い
魅惑の青い夜の女王
いかんな
🦹♀️, Blue magi,
画面左の女性：脳の白質繊維に関する描写。 白質繊維の総合的な分量を人間の平均を1.0にした時の繊維の多さの度合い：1.01。 機能別の白質繊維、人間の平均を1.0にした時の多さの度合い： 「運動性で、顔側0.91、頭頂部側0.99、後頭部側1.19」 「感覚性で、1.4」 「統合性で、1.12」。 白質繊維＝運動性（遠心性）繊維＋感覚性（求心性）繊維＋統合性（連合性）繊維。機能での分類。
パラメーターを見る
- オリジナルプロンプト
- 思いつかないので女性を2人。（跪座のポージングをこの生成で重視します。） 青いドミノマスク、 足先など端側は画面から切れてよい。 骨盤に対して胴体は15度前のめりで、胴体に対して頭部は17度前のめりにします。 大和座り_跪坐,[跪坐は「制圧されている姿」ではなく、むしろ「自分の意志で次のアクションを起こすための一歩手前の状態」を意味するポージングです。仏像の「跪坐（きざ）」とは、正座の状態からつま先を立てて上体をやや前へ傾けた姿勢のことで、「大和座り」とも呼ばれ、主に阿弥陀如来の脇侍（観音菩薩・勢至菩薩）に見られます。人間の大和座り（やまとずわり）とは、正座の状態からつま先を立てて少し前かがみになり、腰をやや浮かした姿勢のことです。別名を「跪坐（きざ）」ともいいます。] very low Readiness Potential, [[white matter fiber,Projection fibers,Association fibers,Commissural fibers]]
- 品質タグ
- high quality, year_2025, year_2024, ﹝プロンプト﹞
- 縦横比
- 1024 x 1024
- Sampling Steps
- 16
- Sampling Method
- Euler
- CFGスケール
- 1
- ネガティブ
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
顔修正
プロンプト自動変換
利用したモデルとLoRA
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f1
In a medium full-body shot from slightly below, a woman resembling Liu Yifei is seated in profile on an old wooden bed in the center of a derelict, dimly lit room. Her very long, tangled black hair partially covers her pale, porcelain-like face with dark eye circles while her gaze locks intensely on the viewer; one eye is wide open while the other is partially obscured by hair. Her left hand rests on her bent knee; her right hand hangs loosely beside her. She is barefoot, with her right leg extended forward and her left leg gracefully crossed over it, toes naturally pointing downward near the foreground. She wears a loose, tattered dark-blue gothic dress with delicate lace details and softly wrinkled fabric textures. Behind her, faded wooden planks and deep shadows consume the background, while faint shafts of cool moonlight filter through unseen windows, illuminating air particles and creating a high-contrast atmosphere. A shallow depth of field gently blurs the dim room while film grain and a subtle analog texture complete the cinematic, eerie mood.
freeman1012
f1
In a medium full-body shot from slightly below, a woman resembling Liu Yifei is seated in profile on an old wooden bed in the center of a derelict, dimly lit room. Her very long, tangled black hair partially covers her pale, porcelain-like face with dark eye circles while her gaze locks intensely on the viewer; one eye is wide open while the other is partially obscured by hair. Her left hand rests on her bent knee; her right hand hangs loosely beside her. She is barefoot, with her right leg extended forward and her left leg gracefully crossed over it, toes naturally pointing downward near the foreground. She wears a loose, tattered dark-blue gothic dress with delicate lace details and softly wrinkled fabric textures. Behind her, faded wooden planks and deep shadows consume the background, while faint shafts of cool moonlight filter through unseen windows, illuminating air particles and creating a high-contrast atmosphere. A shallow depth of field gently blurs the dim room while film grain and a subtle analog texture complete the cinematic, eerie mood.
freeman1012
f1
In a medium full-body shot from slightly below, a woman resembling Liu Yifei is seated in profile on an old wooden bed in the center of a derelict, dimly lit room. Her very long, tangled black hair partially covers her pale, porcelain-like face with dark eye circles while her gaze locks intensely on the viewer; one eye is wide open while the other is partially obscured by hair. Her left hand rests on her bent knee; her right hand hangs loosely beside her. She is barefoot, with her right leg extended forward and her left leg gracefully crossed over it, toes naturally pointing downward near the foreground. She wears a loose, tattered dark-blue gothic dress with delicate lace details and softly wrinkled fabric textures. Behind her, faded wooden planks and deep shadows consume the background, while faint shafts of cool moonlight filter through unseen windows, illuminating air particles and creating a high-contrast atmosphere. A shallow depth of field gently blurs the dim room while film grain and a subtle analog texture complete the cinematic, eerie mood.
freeman1012
