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AI art "新山聡美(白石城下きものまつり)"
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新山聡美(白石城下きものまつり)

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2nd "Favorite Work" Contest
#Donna matura#Abbigliamento tradizionale giapponese#più ragazze#Sound! Euphonium#Satomi Niiyama
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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, long hair neatly styled and gathered elegantly to suit a kimono appearance, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the left ring finger, depict a high-quality event scene set at the venue of the 「白石城下きものまつり」 held in Shiroishi City, Miyagi Prefecture. Against a backdrop of traditional Japanese architecture, women wearing kimonos stand in a single horizontal row, taking a commemorative photo of a glamorous kimono fashion show. The venue is a Japanese-style building using a lot of wood, with thick wooden pillars, dark brown waist-high walls, wooden beams, and tatami-mat floors visible. Behind the women, a long event banner with the name of the festival written in large letters is displayed. The banner features a background based on white and pale purple, with large Japanese characters in black and red, conveying the glamorous atmosphere of a local traditional event. The banner is treated as part of the background and does not hide the women's faces or kimonos. Multiple women in kimonos are lined up in a single horizontal row on the screen. The women are dressed in vibrant and elegant Japanese attire, standing to showcase the glamorous patterns of the kimonos, the obis, and the long sleeves. Different colors and patterns appear for each kimono, such as blue, white, pale yellow, purple, and light pink, complementing the beauty of each other's attire. The kimonos are delicately depicted with flower patterns such as peonies, chrysanthemums, cherries, and plums, as well as traditional plant and flower motifs. The obis use colors such as gold, orange, purple, and blue, tied luxuriously yet elegantly. Everyone is facing forward for the event photo, showing bright and natural smiles. For the woman standing in the center, leave the character design, such as facial features and hairstyle, to the character LoRA. The central woman is the protagonist of this scene and has a presence that draws the gaze slightly more than the other participants. She faces the camera with a calm and elegant smile. Her posture is a beautiful standing position with her back naturally straight, standing stably with both feet together. She spreads both arms slightly to the sides and lightly lifts one sleeve so that the long sleeve of the kimono looks beautiful. The other hand is also naturally spread to show the pattern of the sleeve and the beauty of the overall kimono. The fingertips are naturally aligned, and the wrists and arms are not unnaturally bent. The pose is elegant and modest, typical of a commemorative photo introducing a kimono. The central woman's kimono is a high-grade and calm houmongi that suits a married woman in her 30s. The base color is an elegant ivory or pale grayish-white, and from the hem to the chest and sleeves, flowers and plant motifs in purple, light pink, and pale blue-gray are richly depicted. The detailed petals and leaf patterns are delicate, with soft colors spreading across the white ground. The kimono pattern is luxurious but not too flashy, giving a neat and graceful impression. The obi is a high-grade fukuro-obi based on pale wisteria or silver-purple, woven with gold thread and delicate traditional patterns. The obi-shime and obi-age are also coordinated in pale purple or white to match the kimono, and the dressing is tidy. The long sleeves spread naturally to the left and right, and beautiful patterns are visible on the inside of the sleeves and the sleeve cuffs. On her feet are white tabi and zori, creating a sense of unity in the overall coordination of the kimono. The woman's long hair is neatly styled and gathered elegantly to suit the kimono appearance. If hair ornaments are used, they should be things that match the atmosphere of the kimono, such as small flower ornaments or modest kanzashi. Western accessories such as earrings or necklaces are not prominent, prioritizing the original beauty of Japanese attire. The woman's expression is a soft and friendly smile, and the eyes are also naturally relaxed. Instead of a tense expression or an exaggerated model pose, ensure that the joy of showing off a splendid kimono at a local festival is conveyed. To the left and right of the central woman, other participants of the kimono fashion show are lined up. The woman on the left wears a vivid blue kimono paired with a gold or white obi, with large traditional patterns in black or navy blue depicted on the sleeves and hem. The woman next to her wears a glamorous kimono based on pale cream with orange and gold flower patterns. To the right of the central woman is a woman wearing a purple kimono, and further right is a woman in a kimono based on pale cherry blossom pink or white with large flower patterns. The surrounding women also wear kimonos and obis of different colors and patterns, spreading their sleeves to show the patterns while facing the camera with smiles. The surrounding women are given a slightly more modest presence than the central woman, ensuring that the central woman's face, kimono, and pose naturally stand out as the protagonist. There are around 5 women in total, maintaining a horizontal row and ensuring that each person's full body and kimono pattern are visible. The floor of the venue is covered in tatami, and a boundary between wood and stone floors is visible in the foreground. The wooden stage has the texture of wood used for many years, and a calm, dark brown wood grain is visible on the pillars and walls. The banner in the background conveys the vitality of the festival venue, with large Japanese characters in red and black placed on a whitish background. The characters do not stand out more than necessary, serving as a background that enhances the women's kimono appearance. The roof and beams of the stage are visible at the top, drifting with a warm atmosphere characteristic of a local traditional event. The camera is placed in front of the women, shooting from a height close to eye level. This is a wide horizontal group photo where the women's entire bodies are captured from head to toe, and the hems, obis, shapes, and patterns of the sleeves are clearly visible. The central woman is placed almost in the center of the screen, and the participants to the left and right are lined up evenly. The composition is such that the central woman's face and kimono are particularly easy to see, naturally drawing the viewer's gaze to the center. The camera is not tilted excessively, maintaining a natural horizontal composition. Ensure that the women's heads and feet are not cut off at the edges of the screen, leaving a little margin on the left and right. Natural differences in physique and standing positions are given to everyone, but it is clear that the central woman is the protagonist. The lighting is soft light centered on natural light entering the Japanese-style indoor venue, making the women's faces and kimonos look bright. The white ground of the kimonos is not blown out, and the delicate flower patterns and textile textures remain. The colors of the kimonos, such as blue, purple, light pink, orange, and gold, are expressed naturally, and the gold thread and luster of the obis shine modestly. The skin tone is natural, with soft shadows on the faces, and everyone's expressions are easy to see. The wooden background is kept at a slightly subdued brightness so that the kimono figures stand out in the foreground. Create an image that emphasizes natural human anatomy, correct kimono structure, realistic obi knots, the natural spread of sleeves, delicate Japanese patterns, and the texture of tatami and wood, as if actually photographed at a local kimono festival. The hems and sleeves of the kimonos hang with natural gravity, and the folds and thickness of the fabric look realistic. The shape of the women's fingers and arms is natural, and the action of holding the kimono sleeves is not forced. Finish it as a commemorative image capturing the participants in kimonos at the venue of the 「白石城下きものまつり」, with the central woman as the protagonist. Do not add new logos, signatures, or watermarks to the image, making the central woman and the vividly colored kimonos the main focus.
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宮城県白石市で開催される「白石城下きものまつり」の会場を舞台にした、高品質なイベントの情景を描く。日本の伝統的な和風建築を背景に、着物を着た女性たちが横一列に並び、華やかな着物ファッションショーの記念撮影をしている。会場は木材を多く使った和風の建物で、太い木の柱、濃い茶色の腰壁、木造の梁、畳敷きの床が見える。女性たちの背後には、祭りの名前が大きく書かれた横長のイベント用横断幕が掲げられている。横断幕には白や淡い紫色を基調とした背景と、黒や赤の大きな日本語の文字が配置され、地域の伝統行事らしい華やかな雰囲気が伝わる。横断幕は背景の一部として扱い、女性たちの顔や着物を隠さない。 画面には着物姿の女性が複数人、横一列に並んでいる。女性たちは色鮮やかで上品な和装を身にまとい、華やかな着物の柄や帯、長い袖を披露するように立っている。青、白、淡い黄色、紫、薄桃色など、着物ごとに異なる色と柄が並び、互いの着物の美しさを引き立て合っている。着物には牡丹、菊、桜、梅などの花模様や、伝統的な草花の文様が繊細に描かれている。帯は金色、橙色、紫色、青色などの色を使い、豪華でありながら上品に結ばれている。全員がイベントの撮影に合わせて正面を向き、明るく自然な笑顔を見せている。 中央に立つ女性は、顔立ち、髪型などのキャラクター造形はキャラクターLoRAに任せる。中央の女性がこの情景の主役であり、ほかの参加者よりもわずかに視線を引く存在感を持っている。女性はカメラの正面を向き、落ち着いた上品な微笑みを浮かべている。姿勢は背筋を自然に伸ばした美しい立ち姿で、両足をそろえて安定して立っている。両腕を左右にやや広げ、着物の長い袖がきれいに見えるように片方の袖を軽く持ち上げる。もう片方の手も自然に広げ、袖の柄と着物全体の美しさを見せている。指先は自然にそろい、手首や腕が不自然に曲がらない。着物を紹介する記念撮影らしい、上品で控えめなポーズにする。 中央の女性の着物は、30代の既婚女性に似合う、格調高く落ち着いた訪問着。地色は上品なアイボリーまたは淡い灰白色で、裾から胸元、袖にかけて、紫、薄桃色、淡い青灰色の花々や草花の文様が豊かに描かれている。細かな花びらや葉の模様は繊細で、白地の上に柔らかな色彩が広がっている。着物の柄は豪華だが派手すぎず、清楚で優雅な印象。帯は淡い藤色や銀紫色を基調とした格調高い袋帯で、金糸や繊細な伝統文様が織り込まれている。帯締めや帯揚げも着物と調和する淡い紫や白でまとめ、着付けはきちんとしている。長い袖は左右に自然に広がり、袖裏や袖口にも美しい柄が見える。足元は白い足袋と草履で、着物全体のコーディネートに統一感がある。 女性のロングヘアはきれいに整えられ、着物姿にふさわしく上品にまとまっている。髪飾りをつける場合は、小さな花飾りや控えめなかんざしなど、着物の雰囲気に合うものにする。イヤリングやネックレスなどの洋風アクセサリは目立たせず、和装本来の美しさを大切にする。女性の表情は柔らかく親しみやすい笑顔で、目元も自然に和らいでいる。緊張した表情や大げさなモデルポーズではなく、地域のお祭りで晴れやかな着物を披露している喜びが伝わるようにする。 中央の女性の左右には、ほかの着物ファッションショー参加者が並んでいる。左側の女性は鮮やかな青い着物に金色や白の帯を合わせ、黒や紺色の大きな伝統文様が袖や裾に描かれている。その隣の女性は淡いクリーム色を基調に、橙色や金色の花模様が入った華やかな着物を着ている。中央の女性の右側には紫色の着物を着た女性がおり、さらに右には淡い桜色や白を基調に大きな花模様が描かれた女性が立っている。周囲の女性たちもそれぞれ異なる色柄の着物と帯をまとい、袖を広げて柄を見せながら、笑顔でカメラを向いている。周囲の女性たちは中央の女性よりやや控えめな存在感にし、中央の女性の顔、着物、ポーズが自然に主役として目立つようにする。女性は全部で5人前後とし、横一列のまとまりを保ち、それぞれの全身と着物の柄が見えるようにする。 会場の床は畳敷きで、前方には木材や石材の床の境界が見える。木造の舞台には長年使われてきた木の質感があり、柱や壁には落ち着いた濃い茶色の木目が見える。背景の横断幕は祭りの会場らしい活気を伝え、赤と黒の大きな日本語の文字が白っぽい背景に配置されている。文字は必要以上に目立たせず、女性たちの着物姿を引き立てる背景にする。舞台の屋根や梁は上部に見え、地域の伝統行事らしい温かな雰囲気が漂っている。 カメラは女性たちの正面に置き、目線に近い高さから撮影する。女性たちの全身が頭から足元まで画面内に収まり、着物の裾、帯、袖の形や柄が明確に見える横長の集合写真にする。中央の女性を画面のほぼ中央に配置し、左右の参加者は均等に並ぶ。中央の女性の顔と着物が特に見やすく、写真を見る人の視線が自然に中央へ向かう構図。カメラを極端に傾けず、自然な水平の構図にする。女性たちの頭や足が画面の端で切れないようにし、左右に少し余白を残す。全員の体格や立ち位置に自然な違いを持たせるが、中央の女性が主役であることは明確にする。 照明は和風の屋内会場に入る自然な光を中心に、女性たちの顔と着物が明るく見える柔らかな光。着物の白地は白飛びせず、繊細な花柄や織物の質感が残っている。青、紫、薄桃色、橙色、金色などの着物の色が自然に表現され、金糸や帯の光沢が控えめに輝く。肌色は自然で、顔には柔らかな陰影があり、全員の表情が見やすい。木造の背景は少し落ち着いた明るさにし、着物姿が前景で引き立つようにする。 実際に地域の着物祭りで撮影したような、自然な人体、正しい着物の構造、現実的な帯結び、袖の自然な広がり、繊細な和柄、畳や木材の質感を重視した映像にする。着物の裾や袖は自然な重力で垂れ、布の折り目と厚みが現実的に見える。女性たちの手指や腕の形は自然で、着物の袖を持つ動作にも無理がない。白石城下きものまつりの会場で、中央の女性を主役に着物姿の参加者たちを撮影した記念の映像に仕上げる。画像内に新たなロゴ、署名、透かしを追加せず、中央の女性と色鮮やかな着物姿を主役にする。
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﹝Prompt﹞
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2000 x 1200
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前髪が額の中央に垂れる, lowres, worst quality, low quality, bad anatomy, explicit
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