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Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Mostra parametri
- Immissione richiesta originale
- 1girl, multicolored hair, black hair, white hair, streaked hair, symbol-shaped pupils, x-shaped pupils, long hair, black eyes, red pupils, hair between eyes, red streaks, short hair, long sleeves, two-tone hair, coat, black streaks, gloves, colored extremities, jewelry, black hands, jacket, shirt, dress, vampire, black gloves, messy asymmetrical bob, several desiccated male bodies lie on the floor in the background, skyscraper high-rise interior background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, detached look, elegant
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piùn2
artist: ratatatat74
1girl, solo, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, white streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, vampire, fangs, black gloves, gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, beautiful face, malevolent expression, seductive look, detached look, elegant, standing, from below, dutch angle, cowboy shot, looking down at viewer, half-closed eyes, head tilt, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, floor-to-ceiling windows, white outline, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, moody atmosphere, masterwork, best quality, highres, absurdres, detailed shading,
From a low dutch angle in a cowboy shot, the vampire woman stands in the foreground of a skyscraper high-rise interior, the camera tilted so the glass curtain wall and the city's light-streaked night run diagonal behind her. She is caught mid-step, weight sunk into her right hip with her left leg crossed in front of it, one black-gloved hand resting flat on the cold window glass beside her shoulder and the other hanging loose with the fingers half-curled. Her head is tipped down and to her right, chin lowered; her half-lidded black eyes with glowing red x-shaped pupils look straight down the lens at the viewer, and her mouth reads malevolent, seductive and detached all at once -- a faint asymmetric smirk with one fang just showing, one brow slightly raised, utterly unhurried. Her messy asymmetrical bob is cut shorter on her right and falls longer past her jaw on the left, a two-tone black-and-white mass shot through with red and white streaks, stray locks falling between her eyes; the window's backlight makes a hard white rim run down her left side and through her hair, and the draft off the glass lifts a few loose strands. The white outline holds her whole silhouette crisp against the dark. She is elegant in a long-sleeved shirt buttoned to the throat under an open tailored jacket, a coat hanging from her shoulders, and a dress whose hem breaks the line of the coat; black gloves cover black hands to the wrist, small jewelry catching a pinpoint of light at her ear and throat.
Behind her, out of focus but unmistakable, several desiccated male bodies lie on the floor in the background, collapsed across the polished stone in the middle distance between her and the window wall, their clothes dried and clinging, one arm outstretched toward a fallen chair. The floor is a mirror of dark polished stone in which her legs and the bodies smear into long vertical reflections, brighter at the edges and darker at the core. The only light is the city's glow pressing in through the glass behind her, cold and blue-white and volumetric in the haze inside the room, with the darkness in front of her absolute and rim lighting burning along every silhouette edge. Palette: black, white, cold glass blue-grey, nothing warm except the red of her pupils, streaks and lips. High-contrast cel shading with crisp shadow shapes and a shallow depth of field that keeps her face needle-sharp while the bodies soften into the dark. Ominous, effortlessly elegant.
nyx20
n2
artist: ratatatat74
1girl, solo, vampire, long hair, short hair, asymmetrical bob, three-tone hair, multicolored hair, black hair, white hair, red hair, black streaks, streaked hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, elegant, malevolent expression, seductive look, detached look, half-closed eyes, looking at viewer, head tilt, coat, jacket, shirt, dress, long sleeves, black gloves, black hands, colored extremities, jewelry, standing, one hand raised, curtain of glass behind her, several desiccated male bodies lying on the floor, desiccated corpses, skyscraper high-rise interior, night, floor-to-ceiling window, city lights, volumetric lighting, ominous lighting, rim lighting, backlighting, depth of field, white outline, sharp cel-shading, high contrast, wide-angle perspective, cinematic composition, from below, cowboy shot, dark palette, deep black, bone white, arterial red, moody atmosphere, masterpiece, best quality, absurdres
The camera sits low and close, tilted up from floor level so the vampire girl towers over the lens in a cowboy shot from mid-thigh to the top of her head. She stands just off-centre on the right of the frame, weight sunk onto her left hip and left leg, right knee relaxed and slightly bent, shoulders tipped a few degrees off square so her silhouette cuts a long diagonal against the window. Her chin is lowered and turned a fraction toward her right shoulder, giving a three-quarter view of a beautiful face held in flat, detached calm — lids heavy and half-closed over black eyes, the red x-shaped symbols in her pupils glinting flat and graphic, one dark brow lifted a hair's breadth while her mouth stays closed and unsmiling, the corner barely dented. She looks straight down the lens with a seductive, malevolent stillness, holding the viewer's gaze without warmth.
Her hair is three tones cut as an asymmetrical bob: the longer side, her left, falls in a blunt black curtain past the jaw, the cropped right side cut high and sharp; white and black streaks run through it, a red streak catches the rim light along the crown, and a single lock drops between her brows to the bridge of her nose. The low backlight behind the glass lifts a few strands into a thin hot halo.
She wears a layered dark outfit: a pale shirt buttoned high, a black dress falling to mid-thigh over it, and a long-sleeved coat-jacket of structured techwear tailoring — high collar, sharp seams, matte black with a faint sheen — hanging open from her shoulders. Long sleeves end in black gloves fitted over black hands, the fingers of her right hand lifted to shoulder height, wrist slack, one gloved fingertip resting against the collar edge, the other fingers curled and spread; thin silver jewelry at her throat and one slim band at her wrist catch the city light as small cold points. Her left hand hangs loose at her side, knuckles grazing the coat hem.
Behind her the interior of a skyscraper high-rise opens out: a wall of floor-to-ceiling glass, the dark grid of the city far below, a bare polished concrete floor. Several desiccated male bodies lie sprawled across that floor in the midground — three of them, limbs at wrong angles, skin drawn tight and grey over bone, clothing sunken and slack, one arm across another's shin — shallow and out of focus under a thin fall of dust. The only light source is the cold blue-white city glow and the hard backlight spilling in through the glass behind her: it rims her hair, her shoulders and the coat's outer edges in white, drops the front of her face into low-key shadow that keeps only her eyes readable, and throws her long shadow forward toward the camera across the concrete and across the nearest body's outflung sleeve. The white outline traces her whole silhouette against the dark glass.
Palette discipline: deep black, bone white and arterial red, nothing else admitted — black in the hair's long side, the coat, the gloves and the shadow; white in the cropped hair, the shirt and the rim light; red only in her pupils, one hair streak, and the thin red seam running along the coat's inner lining. The scene is quiet dread, effortlessly elegant.
nyx20
n2
artist: ratatatat74
1girl, solo, vampire, multicolored hair, two-tone hair, mostly black hair, black hair, white hair, white streaks, red streaks, streaked hair, long hair, short hair, messy asymmetrical bob, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, pale skin, black hands, colored extremities, black gloves, gloves, long sleeves, coat, jacket, shirt, dress, jewelry, standing, contrapposto, hand on own hip, head tilt, looking at viewer, half-closed eyes, malevolent expression, seductive look, detached look, elegant, seductive pose, from below, cowboy shot, dutch angle, white outline, volumetric lighting, ominous lighting, rim lighting, backlighting, high contrast, depth of field, sharp cel-shading, wide angle, skyscraper high-rise interior background, floor-to-ceiling windows, city skyline at night, several desiccated male bodies lying on the floor in the background, dim interior
Shot from a low dutch angle, the vampire girl dominates the frame in a cowboy shot, the camera tilted so the vertical mullions of the floor-to-ceiling windows rake diagonally behind her. She stands in a lazy contrapposto, weight sunk into her right hip, left knee eased forward, torso turned a quarter away while her chin tips down and her eyes come back up under half-lowered lids to pin the viewer — black sclera and red x-shaped pupils catching two pinpoint highlights, malevolent and seductive and entirely detached all at once, one corner of her mouth barely lifted. Her right hand rests flat on her hip, black-gloved fingers spread over the jacket's leather; her left arm hangs loose, gloved fingers half-curled, one fingertip of bare black-skinned wrist showing between glove cuff and sleeve. Her messy asymmetrical bob falls heavy and black on the right, chopped short above the jaw, while the left side runs long past the shoulder in strands of white and red streaking through the black, a few loose pieces hanging between her eyes. She wears the black jacket open over a shirt and a short dress, long sleeves pushed to the wrist, silver jewelry at her ears and throat and a chain across the jacket. Behind her the high-rise interior recedes in shallow depth of field — dark polished floor, a low console, and several desiccated male bodies sprawled and crumpled on the ground in the far background, shrunk to grey silhouettes, one overturned chair beside them. Cold blue-white city light pours in through the glass behind her, the sole source, rimming her hair and shoulders in a hard white edge and leaving her face lit only by the faintest bounce; her shadow stretches long and distorted toward the camera. Volumetric haze hangs in the window light, catching dust. Palette of black, cold steel blue and blood red, nothing else. Sharp cel-shaded edges, high contrast, deep blacks, the white rim outlining her entire silhouette. Ominous, effortlessly elegant.
nyx20
n2
artist: ratatatat74
1girl, solo, vampire, messy asymmetrical bob, long hair, black hair, white hair, two-tone hair, streaked hair, white streaks, red streaks, hair between eyes, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, beautiful face, sharp eyes, black gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, several desiccated male bodies lying on the floor, skyscraper high-rise interior background, white outline, volumetric lighting, ominous lighting, depth of field, seductive pose, malevolent, detached, elegant, looking at viewer, from above, full body, dutch angle, sharp cel-shading, high contrast, rim lighting, backlighting, wide angle, cinematic, vibrant accent colors, moody atmosphere, masterwork, high quality, CG
Shot from a high angle in a wide-angle lens with a slight dutch tilt, the vampire woman stands alone at the centre of a glass-walled penthouse office floor of a skyscraper, her body angled three-quarters to the camera while her chin tips down and her black eyes with their red x-shaped pupils look straight up into the lens. Her messy asymmetrical bob is cut high on her right side and sweeps longer and heavier on the left, mostly black, with white streaks slicing through the fringe falling between her eyes and red streaks catching light along the longer left length; the long hair extending from the back of her head spills down behind her shoulders across the collar of her coat and stirs slightly in the air off the window. Her lips are parted in a faint, cold half-smile, one brow lifted barely a millimetre, her expression seductive and detached at once.
Her weight rests on her left leg, hip cocked, right knee bent and the toe of her black boot set forward on the polished concrete; her right hand rests gloved and black at the hollow of her throat, fingertips just touching a drop of jewelry at her collarbone, while her left arm hangs loose, black-gloved fingers trailing against the seam of her coat. She wears the black jacket open over a white-collared shirt and a short dark dress, long sleeves loose at the wrists, the coat's hem flaring back behind her knees.
Around her on the floor lie several desiccated male bodies, faces down and limbs collapsed at unnatural angles, dried and grey, one forearm reaching across a seam in the concrete, another slumped against the base of a steel desk; they are pushed to the lower third and the middle distance, softened by shallow depth of field, the nearest one just entering the blur of the foreground.
Behind her, the floor-to-ceiling windows of the high-rise wall frame a dusk city grid of towers and blinking aircraft beacons; behind her head and shoulders the sky glows cold and blue through the glass, and the only warm light in the room is the low sun rimming her hair, her shoulders and one edge of her jaw. The interior lights are off, so the volumetric shafts through the glass catch fine dust and cast long, hard shadows of her and the fallen bodies across the floor toward the camera. The palette holds black, white, cold steel blue and grey concrete, with red restricted to her pupils, her hair streaks and the distant beacons. Every figure and object is outlined by a thin, crisp white contour against the darkened interior, cel-shaded with hard-edged shadow and high contrast. Ominous, effortlessly elegant.
nyx20
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Winter joy in the snow
FriddaTiss
kyramisu
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Hu Tao
KanKan Matcha
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❄️Lolicia❄️
weirdcore...
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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