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ルルハワ塚本
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- 十字型の黄金の柄の中心に太陽の紋章を宿した真紅の宝玉がはめ込まれた幅広の長い純白の刀身を持つ聖なる大剣の全体像。背景は無地。人間はいない。
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
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holy greatsword, single object, no humans, full view, whole sword in frame, vertical composition, floating upright, cross-shaped golden hilt, sun emblem on the hilt, crimson gem set into the center of the hilt, wide long pure white blade, plain background, seamless off-white field, product-shot lighting, high contrast, sharp focus, design piece
The image is a vertical design plate showing one holy greatsword entire, point down and floating upright at the center of a completely empty, seamless off-white field -- no ground line, no horizon, no hands, no figures, nothing else in the frame. The camera is straight-on and level with the sword's center, far enough back that the whole weapon fits with even margin above the tip of the pommel and below the blade's point; a slight downward tilt of the blade's axis (top leaning a few degrees to the right) keeps the symmetry from going rigid. The cross-shaped golden hilt spans the upper third of the frame: a broad horizontal guard with squared, slightly flared arm ends, its gold surfaces plain and polished except for one raised golden sun emblem centered on the guard's front face -- a round disc of radiating triangular rays around a small boss. Directly at the crossing point of guard and grip, framed by the sun's rays, sits a large crimson gem, cut as a faceted cabochon and rising slightly proud of the gold in a thin bezel. Above it the grip continues as a gold-wrapped shaft ending in a matching gold pommel. From the guard downward runs the blade: wide, long, pure white, with a strong straight central ridge and flat bevels falling away to keen edges, tapering to a point near the bottom edge of the frame; the white of the blade is a shade cooler than the off-white field behind it so the silhouette separates cleanly. A single soft key light from the upper left strikes the sword: a slender specular streak runs the length of the blade's left bevel, the sun emblem's raised rays catch a bright rim on their left faces, the crimson gem glows from within with one hot highlight at its upper left and a deep wine-dark core at its lower right, and a soft diffuse shadow falls on the field behind and to the right of the blade, offset from the object so the sword reads as floating in space. Palette limited to off-white, pure white, gold and a single crimson note, nothing else admitted. Quiet, ceremonial stillness.
ルルハワ塚本
holy greatsword, single object, no humans, full view, whole sword in frame, vertical composition, floating upright, cross-shaped golden hilt, sun emblem on the hilt, crimson gem set into the center of the hilt, wide long pure white blade, plain background, seamless off-white field, product-shot lighting, high contrast, sharp focus, design piece
The image is a vertical design plate showing one holy greatsword entire, point down and floating upright at the center of a completely empty, seamless off-white field -- no ground line, no horizon, no hands, no figures, nothing else in the frame. The camera is straight-on and level with the sword's center, far enough back that the whole weapon fits with even margin above the tip of the pommel and below the blade's point; a slight downward tilt of the blade's axis (top leaning a few degrees to the right) keeps the symmetry from going rigid. The cross-shaped golden hilt spans the upper third of the frame: a broad horizontal guard with squared, slightly flared arm ends, its gold surfaces plain and polished except for one raised golden sun emblem centered on the guard's front face -- a round disc of radiating triangular rays around a small boss. Directly at the crossing point of guard and grip, framed by the sun's rays, sits a large crimson gem, cut as a faceted cabochon and rising slightly proud of the gold in a thin bezel. Above it the grip continues as a gold-wrapped shaft ending in a matching gold pommel. From the guard downward runs the blade: wide, long, pure white, with a strong straight central ridge and flat bevels falling away to keen edges, tapering to a point near the bottom edge of the frame; the white of the blade is a shade cooler than the off-white field behind it so the silhouette separates cleanly. A single soft key light from the upper left strikes the sword: a slender specular streak runs the length of the blade's left bevel, the sun emblem's raised rays catch a bright rim on their left faces, the crimson gem glows from within with one hot highlight at its upper left and a deep wine-dark core at its lower right, and a soft diffuse shadow falls on the field behind and to the right of the blade, offset from the object so the sword reads as floating in space. Palette limited to off-white, pure white, gold and a single crimson note, nothing else admitted. Quiet, ceremonial stillness.
ルルハワ塚本
holy greatsword, single object, no humans, full view, whole sword in frame, vertical composition, floating upright, cross-shaped golden hilt, sun emblem on the hilt, crimson gem set into the center of the hilt, wide long pure white blade, plain background, seamless off-white field, product-shot lighting, high contrast, sharp focus, design piece
The image is a vertical design plate showing one holy greatsword entire, point down and floating upright at the center of a completely empty, seamless off-white field -- no ground line, no horizon, no hands, no figures, nothing else in the frame. The camera is straight-on and level with the sword's center, far enough back that the whole weapon fits with even margin above the tip of the pommel and below the blade's point; a slight downward tilt of the blade's axis (top leaning a few degrees to the right) keeps the symmetry from going rigid. The cross-shaped golden hilt spans the upper third of the frame: a broad horizontal guard with squared, slightly flared arm ends, its gold surfaces plain and polished except for one raised golden sun emblem centered on the guard's front face -- a round disc of radiating triangular rays around a small boss. Directly at the crossing point of guard and grip, framed by the sun's rays, sits a large crimson gem, cut as a faceted cabochon and rising slightly proud of the gold in a thin bezel. Above it the grip continues as a gold-wrapped shaft ending in a matching gold pommel. From the guard downward runs the blade: wide, long, pure white, with a strong straight central ridge and flat bevels falling away to keen edges, tapering to a point near the bottom edge of the frame; the white of the blade is a shade cooler than the off-white field behind it so the silhouette separates cleanly. A single soft key light from the upper left strikes the sword: a slender specular streak runs the length of the blade's left bevel, the sun emblem's raised rays catch a bright rim on their left faces, the crimson gem glows from within with one hot highlight at its upper left and a deep wine-dark core at its lower right, and a soft diffuse shadow falls on the field behind and to the right of the blade, offset from the object so the sword reads as floating in space. Palette limited to off-white, pure white, gold and a single crimson note, nothing else admitted. Quiet, ceremonial stillness.
ルルハワ塚本
object focus, solo, no humans, holy sword, full view of entire sword, wide long pure white blade, crimson gem set in the sword, golden hilt, sun emblem at center of the hilt, plain background, empty seamless background, vertical composition, slight three-quarter angle, from side, floating, still life, polished metal, rim light, high contrast shading, gold, white, crimson, cold blue-white, dark grey
A single holy sword floats alone against a completely empty seamless field of flat dark cool grey, nothing else in the frame, no floor line, no cast surface, no people, no hands, no creatures. The whole weapon hangs vertically in a slight three-quarter turn, its broad blade angled just enough to catch the light across its flat, its long axis running from lower third to the crown of the frame with the tip pointing down and the pommel near the upper edge, so the entire length fits inside the image with a clean margin at both ends. The blade is a wide, long, pure white slab of polished steel-white metal, its two edges running parallel and unbroken down its length, a crisp central ridge dividing two broad planes; down the upper half of the blade sits the fine engraved linework of a groove, and the white surface answers the light with a hard bright highlight along the left plane and a cool blue-grey shadow along the right. Above it the golden hilt: a swept crossguard of warm gold, its quillons curving outward and slightly up toward the blade, the metal worked with small repeated ornament and worn to a soft matte sheen at the tips. At the exact center of the hilt, where guard, grip and blade meet, a roundel of golden rays spreads outward in a carved sun emblem, its points radiating evenly, each ray beveled so its edge glints. Set into the heart of that sun, framed by the gold, is a single cabochon crimson gem, deep blood-red and glassy, its domed face carrying one small sharp specular spark and a faint inner glow that darkens toward its rim. The grip rises above the roundel, wrapped in gold-toned bands over a darker core, and ends in a simple heavy gold pommel. The light comes from one high cold source at the upper left: it strikes the sword's left face, lays a thin white rim along the leading edge, and drops the right side into cool shadow, so the blade throws a soft narrow reflection into the empty grey and a faint dark halo of occlusion sits where the gold meets the steel; beyond the sword the darkness is even and absolute. Palette is held to pure white, warm gold, crimson and the cold grey field. Clean linework, crisp cel shading with hard-edged shadow shapes, smooth metal rendering, no grain, no texture on the background. Regal, still.
ルルハワ塚本
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