Avatar image of Osmond
avatar-frame

Osmond

Flux images made without costs! :https://redpandaai.com/tools/flux.1-dev Hugging face image generation is no longer free, is restricted and need to pay now: https://huggingface.co/black-forest-labs/FLUX.1-dev https://huggingface.co/black-forest-labs/FLUX.1-schnell Some of my expressions are restricted in PixAi; here are a few alternatives: https://civitai.com/user/Osmond/posts

作品コレクション
AI artwork
Avatar image of Osmond
1girl, mature female, housewife, 1950s, monochrome, greyscale, high contrast, heavy film grain, film scratches, dust, vignetting, soft focus edges, static tv camera, close-up, leaning forward, too close to lens, looking at viewer, uncomfortably direct eye contact, dead eyes, unblinking, wide-eyed, frozen smile, bared teeth, holding casserole, steam, both hands on dish, quilted oven mitts, 1950s hairstyle, crisp apron, day dress, vintage kitchen, chrome refrigerator, checkered linoleum floor, coffee percolator, gingham curtains, retro commercial still, uncanny, deadpan From a static, straight-on period television broadcast camera framing set uncomfortably close to the subject, a middle-aged 1950s housewife leans slightly forward into the lens, filling the midground with suffocating immediacy. Her neatly sculpted, hairsprayed pin curls frame a face locked in a rigid, unnervingly wide commercial smile with exposed teeth, completely betrayed by wide, unblinking dead eyes that bore straight into the camera lens with unwavering, uncomfortably direct eye contact. She wears a buttoned mid-century day dress beneath a pristine white apron; both of her hands, bundled in thick quilted oven mitts, firmly clamp the handles of a heavy ceramic casserole dish presented at chest height. Plumes of pale steam billow upward from the piping-hot dish, rising in smooth, unbroken vertical columns directly past her motionless face, undisturbed by any breathing. Immediately behind her in the slightly soft-focus background, the 1950s kitchen features a bulky refrigerator with a gleaming rounded chrome latch, a metallic countertop percolator, a small window dressed in ruffled gingham curtains, and a glossy checkered linoleum tile floor stretching underfoot. Harsh, high-contrast studio floodlighting strikes her from the front, etching crisp graphic linework and sharp ink-like shadows across her features and the kitchen cabinets, banishing midtones into pure velvety blacks and blinding whites. Heavy analog film grain, intermittent vertical scratches, tiny specks of scanner dust, and pronounced dark circular vignetting at the frame edges authenticate the degraded broadcast capture. Sinister uncanny satire.
Sep 25, 2026 5:48 AM
AI artwork
Avatar image of Osmond
monochrome, greyscale, 1950s \(style\), 4:3, low aerial shot, wide shot, from above, bald eagle, parade balloon, inflatable, rubber, glossy, seams, rigid wings, beak open, open mouth, suspension wire, suburb, houses, rooftops, high contrast, retro artstyle, vintage media, heavy film grain, film scratches, soft focus, vignetting, deadpan, absurd A low aerial wide shot in vintage 4:3 television framing looks down at an American suburban neighborhood, centered on an obviously artificial bald eagle parade balloon hovering unnaturally in mid-air. The bird is constructed from thick, stiff rubber with visible wrinkled heat-sealed seams running along its underbelly and the edges of its rigid, unflapping wings. Its yellow-cast bill is molded wide open in a frozen, hollow scream, while specular highlights gleam sharply across the curved, pressurized dome of its inflated synthetic head. Fastened to the base of the balloon's tail, a thin metallic suspension wire drops taut and dead straight, cutting diagonally across the sky toward the shingled rooftops below before terminating out of frame, rendering the crude staging plainly visible. Below, rows of identical post-war suburban houses, tidy front yards, and pale asphalt driveways recede into soft focus under an even, overcast sky. Rendered in high-contrast black-and-white with crisp, ink-like contours delineating the balloon's silhouette against deep atmospheric shadows. Heavy broadcast film grain, vertical film scratches, and dark optical vignetting frame the four corners of the screen. Absurd, deadpan satirical.
Sep 25, 2026 5:48 AM
AI artwork
Avatar image of Osmond
1child, monochrome, greyscale, film grain, vintage broadcast, 1950s \(style\), medium shot, front view, standing, at attention, oversized shirt, collared shirt, holding chalk, whiteboard, english text, looking at viewer, wide eyes, dead eyes, fake smile, vignetting, film artifacts, dust Static front-facing period television camera framing, eye-level medium shot. A single small six-year-old child stands dead-center and unnaturally stiff at attention against the backdrop of a mid-century studio set. The child's posture is rigidly vertical, heels pressed together, shoulders locked back, and both arms pinned tightly against the flanks. The child wears a baggy, oversized long-sleeved collared shirt whose shoulder seams droop far past the shoulders and whose cuffs bunch thick around the wrists, leaving only small hands exposed; one hand grips a short cylinder of chalk against the thigh. Facing dead-on into the lens, the child's eyes remain wide, unblinking, and entirely hollow, while the mouth is forced into an exaggerated, mechanical rehearsed smile, cheeks taut and teeth bared without reaching the cold upper face. Dominating the background directly behind the child is a large classroom whiteboard; written across its surface in heavy, wobbly childlike crayon handwriting are the words "TRUMP TV 4EVER" in crooked, unevenly spaced capital letters. Harsh overhead studio floodlights cast strong top-down illumination, throwing high-contrast rim highlights across the child's short neat hair and stiff shirt collar while projecting a crisp, dense cast shadow directly onto the pale whiteboard surface behind. High-contrast monochrome rendering built from sharp ink-like outlines and intense tonal contrast between deep lampblack shadows and blown-out broadcast whites, degraded by dense organic film grain, vertical film scratches, scattered dust motes, and soft-focus vignetting that darkens the outer rounded borders of the frame. Deadpan, uncanny.
Sep 25, 2026 5:48 AM
前へ次へ