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AI art "Dominator Z (Police Variant)" featuring #車 and #パトカー
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Dominator Z (Police Variant)

This is a Police variant of the Dominator Z. Any criminal on the streets may as well give up. 'Cause the cops are gonna stick to their tails like hot butter on a corn cob

#車#パトカー
gw

Garath Webb

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(futuristic police car), (shiny black paint), (red leather interior), (black-tinted windows), (police details), (light bar on the roof), (red and blue lights), (black 5-spoke rims), (whitewall tires), 4k, masterpiece, hyperrealistic
パラメーターを見る
縦横比
1024 x 375
サンプリングステップ
16
サンプリング方法
Euler a
CFGスケール
5.5
ネガティブ
long neck, deformed, mutated, mutation, ugly, disfigured, poorly drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts, nsfw

利用したモデルとLoRA

ArtFusion XL Real - AI Modelのカバー画像

SDXL

ArtFusion XL Real
16

ほかの類似作品

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AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: batman, copyright: batman_(series), dc_comics 1car, no humans, vehicle focus, batmobile, black superhero car, sleek armored coupe, elongated hood, bubble canopy cockpit, bat-fin tailfins, jet exhaust nozzle at rear, heavy treaded rear tires, low ground clearance, matte black body with graphite panel seams, white headlight beams, wet asphalt, night, low angle, from below, three-quarter front view, dramatic foreshortening, wide shot, rain, reflections, motion blur on wheels, dc comics, batman (series), superhero vehicle, special vehicle, special car, cinematic The camera sits low to the ground, almost at bumper height, looking up and slightly across the front-left corner of a single black armored superhero car — the only subject in frame, no driver, no passengers, no figures anywhere. The long hood sweeps toward the lens and swells with foreshortening, its slab sides rising to a bubble canopy that catches the rain; two tall bat-fin tailfins cut upward at the rear, framing a wide jet exhaust nozzle. The front-left tire is the nearest object in the image, its tread blocks huge and slick, the contact patch pressing a shallow crescent of displaced water out of the asphalt. Rain streaks diagonally through the white headlight beams, and in those beams only the falling drops are lit — individual streaks sharp near the lamps, dissolving to haze further out; the body panels stay dark, edged by a thin graphite rim-light along the hood's crease and along the canopy's curve. Every downward-facing surface drips; water beads stand on the upward-facing fins and on the hood's flat crown. The wet asphalt mirrors the car as a darker, softer, broken reflection pulled long by perspective, its streaks smeared by a faint motion blur at the wheels. Palette: black, graphite, cold blue-white headlight glare and the orange sodium spill bleeding in at the far right edge of frame; nothing else admitted. Light source: the car's own headlights plus a single distant streetlamp behind and to the right, its glow rimming the tailfins. Mood: cold, heavy, relentless.
Yiğit Şerif Yaman The Man
#車#カーイラスト

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#進撃の巨人#ミカサ・アッカーマン
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