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u5

usermio5814

作品コレクション
AI artwork
u5
Artist: miyase_mahiro. liberalio (NIKKE), a left fang. A soft anime illustration with thin, slightly warm line art and painterly cel shading, smooth airbrushed gradients on the skin and muted warm colors. 1girl wears a short white camisole slip with thin spaghetti straps edged in pink, pink piping along the neckline and armholes, a small pink bow at the center of the chest, thin fabric that clings to her torso and gathers into soft folds at her waist, and a hem that ends at the top of her thighs. She is sitting on a bed in a distinct W-sitting pose. Her buttocks rest on the mattress between her feet. Both knees are bent and positioned in front of her, with her thighs angled forward and slightly inward. Her lower legs fold backward and spread outward to either side of her hips, with each foot resting beside the corresponding hip and the tops of her feet resting against the bedding. Her legs form a clear W-shaped silhouette when viewed from above. The soft mattress and bedding gently compress beneath her hips, knees and lower legs. Her upper body leans slightly forward. She raises both arms diagonally upward and forward toward the camera, with her elbows naturally bent and her hands positioned above and in front of her head. Her arms extend outward at an oblique angle, forming a wide, natural gesture as she presents a pair of white panties directly toward the viewer. She holds the white panties between both hands, stretching the waistband taut and displaying the garment toward the camera. The hand on the right side of the frame pinches one upper corner of the waistband and lifts it. The hand on the left side of the frame is open, with the palm facing the camera and all five fingers spread, supporting the fabric across her fingertips. The panties have pink trim, a delicate lace edge and a small pink bow at the front. They are held wide open and angled toward the lens, making their shape and details clearly visible. The panties occupy the foreground above her forehead, with both hands visible on either side. She lifts her chin and looks directly into the camera. Her face is tilted upward, and her eyes meet the lens naturally. Her expression remains clearly visible beneath the raised panties, creating direct eye contact with the viewer. The camera is positioned high above her, approximately from a ceiling-level viewpoint, looking steeply downward at an angle of about 75–80 degrees. The camera is slightly toward the front of her face rather than directly behind her head, allowing her upturned face and direct gaze to remain visible. A near-top-down overhead composition with strong perspective and natural foreshortening. Her head, shoulders, raised arms, displayed panties, torso and W-shaped seated legs are all clearly visible from above. Her hands and the panties extend toward the elevated camera and appear closer to the lens. Her knees spread outward on the mattress, while her lower legs fold backward beside her hips, clearly revealing the W-shaped leg arrangement. The bed occupies most of the frame, emphasizing the overhead viewpoint. Vertical portrait composition, pronounced high-angle perspective, clear spatial layering, the entire figure and both hands kept inside the frame. The interior of a cozy bedroom, with the girl sitting on a bed covered in soft, lightly wrinkled bedding. Pillows rest near the headboard, with a neatly arranged duvet gathered naturally around her legs. A bedside table, a small bedside lamp and softly draped curtains establish the bedroom setting. Warm, muted decorative accents and comfortable textiles create a peaceful, lived-in atmosphere. The bed and bedding remain the primary visible environment from the elevated camera position. Warm late-afternoon sunlight enters from the left, creating broad, soft-edged bands of light across the bedding. The light gently illuminates her upturned face, raised arms and white clothing, creating subtle highlights along her left shoulder and arm. Soft natural shadows form beneath her body, around her bent knees and in the folds of the duvet. The atmosphere is slightly hazy, with no visible dust motes and no lens flare. Exactly one girl, five distinct fingers on each hand with correct joints, naturally bent elbows, both arms raised diagonally forward toward the camera, both hands fully visible, the entire pair of panties inside the frame, direct eye contact with the camera, clearly visible face, white camisole slip and white panties clearly readable as separate garments, anatomically coherent W-sitting pose on a bed, buttocks resting on the mattress between the feet, knees bent in front, lower legs folded backward and splayed outward beside the hips, clearly visible W-shaped leg arrangement, elevated camera position, steep 75–80-degree downward viewing angle, near-top-down perspective, no text, no watermark, no background characters.
Nov 1, 2026 1:16 AM
AI artwork
u5
Replace the girl in image1 with Liberalio from NIKKE, transferring the character's identity: pale blue hair, jellyfish-like hair ornaments, and sleepy half-closed eyes, while explicitly removing the pink geometric halo above her head. Maintain the original pose — sitting and looking back over her shoulder, with her bare feet thrust forward onto a plate, covered in pudding and cream — and the cafe background from image1. The style is changed to clean linework, soft cel-shading, smooth skin, glossy eyes, luminous lighting, bloom, vibrant colors, cinematic composition, and an airy atmosphere. artist: miyase_mahiro
Nov 1, 2026 1:15 AM
AI artwork
u5
Artist: miyase_mahiro. liberalio (NIKKE), a left fang. A soft anime illustration with thin, slightly warm line art and painterly cel shading, smooth airbrushed gradients on the skin and muted warm colors. 1girl wears a short white camisole slip with thin spaghetti straps edged in pink, pink piping along the neckline and armholes, a small pink bow at the center of the chest, thin fabric that clings to her torso and gathers into soft folds at her waist, and a hem that ends at the top of her thighs. She is sitting on a bed in a distinct W-sitting pose. Her buttocks rest on the mattress between her feet. Both knees are bent and positioned in front of her, with her thighs angled forward and slightly inward. Her lower legs fold backward and spread outward to either side of her hips, with each foot resting beside the corresponding hip and the tops of her feet resting against the bedding. Her legs form a clear W-shaped silhouette when viewed from above. The soft mattress and bedding gently compress beneath her hips, knees and lower legs. Her upper body leans slightly forward. She raises both arms diagonally upward and forward toward the camera, with her elbows naturally bent and her hands positioned above and in front of her head. Her arms extend outward at an oblique angle, forming a wide, natural gesture as she presents a pair of white panties directly toward the viewer. She holds the white panties between both hands, stretching the waistband taut and displaying the garment toward the camera. The hand on the right side of the frame pinches one upper corner of the waistband and lifts it. The hand on the left side of the frame is open, with the palm facing the camera and all five fingers spread, supporting the fabric across her fingertips. The panties have pink trim, a delicate lace edge and a small pink bow at the front. They are held wide open and angled toward the lens, making their shape and details clearly visible. The panties occupy the foreground above her forehead, with both hands visible on either side. She lifts her chin and looks directly into the camera. Her face is tilted upward, and her eyes meet the lens naturally. Her expression remains clearly visible beneath the raised panties, creating direct eye contact with the viewer. The camera is positioned high above her, approximately from a ceiling-level viewpoint, looking steeply downward at an angle of about 75–80 degrees. The camera is slightly toward the front of her face rather than directly behind her head, allowing her upturned face and direct gaze to remain visible. A near-top-down overhead composition with strong perspective and natural foreshortening. Her head, shoulders, raised arms, displayed panties, torso and W-shaped seated legs are all clearly visible from above. Her hands and the panties extend toward the elevated camera and appear closer to the lens. Her knees spread outward on the mattress, while her lower legs fold backward beside her hips, clearly revealing the W-shaped leg arrangement. The bed occupies most of the frame, emphasizing the overhead viewpoint. Vertical portrait composition, pronounced high-angle perspective, clear spatial layering, the entire figure and both hands kept inside the frame. The interior of a cozy bedroom, with the girl sitting on a bed covered in soft, lightly wrinkled bedding. Pillows rest near the headboard, with a neatly arranged duvet gathered naturally around her legs. A bedside table, a small bedside lamp and softly draped curtains establish the bedroom setting. Warm, muted decorative accents and comfortable textiles create a peaceful, lived-in atmosphere. The bed and bedding remain the primary visible environment from the elevated camera position. Warm late-afternoon sunlight enters from the left, creating broad, soft-edged bands of light across the bedding. The light gently illuminates her upturned face, raised arms and white clothing, creating subtle highlights along her left shoulder and arm. Soft natural shadows form beneath her body, around her bent knees and in the folds of the duvet. The atmosphere is slightly hazy, with no visible dust motes and no lens flare. Exactly one girl, five distinct fingers on each hand with correct joints, naturally bent elbows, both arms raised diagonally forward toward the camera, both hands fully visible, the entire pair of panties inside the frame, direct eye contact with the camera, clearly visible face, white camisole slip and white panties clearly readable as separate garments, anatomically coherent W-sitting pose on a bed, buttocks resting on the mattress between the feet, knees bent in front, lower legs folded backward and splayed outward beside the hips, clearly visible W-shaped leg arrangement, elevated camera position, steep 75–80-degree downward viewing angle, near-top-down perspective, no text, no watermark, no background characters.
Nov 1, 2026 1:15 AM
AI artwork
u5
Artist: miyase_mahiro. liberalio (NIKKE), a left fang. A soft anime illustration with thin, slightly warm line art and painterly cel shading, smooth airbrushed gradients on the skin and muted warm colors. 1girl wears a short white camisole slip with thin spaghetti straps edged in pink, pink piping along the neckline and armholes, a small pink bow at the center of the chest, thin fabric that clings to her torso and gathers into soft folds at her waist, and a hem that ends at the top of her thighs. She is sitting on a bed in a relaxed W-sitting (duck-sit) pose. The soft mattress and bedding gently compress beneath her body. Her upper body leans slightly forward. She raises both arms diagonally upward and forward toward the camera, with her elbows naturally bent and her hands positioned above and in front of her head. Her arms extend outward at an oblique angle, forming a wide, natural gesture as she presents a pair of white panties directly toward the viewer. She holds the white panties between both hands, stretching the waistband taut and displaying the garment toward the camera. The hand on the right side of the frame pinches one upper corner of the waistband and lifts it. The hand on the left side of the frame is open, with the palm facing the camera and all five fingers spread, supporting the fabric across her fingertips. The panties have pink trim, a delicate lace edge and a small pink bow at the front. They are held wide open and angled toward the lens, making their shape and details clearly visible. The panties occupy the foreground above her forehead, with both hands visible on either side. She lifts her chin and looks directly into the camera. Her face is tilted upward, and her eyes meet the lens naturally. Her expression remains clearly visible beneath the raised panties, creating direct eye contact with the viewer. The camera is positioned high above her, near ceiling level, looking steeply downward at an angle of about 80 degrees. The camera is slightly toward the front of her face, allowing her upturned face and direct gaze to remain visible. A near-top-down overhead composition with strong perspective and natural foreshortening. Her head, shoulders, raised arms, displayed panties, torso and seated pose are clearly visible from above. Her hands and the panties extend toward the elevated camera and appear closer to the lens. The bed occupies most of the frame, emphasizing the overhead viewpoint. Vertical portrait composition, pronounced high-angle perspective, clear spatial layering, the entire figure and both hands kept inside the frame. The interior of a cozy bedroom, with the girl sitting on a bed covered in soft, lightly wrinkled bedding. Pillows rest near the headboard, with a neatly arranged duvet gathered naturally around her. A bedside table, a small bedside lamp and softly draped curtains establish the bedroom setting. Warm, muted decorative accents and comfortable textiles create a peaceful, lived-in atmosphere. The bed and bedding remain the primary visible environment from the elevated camera position. Warm late-afternoon sunlight enters from the left, creating broad, soft-edged bands of light across the bedding. The light gently illuminates her upturned face, raised arms and white clothing, creating subtle highlights along her left shoulder and arm. Soft natural shadows form beneath her body and in the folds of the duvet. The atmosphere is slightly hazy, with no visible dust motes and no lens flare. Exactly one girl, five distinct fingers on each hand with correct joints, naturally bent elbows, both arms raised diagonally forward toward the camera, both hands fully visible, the entire pair of panties inside the frame, direct eye contact with the camera, clearly visible face, white camisole slip and white panties clearly readable as separate garments, natural W-sitting (duck-sit) pose on a bed, elevated camera position, steep 80-degree downward viewing angle, near-top-down perspective, no text, no watermark, no background characters.
Nov 1, 2026 1:15 AM
AI artwork
u5
Artist: miyase_mahiro. liberalio (NIKKE), a left fang, perfect feet with five toes. A soft anime illustration with thin, slightly warm line art and painterly cel shading, smooth airbrushed gradients on the skin and muted warm colors. 1girl wears a short white camisole slip with thin spaghetti straps edged in pink, pink piping along the neckline and armholes, a small pink bow at the center of the chest, thin fabric that clings to her torso and gathers into soft folds at her waist, and a hem that ends at the top of her thighs. She is sitting on a bed in a relaxed W-sitting (duck-sit) pose. The soft mattress and bedding gently compress beneath her body. Her upper body leans slightly forward. She raises both arms diagonally upward and forward toward the camera, with her elbows naturally bent and her hands positioned above and in front of her head. Her arms extend outward at an oblique angle, forming a wide, natural gesture as she presents a pair of white panties directly toward the viewer. She holds the white panties between both hands, stretching the waistband taut and displaying the garment toward the camera. The hand on the right side of the frame pinches one upper corner of the waistband and lifts it. The hand on the left side of the frame is open, with the palm facing the camera and all five fingers spread, supporting the fabric across her fingertips. The panties have pink trim, a delicate lace edge and a small pink bow at the front. They are held wide open and angled toward the lens, making their shape and details clearly visible. The panties occupy the foreground above her forehead, with both hands visible on either side. She lifts her chin and looks directly into the camera. Her face is tilted upward, and her eyes meet the lens naturally. Her expression remains clearly visible beneath the raised panties, creating direct eye contact with the viewer. The camera is positioned high above her, near ceiling level, looking steeply downward at an angle of about 80 degrees. The camera is slightly toward the front of her face, allowing her upturned face and direct gaze to remain visible. A near-top-down overhead composition with strong perspective and natural foreshortening. Her head, shoulders, raised arms, displayed panties, torso and seated pose are clearly visible from above. Her hands and the panties extend toward the elevated camera and appear closer to the lens. The bed occupies most of the frame, emphasizing the overhead viewpoint. Vertical portrait composition, pronounced high-angle perspective, clear spatial layering, the entire figure and both hands kept inside the frame. The interior of a cozy bedroom, with the girl sitting on a bed covered in soft, lightly wrinkled bedding. Pillows rest near the headboard, with a neatly arranged duvet gathered naturally around her. A bedside table, a small bedside lamp and softly draped curtains establish the bedroom setting. Warm, muted decorative accents and comfortable textiles create a peaceful, lived-in atmosphere. The bed and bedding remain the primary visible environment from the elevated camera position. Warm late-afternoon sunlight enters from the left, creating broad, soft-edged bands of light across the bedding. The light gently illuminates her upturned face, raised arms and white clothing, creating subtle highlights along her left shoulder and arm. Soft natural shadows form beneath her body and in the folds of the duvet. The atmosphere is slightly hazy, with no visible dust motes and no lens flare. Exactly one girl, five distinct fingers on each hand with correct joints, naturally bent elbows, both arms raised diagonally forward toward the camera, both hands fully visible, the entire pair of panties inside the frame, direct eye contact with the camera, clearly visible face, white camisole slip and white panties clearly readable as separate garments, natural W-sitting (duck-sit) pose on a bed, elevated camera position, steep 80-degree downward viewing angle, near-top-down perspective, no text, no watermark, no background characters.
Nov 1, 2026 1:15 AM
AI artwork
u5
Artist: miyase_mahiro. liberalio (NIKKE). a cute left fang. perfect feet with short toenails.perfect hands. 1girl, wearing a dark navy-blue short-sleeved maid dress, a white frilled apron, white ruffled collar and sleeve cuffs, white frills along the skirt hem, thin cyan-blue trim on the skirt, a large white bow tied at the back of her waist, a white frilled maid headpiece, a dark burgundy ribbon bow at the back of her head. She is kneeling on a dining table, both knees bent, with her lower legs extending forward toward the camera. Her torso twists sideways as she looks back over her shoulder at the viewer. One hand is held near her chest, while the other stays close to her body. Her expression is embarrassed and slightly sulky, with flushed cheeks, narrowed eyes, a small pout and a few beads of sweat. Both feet are completely bare, with no socks or shoes. Her black glossy Mary Jane shoes with silver buckles have been removed and placed on the tabletop near the left edge of the frame. Both bare feet are held close together beneath the pudding, with the soles facing upward to form a shared supporting surface. A single caramel pudding rests directly across both soles, its flat bottom contacting both feet. The two feet support the pudding from underneath. Both feet extend toward the camera and occupy the immediate foreground. The toes are closest to the lens, appearing large through strong perspective, while the heels and ankles recede toward the middle ground. The white oval ceramic plate is positioned immediately behind and below the raised feet, clearly visible in the lower-middle portion of the composition. The pudding is aligned with the exact center of the plate, centered both horizontally and vertically within the plate's oval outline from the camera's viewpoint. The pudding and plate form a clear central focal point, while the feet occupy the foreground directly in front of them. The combined sole platform supports the pudding above the plate, with caramel and whipped cream dripping down toward the plate. The pudding is topped with white whipped cream and a bright red cherry. Thick amber caramel sauce flows from the dark caramel glaze around the top edge, forming continuous glossy streams down the pudding's sides. The caramel reaches the lower rim, spreads onto the upward-facing surfaces of both supporting soles, and runs toward the toes in connected, glossy streams. White whipped cream slowly slides down from the topping in soft, irregular folds, leaving continuous creamy trails across the pudding and feet. Several thick droplets form along the lower edges before falling. The sauce and cream follow continuous downward paths under gravity, collecting on the ceramic plate below. Extreme low-angle close-up from just above the tabletop, directly in front of her feet, looking slightly upward toward her face. Strong wide-angle perspective and dramatic foreshortening. Her bare feet are the closest objects to the camera, filling much of the bottom foreground. The oval ceramic plate is centered behind the feet, and the pudding is positioned precisely over the plate's center. The feet, pudding and plate form a clear front-to-back arrangement, with the feet closest to the lens and the dessert visually centered within the plate. Her bent knees, maid dress and upper body recede into the middle ground, while her face remains clearly visible in the upper center of the frame. Vertical portrait composition, three-quarter view, strong depth and distinct foreground, middle-ground and background layers. An elegant café interior with tall glass windows and dark metal frames on the right, warm sunlight streaming through the windows, wooden furniture, decorative green plants, wooden chairs and hanging globe pendant lights. The background has a refined, spacious café atmosphere with warm architectural details. Warm afternoon sunlight enters from the right, creating golden highlights on the caramel, whipped cream, ceramic plate and wooden tabletop. Soft shadows fill the left side of the café. Subtle rim lighting, delicate dust particles visible in the sunbeams, warm cinematic color grading. Detailed anime illustration, clean linework, natural fabric folds, intricate maid-dress frills, glossy translucent caramel, soft whipped cream, realistic gravity-driven liquid flow, reflective ceramic and leather, carefully rendered perspective, rich environmental details.
Nov 1, 2026 1:15 AM
AI artwork
u5
Artist: miyase_mahiro. liberalio (NIKKE). a cute left fang. perfect feet. perfect hands. 1girl, wearing a dark navy-blue short-sleeved maid dress, a white frilled apron, white ruffled collar and sleeve cuffs, white frills along the skirt hem, thin cyan-blue trim on the skirt, a large white bow tied at the back of her waist, a white frilled maid headpiece, a dark burgundy ribbon bow at the back of her head. She is kneeling on a dining table, both knees bent, with her lower legs extending forward toward the camera. Her torso twists sideways as she looks back over her shoulder at the viewer. One hand is held near her chest, while the other stays close to her body. Her expression is embarrassed and slightly sulky, with flushed cheeks, narrowed eyes, a small pout and a few beads of sweat. Both feet are completely bare, with no socks or shoes. Her black glossy Mary Jane shoes with silver buckles have been removed and placed on the tabletop near the left edge of the frame. Both bare feet are held close together beneath the pudding, with the soles facing upward to form a shared supporting surface. A single caramel pudding rests directly across both soles, its flat bottom contacting both feet. The two feet support the pudding from underneath. Both feet extend toward the camera and occupy the immediate foreground. The toes are closest to the lens, appearing large through strong perspective, while the heels and ankles recede toward the middle ground. The white oval ceramic plate is positioned immediately behind and below the raised feet, clearly visible in the lower-middle portion of the composition. The pudding is aligned with the exact center of the plate, centered both horizontally and vertically within the plate's oval outline from the camera's viewpoint. The pudding and plate form a clear central focal point, while the feet occupy the foreground directly in front of them. The combined sole platform supports the pudding above the plate, with caramel and whipped cream dripping down toward the plate. The pudding is topped with white whipped cream and a bright red cherry. Thick amber caramel sauce flows from the dark caramel glaze around the top edge, forming continuous glossy streams down the pudding's sides. The caramel reaches the lower rim, spreads onto the upward-facing surfaces of both supporting soles, and runs toward the toes in connected, glossy streams. White whipped cream slowly slides down from the topping in soft, irregular folds, leaving continuous creamy trails across the pudding and feet. Several thick droplets form along the lower edges before falling. The sauce and cream follow continuous downward paths under gravity, collecting on the ceramic plate below. Extreme low-angle close-up from just above the tabletop, directly in front of her feet, looking slightly upward toward her face. Strong wide-angle perspective and dramatic foreshortening. Her bare feet are the closest objects to the camera, filling much of the bottom foreground. The oval ceramic plate is centered behind the feet, and the pudding is positioned precisely over the plate's center. The feet, pudding and plate form a clear front-to-back arrangement, with the feet closest to the lens and the dessert visually centered within the plate. Her bent knees, maid dress and upper body recede into the middle ground, while her face remains clearly visible in the upper center of the frame. Vertical portrait composition, three-quarter view, strong depth and distinct foreground, middle-ground and background layers. An elegant café interior with tall glass windows and dark metal frames on the right, warm sunlight streaming through the windows, wooden furniture, decorative green plants, wooden chairs and hanging globe pendant lights. The background has a refined, spacious café atmosphere with warm architectural details. Warm afternoon sunlight enters from the right, creating golden highlights on the caramel, whipped cream, ceramic plate and wooden tabletop. Soft shadows fill the left side of the café. Subtle rim lighting, delicate dust particles visible in the sunbeams, warm cinematic color grading. Detailed anime illustration, clean linework, natural fabric folds, intricate maid-dress frills, glossy translucent caramel, soft whipped cream, realistic gravity-driven liquid flow, reflective ceramic and leather, carefully rendered perspective, rich environmental details.
Nov 1, 2026 1:15 AM
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