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AI art "戦士と巨大ミノタウロスの闘い" featuring #巨人, #体格差, #ミノタウロス and #牡牛
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戦士と巨大ミノタウロスの闘い

#巨人#体格差#ミノタウロス#牡牛
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mugenai

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コメント

minotaur, 1boy, minos(minor), julia, fantasy setting, reincarnation, gladiator, armor, battlefield, marriage, sketch, flat colors, sketch marks, lineart, emphasis lines, motion lines, "charge!", "follow me!", "what would a child between a human and minotaur look like?"
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オリジナルプロンプト
4コマ漫画 気が弱く、痩せた普通の学生だった人間の僕が異世界で転生したら、ミノールという名のミノタウロスになった。その姿に合う声と性格。2メートル越えの巨体のおかげで剣闘士として大活躍。自分に惚れた名家のお嬢様ジュリアと初めて愛し合う。 自由を手に入れた僕は、兵団に入隊した。戦場で活躍して、剣闘士としての名声、そしてお嬢様の口添えのおかげで出世した。今では爵位を手に入れて城主となった。鎧を装備している。 ミノール「突撃するぞ! ついてこい!」 お嬢様とは何度も会って深く愛し合った。今では結婚して僕の妻になった。 ミノールは「人間とミノタウロスの子供ってどんな子になるんだろう?」と想像する。,minotaur,minotaur,sketch, flat colors, sketch marks, lineart, emphasis lines, motion lines,
縦横比
992 x 1280
サンプリングステップ
28
サンプリング方法
Euler a
CFGスケール
5
ネガティブ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#進撃の巨人#ミカサ・アッカーマン
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