サーバーメンテナンスのお知らせ — 現在、サーバー設備の一部メンテナンスを実施しております。メンテナンス期間中、SDXL および Tsubaki.1 のタスクの生成に通常より時間がかかる場合がございます。 ご不便をおかけしますが、何卒ご理解くださいますようお願い申し上げます。…
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![Starrick from Assassin's Creed: Syndicate [Pony] - AI Modelのカバー画像](https://images-ng.pixai.art/images/thumb/49b625d1-4fe7-4d82-a04d-907402cb1ea0)
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1 male, solo, male vampire, adult, 32 years old appearance, tall, 6'5", athletic build, imposing build, broad shoulders, muscular, pale skin, sharp jawline, dark beard, meticulously trimmed beard, short beard, black hair, wavy hair, medium-length hair, swept-back hair, hair strand over forehead, stray locks over brow, intense gaze, unblinking stare, glowing crimson eyes, fangs, dark luxury fashion, heavy wool overcoat, long coat, open coat, black silk shirt, unbuttoned shirt, bare chest, collarbone, black trousers, polished leather boots, aristocratic presence, predatory grace, prowling gait, mid-stride, walking toward viewer, low angle, from below, three-quarter view, dutch angle, close-up, cowboy shot, looking down at viewer, faint smirk, raised chin, night, cobblestone alley, fog, single streetlamp, cold moonlight, deep shadow, uneven cobblestones, converging building walls, wet cobble reflections, dark green and black palette
The camera sits low, near the wet cobbles, tilted a few degrees off level, and looks up at a lone man mid-stride toward the viewer. He is enormously tall from this angle — the low viewpoint runs his long legs out of the bottom of the frame and makes his broad shoulders and heavy wool overcoat fill the upper third. His weight is on his forward left boot; the right boot trails, heel just lifting, sole flexing off one raised cobblestone. The coat hangs from his shoulders and a heavy hem swings back and away from the trailing leg, its skirt flaring backward in the night air.
The coat is open all the way down and hangs in two heavy slabs of dark wool with a deep nap; the collar stands up at his neck. Beneath it a black silk shirt is unbuttoned low, both plackets hanging apart, the bare column of his pale chest and the sharp line of his collarbones exposed in the cold light, the silk's sheen catching along its folded edge where it drapes across one shoulder. Bare forearms at his cuffs, the rest of him covered. His black hair is swept back off his forehead, waves combed away from the temples but never flat — several stray locks fall loose across his brow and one wing of hair breaks over his left ear. His beard is close-trimmed and exact, traced clean along a sharp, hard jawline. Eyelids open and steady, eyes fixed on the viewer far below the lens, no blink in them, and a single fang-tip catches the light inside a faint closed-mouth curve; the chin is lifted and slightly tipped, so he looks down the line of his nose.
The right hand is half in a coat pocket, thumb hooked over the pocket lip. The left hand hangs empty, fingers loosely curled. The cobblestones under his forward boot are soaked, and the reflection of the streetlamp lies broken and stretched beneath the sole; a shallow puddle at the frame's lower-left rim shows the mirrored, darker, blurred smear of lamplight and of his coat edge.
Around him: an old tight alley, sooty stone facades leaning in on both sides and converging toward a vanishing point high in the frame; fog lying thickest at knee height so it parts around his shins as he walks through. Behind his shoulder the single tall wrought-iron streetlamp is the only real light — cold and greenish-white — its halo chopped into a ladder of shafts by the fog, striking the lamp-side half of his face, the wool's nap and the pale plane of his chest, while the far side of his face, the far coat slab and the alley behind him sink into absolute black. High above the roofline a sliver of deep midnight sky and an edge of moon rim-light his hair and one shoulder. Palette: black wool, wet blue-black stone, a sickly pale green lamp glow, and blood-red carried only in his eyes. The wet stones throw the light back up in faint caustics along the undersides of the coat's hem. Quiet menace, aristocratically composed.
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