📢Tsubaki.3 みんなの感想、聞かせてください！ — 📝 【Tsubaki.3 皆さまの声をお聞かせください！アンケート実施中】 いつもPixAIをご利用いただきありがとうございます！ Tsubaki.3 のリリースから1ヶ月が経ちました🎉 今後のさらなる改善に向けて、ユーザーの皆さまにアンケ…
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Alfred
パラメーターを見る
- オリジナルプロンプト
- ash lynx, 1boy, male focus, blonde hair, green eyes, solo, shirt, torn clothes, lean body, toned, male focus, high quality, high definition, night club, uncomfortable
- 縦横比
- 768 x 1280
- サンプリングステップ
- 28
- サンプリング方法
- Euler a
- CFGスケール
- 5
- ネガティブ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
利用したモデルとLoRA
ほかの類似作品
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ka
Trying a new model
Kizen Andel
mmhmale, mature male, muscular, broad shoulders, masculine handsome face, 1 boy
ozisansuki
e
デイリー
endfrost
artist: konya_karasue, A medium shot, eye-level portrait of a 45-year-old Caucasian man standing centrally in a neutral space. He has an athletic build and a mature face characterized by a strong jawline, light stubble, and subtle forehead wrinkles, with short dark brown hair featuring distinguished gray at the temples and calm, blue eyes. He is dressed in a simple dark blue shirt and classic blue jeans, standing with his arms relaxed at his sides, wearing a confident yet fatherly expression. The background is a minimalist, soft-focus setting that ensures all attention remains on the subject. The image is rendered as a high-quality anime illustration with soft, diffused lighting that gently highlights the textures of his skin and clothing, creating a warm and serene atmosphere with a clean and polished visual style.
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