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AI art "Bowsette 3" featuring #サイバーパンク2077
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Bowsette 3

I just got back into letterbox

#サイバーパンク2077
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Simon Kennedy

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Athletic blonde Bowsette (Emma Watson:0.6), (shaved head), standing confidently on a deserted 1970s subway platform at night, surrounded by (black tunnels fading into infinite negative space), (hazy atmospheric glow from distant fluorescent fixtures), (cinematic teal-and-amber lighting casting long diagonal shadows across cracked concrete), (reflective puddles distorting neon signage reflections), wearing a (form-fitting black tank top with subtle sweat sheen), (muscular arms crossed in relaxed defiance), (tight leather pants emphasizing powerful thighs), background features (peeling propaganda posters with faded typography), (rusted metal support beams streaked with decades of grime), (overflowing trash bin with crumpled newspapers), shot with (Kodak Ektachrome film grain texture), (shallow depth of field blurring tunnel vanishing points), (hard directional light from unseen source creating chiaroscuro effect), (steam rising from subway grates adding volumetric depth), (distant red emergency lights glowing like dying embers), ultra-photorealistic skin texture with (microscopic sweat beads on shaved scalp), (slight stubble shadow along jawline), (chipped black nail polish on clenched fingers), hyper-detailed fabric folds with (stretched seams across broad shoulders), (stressed leather creases at bent knees), environment exhibits (water-damaged ceiling tiles), (oxidized copper handrails), (grit particles suspended in humid air), color palette dominated by (cold teal highlights against warm asphalt blacks), (sickly yellow emergency lighting pools), (muted magenta from distant exit signs), shot composition evoking (1970s paranoid thrillers with asymmetrical framing), (Dutch angles suggesting unease), (over-the-shoulder perspective placing viewer as unseen observer), 8K resolution revealing (individual fibers in worn clothing), (microscopic concrete cracks), (dust motes in light shafts), (subway rats watching from shadowed corners), (steel-toe boots scuffed from unknown exertion),dramatic cinematic scene, extreme close-up, epic lighting, strong contrast, film grain effect, slow-motion energy, dynamic angles, emotional climax moment, atmosphere of triumph and/or tension, iconic ‘absolute cinema’ vibe, black and white
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縦横比
768 x 1280
サンプリングステップ
20
サンプリング方法
Euler a
CFGスケール
6
ネガティブ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

利用したモデルとLoRA

Reality Bound XL - AI Modelのカバー画像

SDXL

Reality Bound XL
2
Absolute Cinema 🙌 - AI Modelのカバー画像

ユーザーLoRA

Absolute Cinema 🙌
5

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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