズにする。 中央の女性の着物は、30代の既婚女性に似合う、格調高く落ち着いた訪問着。地色は上品なアイボリーまたは淡い灰白色で、裾から胸元、袖にかけて、紫、薄桃色、淡い青灰色の花々や草花の文様が豊かに描かれている。細かな花びらや葉の模様は繊細で、白地の上に柔らかな色彩が広がっている。着物の柄は豪華だが派手すぎず、清楚で優雅な印象。帯は淡い藤色や銀紫色を基調とした格調高い袋帯で、金糸や繊細な伝統文様が織り込まれている。帯締めや帯揚げも着物と調和する淡い紫や白でまとめ、着付けはきちんとしている。長い袖は左右に自然に広がり、袖裏や袖口にも美しい柄が見える。足元は白い足袋と草履で、着物全体のコーディネートに統一感がある。 女性のロングヘアはきれいに整えられ、着物姿にふさわしく上品にまとまっている。髪飾りをつける場合は、小さな花飾りや控えめなかんざしなど、着物の雰囲気に合うものにする。イヤリングやネックレスなどの洋風アクセサリは目立たせず、和装本来の美しさを大切にする。女性の表情は柔らかく親しみやすい笑顔で、目元も自然に和らいでいる。緊張した表情や大げさなモデルポーズではなく、地域のお祭りで晴れやかな着物を披露している喜びが伝わるようにする。 中央の女性の左右には、ほかの着物ファッションショー参加者が並んでいる。左側の女性は鮮やかな青い着物に金色や白の帯を合わせ、黒や紺色の大きな伝統文様が袖や裾に描かれている。その隣の女性は淡いクリーム色を基調に、橙色や金色の花模様が入った華やかな着物を着ている。中央の女性の右側には紫色の着物を着た女性がおり、さらに右には淡い桜色や白を基調に大きな花模様が描かれた女性が立っている。周囲の女性たちもそれぞれ異なる色柄の着物と帯をまとい、袖を広げて柄を見せながら、笑顔でカメラを向いている。周囲の女性たちは中央の女性よりやや控えめな存在感にし、中央の女性の顔、着物、ポーズが自然に主役として目立つようにする。女性は全部で5人前後とし、横一列のまとまりを保ち、それぞれの全身と着物の柄が見えるようにする。 会場の床は畳敷きで、前方には木材や石材の床の境界が見える。木造の舞台には長年使われてきた木の質感があり、柱や壁には落ち着いた濃い茶色の木目が見える。背景の横断幕は祭りの会場らしい活気を伝え、赤と黒の大きな日本語の文字が白っぽい背景に配置されている。文字は必要以上に目立たせず、女性たちの着物姿を引き立てる背景にする。舞台の屋根や梁は上部に見え、地域の伝統行事らしい温かな雰囲気が漂っている。 カメラは女性たちの正面に置き、目線に近い高さから撮影する。女性たちの全身が頭から足元まで画面内に収まり、着物の裾、帯、袖の形や柄が明確に見える横長の集合写真にする。中央の女性を画面のほぼ中央に配置し、左右の参加者は均等に並ぶ。中央の女性の顔と着物が特に見やすく、写真を見る人の視線が自然に中央へ向かう構図。カメラを極端に傾けず、自然な水平の構図にする。女性たちの頭や足が画面の端で切れないようにし、左右に少し余白を残す。全員の体格や立ち位置に自然な違いを持たせるが、中央の女性が主役であることは明確にする。 照明は和風の屋内会場に入る自然な光を中心に、女性たちの顔と着物が明るく見える柔らかな光。着物の白地は白飛びせず、繊細な花柄や織物の質感が残っている。青、紫、薄桃色、橙色、金色などの着物の色が自然に表現され、金糸や帯の光沢が控えめに輝く。肌色は自然で、顔には柔らかな陰影があり、全員の表情が見やすい。木造の背景は少し落ち着いた明るさにし、着物姿が前景で引き立つようにする。 実際に地域の着物祭りで撮影したような、自然な人体、正しい着物の構造、現実的な帯結び、袖の自然な広がり、繊細な和柄、畳や木材の質感を重視した映像にする。着物の裾や袖は自然な重力で垂れ、布の折り目と厚みが現実的に見える。女性たちの手指や腕の形は自然で、着物の袖を持つ動作にも無理がない。白石城下きものまつりの会場で、中央の女性を主役に着物姿の参加者たちを撮影した記念の映像に仕上げる。画像内に新たなロゴ、署名、透かしを追加せず、中央の女性と色鮮やかな着物姿を主役にする。
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pro
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﹝Prompt﹞
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2480 x 1488
Metodo di campionamento
Euler
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前髪が額の中央に垂れる, lowres, worst quality, low quality, bad anatomy, explicit

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