warrior girl
PixAI では、プロンプトは初期設定で公開されますが、作者は投稿した作品ごとにプロンプトを非公開にできます。この作品の作者は非公開を選んでいるため、画像の生成に使われた言葉は作者本人しか見ることができません。プロンプトを非公開にしても、それ以外は変わりません。作品は公開されたままで、これまでどおりいいね・コメント・シェアができます。
作者による非表示
顔修正
HiRes
利用したモデルとLoRA
ほかの類似作品
続きを読むA full body shot from a front view, featuring a girl standing centrally in a desolate, ruined world, with ample negative space above her head and below her toes. She has light gray super-long twintails with pink inner color and a stray hair (ahoge) on top, paired with red cat-like eyes and two mechanical horns protruding from her head. She wears metallic nail polish and has hair intakes. Her arms and legs are replaced with intricate mechanical parts, with her feet shaped like sharp high heels. In each hand, she firmly grips a jagged-edged twin sword. The background is a wasteland of crumbling concrete and rusted metal structures under a dim, hazy sky. The visual style is a high-quality anime illustration with a muted, post-apocalyptic color palette, emphasizing the contrast between her metallic limbs and the decaying environment.
白狼-HAKU-
A full body shot from a low-angle perspective featuring a cyborg girl standing in the center of a desolate, ruined world. The character has long red hair and piercing red eyes, with two mechanical horns protruding from her head. She is adorned with a long, flowing red muffler that billows in the wind. Both her arms and legs are composed of intricate mechanical parts; specifically, her right arm is a stark black metallic construct, and her feet are shaped like sharp mechanical heels. She holds a massive, glowing greatsword in one hand, thrusting the luminous blade forward toward the viewer in a threatening gesture. The background is a wasteland of shattered concrete and rusted steel under a dim, oppressive sky. The visual style is a high-quality anime illustration with sharp contrast and a gritty atmosphere, emphasizing the metallic textures of her cybernetic limbs against the debris of the fallen civilization.
白狼-HAKU-
Seele Vollerei
Soner Tarlacı
山
黒上フブキ
山本裕介
コメント