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AI art "フフ怖コミック・一人前のレディー" featuring #巨乳, #女の子, #ゲゲゲの鬼太郎, #艦隊これくしょん, #暁 and #カミーラ
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フフ怖コミック・一人前のレディー

以前作ったカミーラ暁のリメイク https://pixai.art/ja/artwork/1771053560921064771 轟沈の際に暁が魔物に魂を売って甦った姿だが、別の世界線ではホラー抜きにただ一人前のレディーに成長した姿。 投稿者のお気に入りの一つ。 個人で楽しんでいる範囲でジョーカー・キスメ（東方蝙蝠女＝Touhou×Batman)と並ぶキャラ。この投稿者はpixai以前に女吸血鬼カミーラ（ゲゲゲの鬼太郎）のようになった暁が好み。 日本どころかアークジョ国（※架空の国です）でも彼女を元にしたドラマが制作されるほど

#巨乳#女の子#ゲゲゲの鬼太郎#艦隊これくしょん#暁#カミーラ
ア

アークジョ国支部

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コメント

1girl, solo, akatsuki_(kantai_collection), long hair, hat, anchor crest, purple eyes, purple hair, flat cap, black hair, between hair, black lips, sailor suit, school uniform, serafuku, eye shadow, big breasts, evil smile, white powder, white face, heavy makeup, lipstick, sitting, kid food, food stall background, masterpiece, bewitching beauty, adult, looking at viewer
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オリジナルプロンプト
Akatsuki (Kantai Collection), who has grown into a bewitching adult beauty, has black lips applied to her white face. 1girl, solo,Akatsuki_Kantai Collection, long hair, hat, anchor crest, purple eyes, purple hair, flat cap, black hair, between hair, black lips, sailor suit , school uniform, serafuku,eye shadow eyes, big breasts,evil smile, white powder,white face,heavy makeup, black lips, eye shadow, heavy makeup, lipstick, eye shadowsit,kid food お子様ランチ、the background is a food stall
縦横比
768 x 1280
サンプリングステップ
13
サンプリング方法
Euler a
CFGスケール
2.6
ネガティブ
score_6, score_5, score_4, source_cartoon, source_pony, 3d, (censor, low quality, worst quality, normal quality, error, bad, blurry, lowres:1.2), (disfigured, bad anatomy, bad proportions:1.2), (bad fingers, extra fingers, fewer fingers, fused fingers, bad hand, bad arms, fused arms, fused hands, bad feet:1.2), (signature, username, watermark, jpeg artifacts:1.2)

利用したモデルとLoRA

AnimePony - AI Modelのカバー画像

SDXL

AnimePony
331

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#進撃の巨人#ミカサ・アッカーマン
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