パラメーターを見る
- オリジナルプロンプト
- anime style, high quality anime illustration, midnight expressway, Tokyo metropolitan highway, empty night highway, smooth asphalt road, curved highway lanes, full moon in the sky, bright moonlight, moonlight reflecting on road surface, city skyline, modern skyscrapers, high-rise buildings, windows glowing at night, urban night atmosphere, classic japanese sports car, Datsun 240Z, 1970s vintage sports car, long hood, round headlights, low stance, dark blue car body, deep navy blue color, glossy paint, inside the car, right-hand drive car, driver seat on the right, steering wheel on the right, seatbelt fastened, wearing seatbelt clearly visible, Morikubo Nono (idolmaster), female driver, short brown hair, confident smug expression, smug smile, slightly proud look, looking forward, relaxed posture, anime lighting, soft glow, clean lineart, vivid but balanced colors, (masterpiece:1.2), (best quality:1.1), high detail,car, nissan, fairlady z, z, rz34, coupe, sports car
- 縦横比
- 1472 x 832
- サンプリングステップ
- 25
- サンプリング方法
- Euler a
- CFGスケール
- 6
- ネガティブ
- photorealistic, realistic skin texture, left-hand drive, driver seat on the left, logo, brand name, text, watermark, daytime, sunlight, anime face mix, wrong character face, merged faces, duplicate person, extra passengers, multiple drivers, seatbelt missing, no seatbelt, deformed hands, extra fingers, bad hands, broken steering wheel, distorted car
顔修正
利用したモデルとLoRA
ほかの類似作品
続きを読む
character: morikubo_nono, devil_z
1girl, solo, brown hair, drill hair, low twintails, brown eyes, gentle smile, closed mouth, blue dress, elegant dress, long dress, evening gown, fashion model pose, hand on hip, standing, weight shift, sports car, vintage coupe, dark blue car, metallic paint, night, coastal highway, asphalt, display stand, low angle, wide shot, cinematic lighting
A low-angle wide shot frames a young woman posing gracefully beside the front fender of a vintage 1970s sports coupe on an open asphalt terrace beside a coastal night expressway. She stands in a deliberate fashion model posture with her weight shifted onto her rear leg and her hip subtly angled toward the viewer; one arm is bent with delicate fingers resting at her waistline while her other hand hovers lightly alongside the vehicle's glossy bodywork. Her head tilts with composed poise as she gazes toward the camera with a gentle, serene closed-mouth smile. Her long chestnut-brown hair is styled into neat spiral drill tails that cascade over her shoulders and frame a fitted, floor-length sapphire-blue satin evening gown that drapes cleanly to the ground. Next to her, the classic Japanese sports car is rendered in deep metallic midnight blue, featuring a long contoured hood, recessed circular headlights, and dark multi-spoke wheels. Standing upright on the tarmac near the front wheel, a clear acrylic exhibition plaque displays printed signage: the top line reads "湾岸ミッドナイト", the middle vehicle designation reads "悪魔のＺ", and the bottom script reads "森久保 乃々". Key light from an elevated photographic softbox casts crisp cool highlights along the edges of her dress and the coupe's roof, while the polished automotive clearcoat warps the amber sodium streetlamps and blue fabric into elongated liquid reflections across the curved front quarter panel. Distant expressway overpasses and metropolitan bay lights blur into soft amber and cyan bokeh across the dark background. Effortlessly stylish.
志貴
赤い車
jack-o-lantern04
夕方の公園の駐車場
jack-o-lantern04
くろの。
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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