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AI artwork
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Purelover

PureloverさんのAIイラストです。使用モデル: Tsubaki.2。

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artist: (masterpiece:1.2), artist: (best quality:1.2), artist: (high resolution:1.2), A wide scenic composition, eye-level view of an empty, quiet old lakeside motel room, featuring a bed with white sheets, a cheap wall mirror, a small round table, and a dim bedside lamp, arranged clearly in the space. The room is defined by muted silver-gray wallpaper, thin white curtains slightly drawn to reveal cold moonlight streaming through the window, casting faint neon reflections from the nearby lake park onto the floor. The interior is slightly worn but clean, with detailed textures on the furniture and walls, devoid of any characters, vehicles, text, logos, or watermarks. Clean refined lineart and soft shading with depth create a realistic yet illustrative anime style. The lighting is cinematic, with glossy highlights on reflective surfaces, emphasizing the intimate and dangerous atmosphere. The color palette consists of silver-gray, pearl white, pale beige, faded ivory, and soft blue night tones, enhancing the eerie stillness and detailed, high-quality visual presentation.
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オリジナルプロンプト
masterpiece, best quality, high resolution, clean refined lineart, soft shading with depth, cinematic lighting, glossy highlights, old lakeside motel room background, no people, no character, no vehicles, quiet old motel room near a lake park, white bed sheets, muted silver-gray wallpaper, cheap wall mirror, small round table, dim bedside lamp, thin white curtains, cold moonlight through the window, faint lake park neon reflections, slightly worn but clean interior, intimate and dangerous atmosphere, silver-gray, pearl white, pale beige, faded ivory, and soft blue night tones, wide scenic composition, eye-level view, bed, mirror, curtains, lamp, and small table clearly visible, clean detailed background, no text, no logo, no watermark, no readable signs, no letters, no signage
モード
lite
縦横比
1024 x 1024

利用したモデルとLoRA

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AI artwork
de
A medium shot, eye-level view of a quiet, dark bedroom at night. The room is shrouded in deep shadows, with the primary light source being the soft, silvery moonlight filtering through a partially open curtain, casting long, muted streaks across the wooden floor and the edge of a neatly made bed. A small bedside table holds a lamp that remains unlit, and a few books are stacked beside it. The atmosphere is serene and melancholic, characterized by a cool color palette of deep indigos and charcoal greys. The scene is rendered with high precision, showing the subtle texture of the fabric on the bedsheets and the faint dust motes dancing in the slivers of light, evoking a sense of profound stillness and solitude.
Doll eater
AI artwork
a
no humans, architectural interior, wide shot, one-point perspective, corner view, 15x20 room, white adobe walls, wood plank fragment floor, checkered floor blue and cream white, checkered tiles framing the bed zone, double bed, carved wooden slatted bed base, gray blankets, dove-gray minimalist bedding, two mattresses, leaf pattern mattress fabric, lead gray and dark lead gray mattresses, two windows on different walls, copper curtains, premium fabric, wooden curtain rods, two lamps, glass shades, central ceiling light, three-door wardrobe, matte finish, sliding door, matte sliding door, two almond-white sliding doors, desk, nightstand, almond color, warm evening light, soft ambient glow, symmetrical but off-axis staging, no people, empty room A wide interior view from one corner of a 15x20 room, camera at standing eye height on a one-point perspective that runs toward the far corner so that two window walls meet at the back and the whole floor plane stays readable. The floor is laid in two clearly separated systems: the perimeter is a wood-plank floor of short staggered fragments, butt-jointed in a herringbone-ish mosaic that reads as a solid, comfortable structure underfoot, warm honey-brown with visible grain and slightly uneven edges; at the center, a rectangular field of checkerboard tiles in alternating blue and cream-white borders and surrounds the bed, its straight grout lines cutting a crisp edge against the wood. The four walls are hand-troweled white adobe: soft rounded corners, faint trowel sweeps, a matte chalk-white that catches shadow as a gentle gradient rather than a hard line. The double bed stands on the checkered field, its head against the long back wall, its carved wooden slatted base (somier) the most crafted object in the room -- turned posts at the corners, a headboard rail with shallow relief carving of scrolls and rosettes, the slats visible in warm shadow beneath. Two mattresses are stacked in the frame, their ticking printed with a repeating leaf motif in two lead grays, one pale lead gray and one dark lead gray, the leaf pattern reading clearly across both. Over them lie dove-gray blankets with minimalist design -- flat unpatterned dove gray, one folded back at an angle to show the leaf ticking beneath, the other pulled smooth, both with the soft compression of real wool and cotton, a slight sag where the mattress gives. The checkered floor stops a hand's width from the bed frame, leaving a ring of wood visible. On the two different walls, two windows sit at different heights in the composition: one on the left wall, one on the back wall to the right of the bed, so the perspective shows both without overlap. Each window is hung on a wooden curtain rod, turned wood with visible finials, mounted on brackets; from each rod hang copper-colored curtains of a premium heavy fabric -- a warm burnished copper with a faint satin sheen, gathered in deep folds at each side and puddling a little on the sill, the light from outside striking the leading edge of the pleats so the fabric glows along one side and sits in deep shadow in the fold valleys. A three-door wardrobe stands against the right wall in a matte finish, its three panels flush and even, a slight sheen only at the top edge where light falls; beside it, the matte sliding door is set into the wall, its track visible at the top, and two more sliding doors flank it, one to the left and one to the right, finished in almond-white, each on its own recessed track. The almond tone repeats in the beautifully placed nightstand beside the bed, its top just catching the light, and in the desk set along the left wall under the left window, a simple rectangular top on slim legs, the almond finish reading as warm off-white. Lighting: two table lamps with glass shades sit on the nightstand and on the desk, each throwing a warm pool that rims the glass shade with a bright ring and falls off across the nearby wall; a central ceiling light provides the room's ambient fill, soft and even from above, so the corners of the room sit in a slightly darker register while the bed and checkered floor stay the brightest zone. The windows' daylight is cool and directional, striking the copper curtain edges and laying long soft shadows of the curtain folds across the white adobe. The palette is blue, cream-white, warm honey wood, dove and lead gray, burnished copper and almond -- nothing else admitted. The composition's detail budget goes to the carved slatted base, the leaf-pattern mattresses and the compressed, folded blankets; the wardrobe and sliding doors are simplified to clean planes with single shadow lines; the far corner keeps its soft adobe gradient. The one physical revealer: the curtains' leading folds cast thin, wavering shadow stripes across the white adobe wall, and the glass shades of the lamps throw a small caustic arc only on the wall behind them. A furnished but empty room, quiet, warm, solid, waiting.
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A medium shot from a slightly elevated angle depicts the interior of a middle-class noble's bedroom. In the center of the room, a simple wooden bed with neat, beige linens and a modest pillow is positioned, serving as the focal point. The room is furnished with understated elegance, featuring polished hardwood floors, a small wooden bedside table, and a sturdy wardrobe in the corner. Soft, natural light filters through a draped window, illuminating the dust particles dancing in the air and highlighting the clean, structured layout of the space. The color palette consists of warm earth tones, creams, and soft browns, conveying a sense of disciplined comfort and modest prestige within a quiet, serene atmosphere.
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