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konrad Filip
パラメーターを見る
- オリジナルプロンプト
- centaur robot, robot bigger that city, four legs, one arm, holding lance with with one arm, glowing lance, glowing parts of city on body, tower build, city on back, six while glowing eyes, no mouth, glowing robotic halo on back, Earthmover, red sky,MechanicusStyleAI,bloodpunkai
- 縦横比
- 768 x 1280
- サンプリングステップ
- 22
- サンプリング方法
- Euler a
- CFGスケール
- 6
- ネガティブ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, open mouth, green color. blue color
利用したモデルとLoRA
ほかの類似作品
続きを読む
自1
ロボ
自動建設者13番
1 giant machine, no humans, giant humanoid tank, super-heavy armor, doll-shaped chassis, four crawler tracks split front and rear, segmented continuous tracks, curved front hull armor, large armor plates on both arms, right forearm replaced by high-speed rotating bucket wheel excavator, spinning bucket wheel, left arm converted into large rail cannon, six large modular missiles mounted on back, missile rack, scope on head, radar dome on head, large high-output boosters on leg sides, heavily armored boosters, nozzle glow, trampling through city, crushing buildings, daytime, from below, low angle, foreshortening, dutch angle, wide shot, dust cloud, rubble, debris, smoke, lens flare, blue sky, daylight, mechanical detail, no text, no humans
The camera sits low at street level, tilted a few degrees off horizontal, so the machine towers up out of the frame and its head is cropped by the top edge while its tracks fill the lower third. Seen from this worm's-eye view: the four crawler tracks split front and rear, each a broad segmented band of dull steel, the front pair climbing over the crushed floor slabs of a mid-rise office block whose concrete facade buckles and spills rebar outward; fresh rubble piles in ridges at the track mouths and spills into the street. Above the tracks, the front hull curves forward like a rounded prow, its curved plate scuffed and scratched and streaked with concrete dust. Both arms hang at the machine's sides under enormous slab armor plates bolted at the shoulders. The right forearm terminates in a bucket-wheel excavator tipped forward so the wheel's toothed rim bites into a collapsed rooftop, one bucket scooping up a clod of concrete and rebar; a fine spiral of dust and grit is flung tangentially off the spinning wheel. The left forearm is a long rectangular rail cannon, twin rails running its length, the muzzle aimed low and forward across the street, a faint heat shimmer above the rails. Behind the shoulders, six large modular missiles sit upright in a rack, each cylindrical body with visible seams and fin assemblies, casting hard shadows on the machine's back. The head is a blunt armored casque with a cylindrical scope protruding forward and a shallow radar dome on top, its dish sweeping. On the outer faces of the leg assemblies, large armored boosters clamp on, their nozzles angled down and back, edges glowing a dull orange at idle. Beyond the machine, a daytime city street recedes: glass towers on both sides catching the sun, a few windows flashing where they face the light, cars stopped and crushed, a haze of dust filling the middle distance. The light comes from high and slightly behind the machine, so the armor's upper planes are bright and warm while the undersides of the tracks, the belly and the underside of the arms sit in deep shadow, and the machine's great cast shadow falls across the street directly toward the viewer, swallowing rubble and road. Palette: steel grey and gunmetal for the machine, warm concrete beige and dust ochre for the city, a cool blue sky at the top corners, orange booster glow as the only saturated accent. Dust drifts through the light, fine motes swirling. Crushing, colossal.
クロックロック
1 giant machine, no humans, giant humanoid tank, super-heavy armor, doll-shaped chassis, four crawler tracks split front and rear, segmented continuous tracks, curved front hull armor, large armor plates on both arms, right forearm replaced by high-speed rotating bucket wheel excavator, spinning bucket wheel, left arm converted into large rail cannon, six large modular missiles mounted on back, missile rack, scope on head, radar dome on head, large high-output boosters on leg sides, heavily armored boosters, nozzle glow, trampling through city, crushing buildings, daytime, from below, low angle, foreshortening, dutch angle, wide shot, dust cloud, rubble, debris, smoke, lens flare, blue sky, daylight, mechanical detail, no text, no humans
The camera sits low at street level, tilted a few degrees off horizontal, so the machine towers up out of the frame and its head is cropped by the top edge while its tracks fill the lower third. Seen from this worm's-eye view: the four crawler tracks split front and rear, each a broad segmented band of dull steel, the front pair climbing over the crushed floor slabs of a mid-rise office block whose concrete facade buckles and spills rebar outward; fresh rubble piles in ridges at the track mouths and spills into the street. Above the tracks, the front hull curves forward like a rounded prow, its curved plate scuffed and scratched and streaked with concrete dust. Both arms hang at the machine's sides under enormous slab armor plates bolted at the shoulders. The right forearm terminates in a bucket-wheel excavator tipped forward so the wheel's toothed rim bites into a collapsed rooftop, one bucket scooping up a clod of concrete and rebar; a fine spiral of dust and grit is flung tangentially off the spinning wheel. The left forearm is a long rectangular rail cannon, twin rails running its length, the muzzle aimed low and forward across the street, a faint heat shimmer above the rails. Behind the shoulders, six large modular missiles sit upright in a rack, each cylindrical body with visible seams and fin assemblies, casting hard shadows on the machine's back. The head is a blunt armored casque with a cylindrical scope protruding forward and a shallow radar dome on top, its dish sweeping. On the outer faces of the leg assemblies, large armored boosters clamp on, their nozzles angled down and back, edges glowing a dull orange at idle. Beyond the machine, a daytime city street recedes: glass towers on both sides catching the sun, a few windows flashing where they face the light, cars stopped and crushed, a haze of dust filling the middle distance. The light comes from high and slightly behind the machine, so the armor's upper planes are bright and warm while the undersides of the tracks, the belly and the underside of the arms sit in deep shadow, and the machine's great cast shadow falls across the street directly toward the viewer, swallowing rubble and road. Palette: steel grey and gunmetal for the machine, warm concrete beige and dust ochre for the city, a cool blue sky at the top corners, orange booster glow as the only saturated accent. Dust drifts through the light, fine motes swirling. Crushing, colossal.
クロックロック
1 giant machine, no humans, giant humanoid tank, super-heavy armor, doll-shaped chassis, four crawler tracks split front and rear, segmented continuous tracks, curved front hull armor, large armor plates on both arms, right forearm replaced by high-speed rotating bucket wheel excavator, spinning bucket wheel, left arm converted into large rail cannon, six large modular missiles mounted on back, missile rack, scope on head, radar dome on head, large high-output boosters on leg sides, heavily armored boosters, nozzle glow, trampling through city, crushing buildings, daytime, from below, low angle, foreshortening, dutch angle, wide shot, dust cloud, rubble, debris, smoke, lens flare, blue sky, daylight, mechanical detail, no text, no humans
The camera sits low at street level, tilted a few degrees off horizontal, so the machine towers up out of the frame and its head is cropped by the top edge while its tracks fill the lower third. Seen from this worm's-eye view: the four crawler tracks split front and rear, each a broad segmented band of dull steel, the front pair climbing over the crushed floor slabs of a mid-rise office block whose concrete facade buckles and spills rebar outward; fresh rubble piles in ridges at the track mouths and spills into the street. Above the tracks, the front hull curves forward like a rounded prow, its curved plate scuffed and scratched and streaked with concrete dust. Both arms hang at the machine's sides under enormous slab armor plates bolted at the shoulders. The right forearm terminates in a bucket-wheel excavator tipped forward so the wheel's toothed rim bites into a collapsed rooftop, one bucket scooping up a clod of concrete and rebar; a fine spiral of dust and grit is flung tangentially off the spinning wheel. The left forearm is a long rectangular rail cannon, twin rails running its length, the muzzle aimed low and forward across the street, a faint heat shimmer above the rails. Behind the shoulders, six large modular missiles sit upright in a rack, each cylindrical body with visible seams and fin assemblies, casting hard shadows on the machine's back. The head is a blunt armored casque with a cylindrical scope protruding forward and a shallow radar dome on top, its dish sweeping. On the outer faces of the leg assemblies, large armored boosters clamp on, their nozzles angled down and back, edges glowing a dull orange at idle. Beyond the machine, a daytime city street recedes: glass towers on both sides catching the sun, a few windows flashing where they face the light, cars stopped and crushed, a haze of dust filling the middle distance. The light comes from high and slightly behind the machine, so the armor's upper planes are bright and warm while the undersides of the tracks, the belly and the underside of the arms sit in deep shadow, and the machine's great cast shadow falls across the street directly toward the viewer, swallowing rubble and road. Palette: steel grey and gunmetal for the machine, warm concrete beige and dust ochre for the city, a cool blue sky at the top corners, orange booster glow as the only saturated accent. Dust drifts through the light, fine motes swirling. Crushing, colossal.
クロックロック
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character: kagamine_rin, copyright: vocaloid
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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Ceres [41]
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