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1girl, two-toned hair,yellow and brown hair, long hair, high pony tail, big scar, scar on eye, purple eyes, purple lipstick, golden necklage, golden collar, dress, aristocratic dress, red dress, white sleeves, knife belt, hidden belt, black boats, fishnet socks, dance room, looking at viewer, smile, small smile, crazy smile, scary eyes, high Quality, best Quality, Masterpiece,ekrea jan art style
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品質タグ
﹝プロンプト﹞, masterpiece, best quality
縦横比
768 x 1280
サンプリングステップ
28
サンプリング方法
Euler a
CFGスケール
7
ネガティブ
worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name,

利用したモデルとLoRA

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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