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Contest Entry
PixAI โHalloween Oddities Clubโ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Mostra parametri
- Immissione richiesta originale
- 1girl, multicolored hair, black hair, white hair, streaked hair, symbol-shaped pupils, x-shaped pupils, long hair, black eyes, red pupils, hair between eyes, red streaks, short hair, long sleeves, two-tone hair, mostly black hair, coat, white streaks, gloves, colored extremities, jewelry, black hands, jacket, shirt, dress, vampire, black gloves, messy asymmetrical bob, several desiccated male bodies lie on the floor in the background, skyscraper high-rise interior background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, detached look, elegant, seductive pose
- Modalitร
- pro
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piรน
n2
artist: ratatatat74
1girl, solo, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, white streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, vampire, fangs, black gloves, gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, beautiful face, malevolent expression, seductive look, detached look, elegant, standing, from below, dutch angle, cowboy shot, looking down at viewer, half-closed eyes, head tilt, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, floor-to-ceiling windows, white outline, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, moody atmosphere, masterwork, best quality, highres, absurdres, detailed shading,
From a low dutch angle in a cowboy shot, the vampire woman stands in the foreground of a skyscraper high-rise interior, the camera tilted so the glass curtain wall and the city's light-streaked night run diagonal behind her. She is caught mid-step, weight sunk into her right hip with her left leg crossed in front of it, one black-gloved hand resting flat on the cold window glass beside her shoulder and the other hanging loose with the fingers half-curled. Her head is tipped down and to her right, chin lowered; her half-lidded black eyes with glowing red x-shaped pupils look straight down the lens at the viewer, and her mouth reads malevolent, seductive and detached all at once -- a faint asymmetric smirk with one fang just showing, one brow slightly raised, utterly unhurried. Her messy asymmetrical bob is cut shorter on her right and falls longer past her jaw on the left, a two-tone black-and-white mass shot through with red and white streaks, stray locks falling between her eyes; the window's backlight makes a hard white rim run down her left side and through her hair, and the draft off the glass lifts a few loose strands. The white outline holds her whole silhouette crisp against the dark. She is elegant in a long-sleeved shirt buttoned to the throat under an open tailored jacket, a coat hanging from her shoulders, and a dress whose hem breaks the line of the coat; black gloves cover black hands to the wrist, small jewelry catching a pinpoint of light at her ear and throat.
Behind her, out of focus but unmistakable, several desiccated male bodies lie on the floor in the background, collapsed across the polished stone in the middle distance between her and the window wall, their clothes dried and clinging, one arm outstretched toward a fallen chair. The floor is a mirror of dark polished stone in which her legs and the bodies smear into long vertical reflections, brighter at the edges and darker at the core. The only light is the city's glow pressing in through the glass behind her, cold and blue-white and volumetric in the haze inside the room, with the darkness in front of her absolute and rim lighting burning along every silhouette edge. Palette: black, white, cold glass blue-grey, nothing warm except the red of her pupils, streaks and lips. High-contrast cel shading with crisp shadow shapes and a shallow depth of field that keeps her face needle-sharp while the bodies soften into the dark. Ominous, effortlessly elegant.
nyx20
n2
artist: ratatatat74
1girl, solo, vampire, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, black streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, pale skin, sharp fangs, beautiful face, long sleeves, dress, shirt, jacket, coat, black gloves, black hands, colored extremities, jewelry, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, night, floor-to-ceiling windows, city lights, white outline, volumetric lighting, ominous lighting, depth of field, from below, low angle, full body, looking down at viewer, half-closed eyes, malevolent, seductive look, detached look, elegant, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, cinematic perspective, wide angle lens
Viewed from a low angle, the vampire girl stands tall in the foreground of a skyscraper high-rise interior at night, the wide-angle lens stretching the polished marble floor toward her boots while the city's grid of lights burns far below through a wall of rain-beaded floor-to-ceiling windows. Her messy asymmetrical bob falls unevenlyโone side cropped short and tousled, the other sweeping long past her jawโa tangle of white and black strands threaded with vivid red and black streaks, a few loose locks hanging between her brows and casting thin shadows across her forehead. Her black eyes hold red x-shaped pupils, the symbol-shaped irises catching the window light like cut garnet. She wears a layered outfit: a slim dress beneath an open shirt, a cropped jacket, and a long sweeping coat whose long sleeves end at her wrists, her hands and lower forearms black-gloved, the dark coloring climbing past the gloves like tinted skin. Fine jewelry glints at her throat and wrists against the dark fabric. Her chin tips down toward the camera, half-lidded eyes carrying a detached, malevolent calm, red pupils fixed on the viewer with a seductive stillness, the corner of her mouth faintly lifted to bare a pointed fang. Behind her, several desiccated male bodies lie crumpled on the floor in a loose scatter, their limbs stiff and grey, one outstretched hand just short of the heel of her boot; the depth of field softens them into a grim midground while she alone is razor-sharp. Volumetric shafts of cold blue city light slant through the glass and cut across her face and coat collar, rimming her silhouette in a pale white outline against the large dim interior; high-contrast sharp cel-shading and moody shadows tuck the corners of the room into blackness. Cinematic, ominous, lethal elegance.
nyx20
n2
artist: ratatatat74
1girl, solo, vampire, long hair, short hair, asymmetrical bob, three-tone hair, multicolored hair, black hair, white hair, red hair, black streaks, streaked hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, elegant, malevolent expression, seductive look, detached look, half-closed eyes, looking at viewer, head tilt, coat, jacket, shirt, dress, long sleeves, black gloves, black hands, colored extremities, jewelry, standing, one hand raised, curtain of glass behind her, several desiccated male bodies lying on the floor, desiccated corpses, skyscraper high-rise interior, night, floor-to-ceiling window, city lights, volumetric lighting, ominous lighting, rim lighting, backlighting, depth of field, white outline, sharp cel-shading, high contrast, wide-angle perspective, cinematic composition, from below, cowboy shot, dark palette, deep black, bone white, arterial red, moody atmosphere, masterpiece, best quality, absurdres
The camera sits low and close, tilted up from floor level so the vampire girl towers over the lens in a cowboy shot from mid-thigh to the top of her head. She stands just off-centre on the right of the frame, weight sunk onto her left hip and left leg, right knee relaxed and slightly bent, shoulders tipped a few degrees off square so her silhouette cuts a long diagonal against the window. Her chin is lowered and turned a fraction toward her right shoulder, giving a three-quarter view of a beautiful face held in flat, detached calm โ lids heavy and half-closed over black eyes, the red x-shaped symbols in her pupils glinting flat and graphic, one dark brow lifted a hair's breadth while her mouth stays closed and unsmiling, the corner barely dented. She looks straight down the lens with a seductive, malevolent stillness, holding the viewer's gaze without warmth.
Her hair is three tones cut as an asymmetrical bob: the longer side, her left, falls in a blunt black curtain past the jaw, the cropped right side cut high and sharp; white and black streaks run through it, a red streak catches the rim light along the crown, and a single lock drops between her brows to the bridge of her nose. The low backlight behind the glass lifts a few strands into a thin hot halo.
She wears a layered dark outfit: a pale shirt buttoned high, a black dress falling to mid-thigh over it, and a long-sleeved coat-jacket of structured techwear tailoring โ high collar, sharp seams, matte black with a faint sheen โ hanging open from her shoulders. Long sleeves end in black gloves fitted over black hands, the fingers of her right hand lifted to shoulder height, wrist slack, one gloved fingertip resting against the collar edge, the other fingers curled and spread; thin silver jewelry at her throat and one slim band at her wrist catch the city light as small cold points. Her left hand hangs loose at her side, knuckles grazing the coat hem.
Behind her the interior of a skyscraper high-rise opens out: a wall of floor-to-ceiling glass, the dark grid of the city far below, a bare polished concrete floor. Several desiccated male bodies lie sprawled across that floor in the midground โ three of them, limbs at wrong angles, skin drawn tight and grey over bone, clothing sunken and slack, one arm across another's shin โ shallow and out of focus under a thin fall of dust. The only light source is the cold blue-white city glow and the hard backlight spilling in through the glass behind her: it rims her hair, her shoulders and the coat's outer edges in white, drops the front of her face into low-key shadow that keeps only her eyes readable, and throws her long shadow forward toward the camera across the concrete and across the nearest body's outflung sleeve. The white outline traces her whole silhouette against the dark glass.
Palette discipline: deep black, bone white and arterial red, nothing else admitted โ black in the hair's long side, the coat, the gloves and the shadow; white in the cropped hair, the shirt and the rim light; red only in her pupils, one hair streak, and the thin red seam running along the coat's inner lining. The scene is quiet dread, effortlessly elegant.
nyx20
n2
artist: ratatatat74
1girl, solo, close angle, cowboy shot, from below, dutch angle, looking down at viewer, half-closed eyes, lidded eyes, seductive look, malevolent, elegant, flirting, light smile, head tilt, one hand on hip, other hand raised, finger to lips, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, multicolored hair, two-tone hair, mostly black hair, black hair, white streaks, red streaks, streaked hair, messy asymmetrical bob, short hair, long hair, hair between eyes, beautiful face, vampire, fangs, long sleeves, coat, long coat, jacket, shirt, dress, gloves, black gloves, colored extremities, black hands, jewelry, earrings, necklace, white outline, several desiccated charred male bodies, corpses on floor, background, skyscraper high-rise interior background, floor-to-ceiling windows, volumetric lighting, god rays, ominous lighting, depth of field, backlighting, rim light, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, techwear details, moody atmosphere, sharp eyes, masterpiece, best quality, absurdres, highres
The camera sits low and close, tilted on a slight dutch angle so the skyscraper floor recedes past her up and away; she fills the frame from the thighs to just above the crown, towering over the lens. Her weight rests on her right hip, left leg relaxed and turned out, torso twisted a quarter toward the camera so the long coat's open front swings back off her shoulder and the jacket beneath reads as a cropped hard-edged layer over the dress and shirt collar; her right hand settles flat at her hip with the thumb hooked into the coat belt, black glove creasing at the knuckles, colored extremity showing at the seam, and her left hand rises to press a gloved fingertip against her lips with the nails catching one thin red highlight. Her chin tips down, the messy asymmetrical bob breaking sharp and uneven on one side and long toward the other, black strands crossed with white and red streaks falling loose between her eyes, and her stare comes straight down the barrel of the lens โ black irises with red x-shaped pupils, lids heavy, one brow lifted just enough to read as a dare, lip corners curled on one side, a single sharp fang showing. Behind her the high-rise interior opens into a dark glass-walled hall: steel ribs, exposed conduit, a broad window band of night city haze far back, and across the polished floor several desiccated charred male bodies lie in the background, blackened limbs curled, ash flaking off them in place, contact shadows pooled tight under each โ kept smaller by the shallow depth of field so they read as a fact of the room, not as a second subject. A cold volumetric shaft from the window band cuts across the space behind her shoulder; the warm rim of the room's accent strip catches the outer edge of her coat, her shoulder line and the white outline tracing her whole silhouette against the darker hall, while the near side of her face falls into the shadow of her own hair. Palette holds tight to black, white, ash grey and deep night blue with red the only saturated note โ in the pupils, the hair streaks, the seam of her gloves and the thin accent strip. Her coat's hem lifts at the motion of the turn and settles toward the window's draught. Ominous, effortlessly stylish.
nyx222026
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