Digimon Creator
パラメーターを見る
- オリジナルプロンプト
- peterh_lewd style, peterh_lewd, peterhl, peterh_lewd style lineart, ,Huge ass, scat, pooping,high quality,thick analGiant ass, ass bigger than body, sweaty ass, massive asscheeks, giant asshole, , ♡♡, wobbling ass,thick anal,hyper scat,1 girl,solo,thick scat,thick poop,hyper poop,wearing clothes,1girl, shirbtlestyle, humanization, diana, long hair, brown hair, horns, antlers, deer ears, animal ears, closed eyes, bare shoulders, cleavage, collarbone, halterneck, long dress, brown dress, jewelry, staff, lantern, masterpiece, ultra detailed
- 縦横比
- 1000 x 1400
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFGスケール
- 6
- ネガティブ
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
Digimon Creator
m
hilda (pokemon), wearing a historically grounded ceremonial hunting outfit inspired by ancient Indigenous North American and Mesoamerican material culture, presented as fictional historical clothing rather than modern fantasy armor.
The outfit is constructed primarily from naturally tanned leather, woven plant fibers, bone, shell beads, feathers, fur and hand-stitched textiles, with visible handmade construction and irregular natural materials.
She wears a structured leather and woven-fiber halter-style ceremonial top, covering the chest while leaving the midriff exposed. The garment has a warm natural brown and muted reddish color palette, with geometric decorative patterns painted using natural red, white and ochre pigments.
The edges of the top are decorated with rows of small bone beads, shell beads and long hanging leather and feather tassels. Several strands of beads and ornaments hang from the lower edge, moving naturally around the torso.
Around her waist is a wide, heavily decorated leather belt, secured with hand-made ties and decorated with bone, shell, beads and small carved ornaments. Attached to the belt is a layered leather ceremonial skirt or loincloth, made from overlapping panels of soft brown leather.
The lower garment has numerous long leather strips, feathers, fur tufts and beadwork hanging from its edges, creating movement and texture without looking overly ornate or fantastical.
Her arms are decorated with simple leather bands, woven bracelets and painted ceremonial markings. Her legs feature symmetrical bands of natural red and white pigment, painted directly onto the skin in geometric and symbolic patterns.
She wears tall practical leather hunting boots, reinforced with fur around the upper calves. The boots are decorated with simple beadwork, leather cords and hanging feathers. They should look functional and handmade rather than like modern footwear.
Her long dark hair is partially braided and decorated with feathers, small bone ornaments, leather cords and beads.
On top of her head is a distinctive ceremonial trophy headdress made from the skull of a large wild animal, such as a deer or similar forest-dwelling beast. The skull is carefully cleaned and naturally weathered, with its horns or antlers intact. It is positioned like a primitive ceremonial crown, secured to a woven leather-and-fiber headband. Small feathers, leather strips, beads and braided cords hang from the sides of the skull.
The animal skull should look authentic, aged and organically shaped, clearly functioning as a hunting trophy and spiritual ceremonial object rather than a polished fantasy crown. The antlers/horns form the silhouette of the headdress above the character's head.
Her face and body feature hand-painted natural pigments, primarily deep red, white and ochre, arranged in symmetrical geometric patterns. The markings should look culturally meaningful and handmade rather than like modern body paint.
Materials: aged leather, woven plant fiber, natural feathers, animal fur, bone, shell, carved wood, beads and natural pigments.
Color palette: earth brown, warm tan, deep red, off-white, ochre, muted black and natural bone.
Aesthetic: historically grounded ancient ceremonial clothing, indigenous-inspired material culture, hunter-warrior ceremonial attire, archaeological realism, handmade craftsmanship, natural materials, pre-modern wilderness culture, historically plausible fantasy.
Important: avoid modern fabrics, metal armor, zippers, plastic, synthetic materials or contemporary accessories. Avoid excessive fantasy armor. The clothing should look like something realistically constructed using materials and technologies available to an ancient pre-industrial society.,flat chest,childish height,childish body,childish features,slim build,(sidillusts_style:1.5),(sidillusts_sketchy:1.5),((flat-coloring,good_body)),
magika
m
hilda (pokemon), wearing a historically grounded ceremonial hunting outfit inspired by ancient Indigenous North American and Mesoamerican material culture, presented as fictional historical clothing rather than modern fantasy armor.
The outfit is constructed primarily from naturally tanned leather, woven plant fibers, bone, shell beads, feathers, fur and hand-stitched textiles, with visible handmade construction and irregular natural materials.
She wears a structured leather and woven-fiber halter-style ceremonial top, covering the chest while leaving the midriff exposed. The garment has a warm natural brown and muted reddish color palette, with geometric decorative patterns painted using natural red, white and ochre pigments.
The edges of the top are decorated with rows of small bone beads, shell beads and long hanging leather and feather tassels. Several strands of beads and ornaments hang from the lower edge, moving naturally around the torso.
Around her waist is a wide, heavily decorated leather belt, secured with hand-made ties and decorated with bone, shell, beads and small carved ornaments. Attached to the belt is a layered leather ceremonial skirt or loincloth, made from overlapping panels of soft brown leather.
The lower garment has numerous long leather strips, feathers, fur tufts and beadwork hanging from its edges, creating movement and texture without looking overly ornate or fantastical.
Her arms are decorated with simple leather bands, woven bracelets and painted ceremonial markings. Her legs feature symmetrical bands of natural red and white pigment, painted directly onto the skin in geometric and symbolic patterns.
She wears tall practical leather hunting boots, reinforced with fur around the upper calves. The boots are decorated with simple beadwork, leather cords and hanging feathers. They should look functional and handmade rather than like modern footwear.
Her long dark hair is partially braided and decorated with feathers, small bone ornaments, leather cords and beads.
On top of her head is a distinctive ceremonial trophy headdress made from the skull of a large wild animal, such as a deer or similar forest-dwelling beast. The skull is carefully cleaned and naturally weathered, with its horns or antlers intact. It is positioned like a primitive ceremonial crown, secured to a woven leather-and-fiber headband. Small feathers, leather strips, beads and braided cords hang from the sides of the skull.
The animal skull should look authentic, aged and organically shaped, clearly functioning as a hunting trophy and spiritual ceremonial object rather than a polished fantasy crown. The antlers/horns form the silhouette of the headdress above the character's head.
Her face and body feature hand-painted natural pigments, primarily deep red, white and ochre, arranged in symmetrical geometric patterns. The markings should look culturally meaningful and handmade rather than like modern body paint.
Materials: aged leather, woven plant fiber, natural feathers, animal fur, bone, shell, carved wood, beads and natural pigments.
Color palette: earth brown, warm tan, deep red, off-white, ochre, muted black and natural bone.
Aesthetic: historically grounded ancient ceremonial clothing, indigenous-inspired material culture, hunter-warrior ceremonial attire, archaeological realism, handmade craftsmanship, natural materials, pre-modern wilderness culture, historically plausible fantasy.
Important: avoid modern fabrics, metal armor, zippers, plastic, synthetic materials or contemporary accessories. Avoid excessive fantasy armor. The clothing should look like something realistically constructed using materials and technologies available to an ancient pre-industrial society.,flat chest,childish height,childish body,childish features,slim build,captainkirb,
magika
