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Natasha Romanoff and Yelena Belova lesbian kissing each other in Avengers Assemble TV series
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- 縦横比
- 700 x 394
- サンプリングステップ
- 20
- サンプリング方法
- Euler a
- CFGスケール
- 4.5
- ネガティブ
- modern, recent, old, oldest, cartoon, graphic, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), bad anatomy, sketch, jpeg artifacts, signature, watermark, username, signature, simple background, conjoined,bad ai-generated
利用したモデルとLoRA
ほかの類似作品
続きを読む
сп
Kiss
Сергей Полищук
Harley Loves Ivy
Simon Kennedy
mf
A cinematic medium shot 2D visual novel CG illustration of the two women from image1 and image2 sitting face-to-face on the edge of a bed. The character from image1 has shoulder-length wavy blonde hair, green eyes, and fair skin with subtle freckles, wearing a dark graphite V-neck sweater and blue jeans. The character from image2 is depicted with shoulder-length natural red hair and expressive green eyes, wearing a simple green tank top and blue jeans. They lean in very close, their faces only a few centimeters apart, gazing deeply into each other's eyes with tender romantic tension in the moment immediately before a kiss. The blonde woman gently touches the red-haired woman's cheek with a clearly visible, anatomically natural hand, while the red-haired woman tenderly holds the blonde woman's wrist. The background is the cozy bedroom from image3, set at night, featuring a bed with soft blankets and a warm glowing bedside lamp. A large window behind them reveals the blurred, dark-blue lights of a city skyline at night. The scene is lit by a dramatic contrast between the warm yellow-orange glow of the indoor lamp and the cool dark-blue ambient light from the window. The style is changed to a moderately stylized, soft western cartoon with realistic human proportions, detailed clean artwork, and expressive features.
Max fanik
mf
A cinematic medium shot 2D visual novel CG illustration of the two women from image1 and image2 sitting face-to-face on the edge of a bed. The character from image1 has shoulder-length wavy blonde hair, green eyes, and fair skin with subtle freckles, wearing a dark graphite V-neck sweater and blue jeans. The character from image2 is depicted with shoulder-length natural red hair and expressive green eyes, wearing a simple green tank top and blue jeans. They lean in very close, their faces only a few centimeters apart, gazing deeply into each other's eyes with tender romantic tension in the moment immediately before a kiss. The blonde woman gently touches the red-haired woman's cheek with a clearly visible, anatomically natural hand, while the red-haired woman tenderly holds the blonde woman's wrist. The background is the cozy bedroom from image3, set at night, featuring a bed with soft blankets and a warm glowing bedside lamp. A large window behind them reveals the blurred, dark-blue lights of a city skyline at night. The scene is lit by a dramatic contrast between the warm yellow-orange glow of the indoor lamp and the cool dark-blue ambient light from the window. The style is changed to a moderately stylized, soft western cartoon with realistic human proportions, detailed clean artwork, and expressive features.
Max fanik
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yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
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(*˘︶˘*).｡*♡ 🍁 ☕
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