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AI artwork
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Verevka

VerevkaさんのAIイラストです。使用モデル: Tsubaki。

v

Verevka

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stylized digital illustration, a young man with short, messy orange-red hair stands in a medieval tavern, his pale skin dotted with freckles across his nose and cheeks. His light blue eyes are sharp and alert, framed by prominent orange-red eyebrows. He wears pragmatic, lithe fighter's clothing, the leather and fabric creased from wear, detailed with small buckles and reinforced stitching. The tavern around him is bathed in warm, saturated colors—glowing lanterns, wooden tables with tankards, and patrons in the background blurred into rough, painterly shapes. The style blends semi-realism with soft, textured edges, creating a visually interesting, masterful composition.
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オリジナルプロンプト
1guy, short messy orange red head, pale skin, freckles on the nose and cheeks, light blue eyes, big orange red eyebrows, wearing a pragmatic lithe fighter clothes, medieval fantasy setting, in a tavern,
品質タグ
high quality, year_2025, year_2024, ﹝プロンプト﹞
縦横比
768 x 1280
サンプリングステップ
25
サンプリング方法
Euler
CFGスケール
4.5
ネガティブ
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

利用したモデルとLoRA

Tsubaki - AI Modelのカバー画像

PixAI DiT.1

Tsubaki
8.85k
MIDJOURNEY/NIJIJOURNEY - Painterly, semi-realistic, semi-realism, diverse characters - AI Modelのカバー画像

ユーザーLoRA

MIDJOURNEY/NIJIJOURNEY - Painterly, semi-realistic, semi-realism, diverse characters
58
experimental style - incys styles - AI Modelのカバー画像

ユーザーLoRA

experimental style - incys styles
33

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続きを読む
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1boy, solo, adult man, 30 years old, short curly red hair, light blue eyes, silver chain necklace, multiple fine silver chains, confident smile, smirk, looking at viewer, upper body, from below, dutch angle, medieval kitchen, rustic stone kitchen, hearth, cauldron, hanging pots, linen tunic, lace-up collar, The camera looks up at him from just below chest height, tilted a few degrees off level so the stone room leans: a man of thirty fills the upper two thirds of the frame, his shoulders turned three-quarters toward the right of the picture while his chin tips down and his eyes come back to the lens. His hair is short and densely curled, a deep coppery red, the curls catching a warm rim along the crown and falling in tight rings over his forehead and temples; his eyes are a clear pale blue, one brow lifted a fraction higher than the other, and the confident smile pulls higher at the left corner of his mouth, lips closed, a crease at the cheek. Around his neck, several very fine silver chains of different lengths lie flat against his skin and slide under the open collar of a rough beige linen tunic, the lace-up neckline loosened, the cords hanging; his right hand rests at his throat with two fingers hooked under the shortest chain, the metal warmed and glinting where the light hits it, his left arm out of frame below the crop. Behind and around him the medieval kitchen: a soot-blackened stone hearth with a low fire on the left, an iron cauldron on a hook, copper pots and bundles of dried herbs hanging from a beam above his head, a scrubbed wooden worktable with flour dust and a knife in the lower right, dark beams and rough mortar joints receding into shadow; the space is close and low-ceilinged, and he stands taller than the room's furniture. The fire is the only light source: it strikes the left side of his face and the left edge of the chains with a warm orange, leaves the right side of his jaw and the right wall in deep brown shadow, and throws his blurred shadow up and back across the stone behind his shoulder; the silver reads cool against the warm skin. Palette of soot black, ember orange, dull copper, beige linen and the red of his hair, nothing else admitted. The tunic's weave is visible where the light rakes it, the chains hang with a slight sag of real weight between the links, and the flour on the table shows the drag of a recent hand. Easy, assured, a little cocky.
pakun

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