meliodas Danafor Knight
masterpiece, best quality, absurdres, newest, manga sketch, line art, illustration, Night road, a wounded hyena, missing ears, exposed internal organs in the abdomen, multiple bleeding open wounds on its body, standing tiredly, moist eyes, close-up shot, dark atmosphere, clear road surface details, blurry car lights in the distance, realistic, high detail, yodayo style.,
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- オリジナルプロンプト
- masterpiece, best quality, absurdres, newest, manga sketch, line art, illustration, Night road, a wounded hyena, missing ears, exposed internal organs in the abdomen, multiple bleeding open wounds on its body, standing tiredly, moist eyes, close-up shot, dark atmosphere, clear road surface details, blurry car lights in the distance, realistic, high detail, yodayo style.,pull intestines,cybertruck, no humans,The intestines are exposed(anthro male hyena:1.2), hyena_male, hyena_penis, hyena_balls, (anthro female hyena:1.2), hyena_female, hyena_breasts, hyena_pussy
- 縦横比
- 673 x 1024
- サンプリングステップ
- 25
- サンプリング方法
- Euler a
- CFGスケール
- 5.5
- ネガティブ
- nsfw, long neck, deformed, mutated, mutation, ugly, disfigured, poorly drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts
利用したモデルとLoRA
![Cybertruck [ Concept ] [ Vehicle ] by Leaf - AI Modelのカバー画像](https://images-ng.pixai.art/images/thumb/8c373b7e-27e6-4c47-8ddc-1f24a1e078d9)
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Battle of The Pekes and Pollicles - T.S. Eliot
Subaru
wide shot, full perspective, one-point perspective, cyberpunk, apocalyptic, santiago de chile, broad avenue, massive skyscrapers, futuristic brutalist architecture, car crash, pileup, crushed vehicles, burning cars, fire, smoke, shattered glass, blood on pavement, corpses in windows, bodies in trees, heavy rain, wet asphalt, puddle reflections, night, red ambient glow, neon lighting, obsidian black, ash gray, crimson red, amber flame, magenta neon, electric violet, cyan neon, anime style
A wide-angle, deep one-point perspective looks down the center of a devastated multi-lane avenue in an apocalyptic cyberpunk Santiago de Chile. On both flanks, towering mega-skyscrapers constructed from matte ash gray and obsidian black concrete thrust upward into a dense, rain-choked sky tinted in an oppressive crimson red glow, with the distant, storm-obscured jagged silhouette of the Andes mountains faintly visible at the far end of the thoroughfare. Vertical strips and holographic panels of neon along the high-rises illuminate the mist in saturated hot pink, magenta, electric violet, acid green, and cyan, including a flickering, shattered roadside sign displaying the word "ALAMEDA" in magenta letters and a damaged overhead transit barrier glowing with cyan text that reads "EVACUACIÓN".
The wide roadway is strewn with total vehicular devastation: battered, dented hover-cars and ground vehicles in ruined condition are piled in violent collisions, with several crushed chassis driven deep into the ground-floor pillars and shattered glass lobbies of the monolithic buildings. Searing amber and fiery orange flames erupt from ruptured engine blocks and burning tires, sending pluming black smoke into the downpour. Pools and spatters of deep crimson blood streak across the cracked pavement, mixing with rain runoff along the gutters. High above the asphalt, the limp silhouettes of dead bodies are visible slumped against the interior glass panes of illuminated skyscraper windows, while along the avenue's urban median, lifeless figures hang caught among the snapped branches of rain-soaked trees. Heavy rainfall descends in visible diagonal sheets, where oil and blood form thin, iridescent films across spreading street puddles that mirror the burning wreckage and neon glow. The composition is executed as a gray-leaning anime illustration built from clean color blocks and soft painterly gradients, featuring minimal linework, smooth metallic surfaces, and controlled highlights across the wreckage. Apocalyptic desolation.
Francaca
wide shot, full perspective, one-point perspective, cyberpunk, apocalyptic, santiago de chile, broad avenue, massive skyscrapers, futuristic brutalist architecture, car crash, pileup, crushed vehicles, burning cars, fire, smoke, shattered glass, blood on pavement, corpses in windows, bodies in trees, heavy rain, wet asphalt, puddle reflections, night, red ambient glow, neon lighting, obsidian black, ash gray, crimson red, amber flame, magenta neon, electric violet, cyan neon, anime style
A wide-angle, deep one-point perspective looks down the center of a devastated multi-lane avenue in an apocalyptic cyberpunk Santiago de Chile. On both flanks, towering mega-skyscrapers constructed from matte ash gray and obsidian black concrete thrust upward into a dense, rain-choked sky tinted in an oppressive crimson red glow, with the distant, storm-obscured jagged silhouette of the Andes mountains faintly visible at the far end of the thoroughfare. Vertical strips and holographic panels of neon along the high-rises illuminate the mist in saturated hot pink, magenta, electric violet, acid green, and cyan, including a flickering, shattered roadside sign displaying the word "ALAMEDA" in magenta letters and a damaged overhead transit barrier glowing with cyan text that reads "EVACUACIÓN".
The wide roadway is strewn with total vehicular devastation: battered, dented hover-cars and ground vehicles in ruined condition are piled in violent collisions, with several crushed chassis driven deep into the ground-floor pillars and shattered glass lobbies of the monolithic buildings. Searing amber and fiery orange flames erupt from ruptured engine blocks and burning tires, sending pluming black smoke into the downpour. Pools and spatters of deep crimson blood streak across the cracked pavement, mixing with rain runoff along the gutters. High above the asphalt, the limp silhouettes of dead bodies are visible slumped against the interior glass panes of illuminated skyscraper windows, while along the avenue's urban median, lifeless figures hang caught among the snapped branches of rain-soaked trees. Heavy rainfall descends in visible diagonal sheets, where oil and blood form thin, iridescent films across spreading street puddles that mirror the burning wreckage and neon glow. The composition is executed as a gray-leaning anime illustration built from clean color blocks and soft painterly gradients, featuring minimal linework, smooth metallic surfaces, and controlled highlights across the wreckage. Apocalyptic desolation.
Francaca
A first-person perspective cinematic shot looking down at the viewer's own hands centered in the frame, set on an abandoned modern city street. The left hand is gripping a crumpled checklist paper filled with chaotic scribbles, crossed-out lines, random doodles, ink smudges, and messy handwriting, while the right hand firmly holds a combat knife dagger. The surrounding environment features an empty sidewalk, intact buildings, and parked cars with doors left wide open, evoking a sense of a recently evacuated city on day two of a post-apocalypse. A faint morning fog clings to the ground under an overcast sky, emphasizing an eerie silence and unsettling emptiness. The visual style is a soft, painterly anime aesthetic with visible brush textures, loose sketch-like linework, and layered color blocks. The color palette is heavily desaturated with cold blue-gray and teal-blue tones, contrasted by subtle warm golden highlights. The atmosphere is tense and psychological, rendered with a shallow depth of field, film grain, and an anamorphic lens effect to create a survival horror book cover composition.
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