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ルルハワ塚本
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- 十字型の黄金の柄の中心に太陽の紋章を宿した真紅の宝玉がはめ込まれた幅広の長い純白の刀身を持つ聖なる大剣の全体像。背景は無地。人間はいない。
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati
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holy greatsword, single object, no humans, full view, whole sword in frame, vertical composition, floating upright, cross-shaped golden hilt, sun emblem on the hilt, crimson gem set into the center of the hilt, wide long pure white blade, plain background, seamless off-white field, product-shot lighting, high contrast, sharp focus, design piece
The image is a vertical design plate showing one holy greatsword entire, point down and floating upright at the center of a completely empty, seamless off-white field -- no ground line, no horizon, no hands, no figures, nothing else in the frame. The camera is straight-on and level with the sword's center, far enough back that the whole weapon fits with even margin above the tip of the pommel and below the blade's point; a slight downward tilt of the blade's axis (top leaning a few degrees to the right) keeps the symmetry from going rigid. The cross-shaped golden hilt spans the upper third of the frame: a broad horizontal guard with squared, slightly flared arm ends, its gold surfaces plain and polished except for one raised golden sun emblem centered on the guard's front face -- a round disc of radiating triangular rays around a small boss. Directly at the crossing point of guard and grip, framed by the sun's rays, sits a large crimson gem, cut as a faceted cabochon and rising slightly proud of the gold in a thin bezel. Above it the grip continues as a gold-wrapped shaft ending in a matching gold pommel. From the guard downward runs the blade: wide, long, pure white, with a strong straight central ridge and flat bevels falling away to keen edges, tapering to a point near the bottom edge of the frame; the white of the blade is a shade cooler than the off-white field behind it so the silhouette separates cleanly. A single soft key light from the upper left strikes the sword: a slender specular streak runs the length of the blade's left bevel, the sun emblem's raised rays catch a bright rim on their left faces, the crimson gem glows from within with one hot highlight at its upper left and a deep wine-dark core at its lower right, and a soft diffuse shadow falls on the field behind and to the right of the blade, offset from the object so the sword reads as floating in space. Palette limited to off-white, pure white, gold and a single crimson note, nothing else admitted. Quiet, ceremonial stillness.
ルルハワ塚本
1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ルルハワ塚本
holy greatsword, single object, no humans, full view, whole sword in frame, vertical composition, floating upright, cross-shaped golden hilt, sun emblem on the hilt, crimson gem set into the center of the hilt, wide long pure white blade, plain background, seamless off-white field, product-shot lighting, high contrast, sharp focus, design piece
The image is a vertical design plate showing one holy greatsword entire, point down and floating upright at the center of a completely empty, seamless off-white field -- no ground line, no horizon, no hands, no figures, nothing else in the frame. The camera is straight-on and level with the sword's center, far enough back that the whole weapon fits with even margin above the tip of the pommel and below the blade's point; a slight downward tilt of the blade's axis (top leaning a few degrees to the right) keeps the symmetry from going rigid. The cross-shaped golden hilt spans the upper third of the frame: a broad horizontal guard with squared, slightly flared arm ends, its gold surfaces plain and polished except for one raised golden sun emblem centered on the guard's front face -- a round disc of radiating triangular rays around a small boss. Directly at the crossing point of guard and grip, framed by the sun's rays, sits a large crimson gem, cut as a faceted cabochon and rising slightly proud of the gold in a thin bezel. Above it the grip continues as a gold-wrapped shaft ending in a matching gold pommel. From the guard downward runs the blade: wide, long, pure white, with a strong straight central ridge and flat bevels falling away to keen edges, tapering to a point near the bottom edge of the frame; the white of the blade is a shade cooler than the off-white field behind it so the silhouette separates cleanly. A single soft key light from the upper left strikes the sword: a slender specular streak runs the length of the blade's left bevel, the sun emblem's raised rays catch a bright rim on their left faces, the crimson gem glows from within with one hot highlight at its upper left and a deep wine-dark core at its lower right, and a soft diffuse shadow falls on the field behind and to the right of the blade, offset from the object so the sword reads as floating in space. Palette limited to off-white, pure white, gold and a single crimson note, nothing else admitted. Quiet, ceremonial stillness.
ルルハワ塚本
holy greatsword, single object, no humans, full view, whole sword in frame, vertical composition, floating upright, cross-shaped golden hilt, sun emblem on the hilt, crimson gem set into the center of the hilt, wide long pure white blade, plain background, seamless off-white field, product-shot lighting, high contrast, sharp focus, design piece
The image is a vertical design plate showing one holy greatsword entire, point down and floating upright at the center of a completely empty, seamless off-white field -- no ground line, no horizon, no hands, no figures, nothing else in the frame. The camera is straight-on and level with the sword's center, far enough back that the whole weapon fits with even margin above the tip of the pommel and below the blade's point; a slight downward tilt of the blade's axis (top leaning a few degrees to the right) keeps the symmetry from going rigid. The cross-shaped golden hilt spans the upper third of the frame: a broad horizontal guard with squared, slightly flared arm ends, its gold surfaces plain and polished except for one raised golden sun emblem centered on the guard's front face -- a round disc of radiating triangular rays around a small boss. Directly at the crossing point of guard and grip, framed by the sun's rays, sits a large crimson gem, cut as a faceted cabochon and rising slightly proud of the gold in a thin bezel. Above it the grip continues as a gold-wrapped shaft ending in a matching gold pommel. From the guard downward runs the blade: wide, long, pure white, with a strong straight central ridge and flat bevels falling away to keen edges, tapering to a point near the bottom edge of the frame; the white of the blade is a shade cooler than the off-white field behind it so the silhouette separates cleanly. A single soft key light from the upper left strikes the sword: a slender specular streak runs the length of the blade's left bevel, the sun emblem's raised rays catch a bright rim on their left faces, the crimson gem glows from within with one hot highlight at its upper left and a deep wine-dark core at its lower right, and a soft diffuse shadow falls on the field behind and to the right of the blade, offset from the object so the sword reads as floating in space. Palette limited to off-white, pure white, gold and a single crimson note, nothing else admitted. Quiet, ceremonial stillness.
ルルハワ塚本
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