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詳細を見るSexyなBarの女性
Barにいそうな妖艶な魅力の女性を描いてみました。油断すると騙されてしまいそうな雰囲気を醸し出しています。敵か味方か。皆さんもぜひこの雰囲気を楽しんでくださいね!いいねやフォローも気軽にどうぞ、今後も素敵な作品を投稿しますので、コメントもお待ちしています!
パラメーターを見る
- オリジナルプロンプト
- .,cinematic lighting,cinematic angle,soft light,color detail,backlighting,Depth of field,long exposure,light steps,intricate colors,vibrant colors,深いスリットの入ったサテン素材のロングワンピース。細い肩紐。BARのカウンターの前に座っている。スツールに座っている。足を組んでいる。足は艶めいている。胸は艶がある。セクシー。スリットは編み上げ紐リボン。胸の谷間。胸元が大きく開いている。いろんな種類のお酒の瓶が沢山並べられた棚。全身。ハイヒール。ピンヒール。左の太ももにシルバーの型抜きハートの飾りが付いた黒いレザーベルト。左手にお酒の入ったカクテルグラスを持っている。赤い口紅。薄赤のチーク。妖艶な表情で微笑んでいる。左目の下に1つのほくろ。右手はカウンターの上に乗せている。カウンターの上に一輪挿しのガラスの花瓶。花瓶には真っ赤な薔薇が1輪。暗めの照明。室内。板張りの床。床はワックスで輝いている。ボディラインの強調されたワンピース。細い腰はくびれている。ムードのある照明。,Alluring woman,glossy lips,Glamorous body,snake-like eyes,少し大きめのお尻。黒いストレートヘア。ロングヘア。髪のインナーカラーは暗い紫。長い足。美脚。ダークレッドのワンピース。靴は黒で底とヒールは赤。金色の細いネックレス。ネックレスは光を反射している。金色の細いブレスレットを左手に着けている。カクテルの色は蛍光青。繊細な細工の花瓶。彫刻された花瓶。
- 品質タグ
- high quality, year_2025, year_2024, ﹝プロンプト﹞
- 縦横比
- 768 x 1280
- サンプリングステップ
- 16
- サンプリング方法
- Euler
- CFGスケール
- 10
- ネガティブ
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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