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AI artwork

A full-body dynamic character ill

投稿日は Aug 5, 2026
f2

Famcast 2024

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A full-body dynamic character illustration of a spirited pirate girl, around ten years old, who is the human personification of a small, beloved wooden pirate ship, rendered in the bold, expressive shonen manga art style of Eiichiro Oda's One Piece — clean confident G-pen linework with dynamic thick-to-thin contours, flat cel-shaded coloring with crisp hard-edged shadow shapes, and the exaggerated warm facial expressiveness typical of Oda's character design. She has a compact, energetic build with entirely child-appropriate proportions — no adult musculature, just the lean, springy physicality of a kid who runs and climbs rigging all day. She stands in a confident three-quarter battle stance, weight grounded through both feet, one small carved wooden cutlass raised at shoulder height in her right hand and a second shorter rope-wrapped boarding hook held low and ready in her left hand, chin level and eyes bright with fearless determination — a fighting stance built for scrappy improvisation rather than brute power, exactly the kind of pose a small, clever ship's spirit would use. Her hair is a wild, tousled shock of pure white, cut short at the sides and slightly longer on top, with two small curved ivory ram-horn ornaments woven in just above her temples, echoing the ram-head figurehead she was carved with; a few loose strands fall over her forehead in deliberate windswept asymmetry. Her skin is pale and fair-toned. Her face carries a warm, gap-toothed grin balanced by one eyebrow raised in playful challenge, a light scattering of freckles across her nose and cheeks, and a faint healed crescent-shaped scar along one cheekbone — a small mark of years spent weathering storms and battles alongside her crew. Her clothing tells the story of a ship patched and repaired across years of voyages rather than one built new: a sleeveless brown canvas sailor's vest clearly assembled from several mismatched fabric patches in slightly different brown tones, each stitched on with visibly different pale-yellow and off-white thread, worn specifically at the shoulder seams and left hip where rigging rope would have rubbed for years. Beneath it, a simple white long-sleeved shirt with the cuffs rolled past the elbow, small ink and rope stains on her fingers from tinkering with rigging knots. A short red neckerchief is tied loosely at her throat, its edges slightly frayed. A wide black leather belt cinches her waist with a brass buckle shaped like a small ram's head matching the horns in her hair, and from it hangs a coil of pale rope and a small wooden charm carved in the shape of her own figurehead. Her trousers are warm sandy brown, cropped at the calf and reinforced with an extra canvas layer at the knees, cinched at the ankle with wrapped rope ties. Her boots are scuffed black leather, low and practical, built for climbing rigging rather than looking impressive. A single embroidered patch on her back, visible only in three-quarter rear lighting, shows a small skull-and-crossbones wearing a straw hat — the flag her ship once flew — stitched in white thread against the brown canvas. She stands on sun-bleached wooden decking at early morning, golden low-angle light raking in from the left and casting long warm shadows, catching the frayed edges of her neckerchief and the loose strands of her hair with a soft amber rim light; the background is deliberately minimal and softly out of focus — a suggestion of a weathered mast and patched sail behind her rendered in soft desaturated blues and browns — keeping full compositional focus on the character herself. The overall palette anchors in warm brown, off-white, soft black, a single accent of faded red at the neckerchief, and pale straw-yellow in the rope and stitching details, giving her a lived-in, homely, deeply loyal presence rather than a polished or intimidating one. Render hands anatomically correctly with clearly separated fingers gripping each weapon independently — right hand wrapped around the cutlass hilt with the thumb in natural opposition, left hand gripping the boarding hook lower on its shaft with visible knuckle tension., ((improve_image)), cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors.
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オリジナルプロンプト
A full-body dynamic character illustration of a spirited pirate girl, around ten years old, who is the human personification of a small, beloved wooden pirate ship, rendered in the bold, expressive shonen manga art style of Eiichiro Oda's One Piece — clean confident G-pen linework with dynamic thick-to-thin contours, flat cel-shaded coloring with crisp hard-edged shadow shapes, and the exaggerated warm facial expressiveness typical of Oda's character design. She has a compact, energetic build with entirely child-appropriate proportions — no adult musculature, just the lean, springy physicality of a kid who runs and climbs rigging all day. She stands in a confident three-quarter battle stance, weight grounded through both feet, one small carved wooden cutlass raised at shoulder height in her right hand and a second shorter rope-wrapped boarding hook held low and ready in her left hand, chin level and eyes bright with fearless determination — a fighting stance built for scrappy improvisation rather than brute power, exactly the kind of pose a small, clever ship's spirit would use. Her hair is a wild, tousled shock of pure white, cut short at the sides and slightly longer on top, with two small curved ivory ram-horn ornaments woven in just above her temples, echoing the ram-head figurehead she was carved with; a few loose strands fall over her forehead in deliberate windswept asymmetry. Her skin is pale and fair-toned. Her face carries a warm, gap-toothed grin balanced by one eyebrow raised in playful challenge, a light scattering of freckles across her nose and cheeks, and a faint healed crescent-shaped scar along one cheekbone — a small mark of years spent weathering storms and battles alongside her crew. Her clothing tells the story of a ship patched and repaired across years of voyages rather than one built new: a sleeveless brown canvas sailor's vest clearly assembled from several mismatched fabric patches in slightly different brown tones, each stitched on with visibly different pale-yellow and off-white thread, worn specifically at the shoulder seams and left hip where rigging rope would have rubbed for years. Beneath it, a simple white long-sleeved shirt with the cuffs rolled past the elbow, small ink and rope stains on her fingers from tinkering with rigging knots. A short red neckerchief is tied loosely at her throat, its edges slightly frayed. A wide black leather belt cinches her waist with a brass buckle shaped like a small ram's head matching the horns in her hair, and from it hangs a coil of pale rope and a small wooden charm carved in the shape of her own figurehead. Her trousers are warm sandy brown, cropped at the calf and reinforced with an extra canvas layer at the knees, cinched at the ankle with wrapped rope ties. Her boots are scuffed black leather, low and practical, built for climbing rigging rather than looking impressive. A single embroidered patch on her back, visible only in three-quarter rear lighting, shows a small skull-and-crossbones wearing a straw hat — the flag her ship once flew — stitched in white thread against the brown canvas. She stands on sun-bleached wooden decking at early morning, golden low-angle light raking in from the left and casting long warm shadows, catching the frayed edges of her neckerchief and the loose strands of her hair with a soft amber rim light; the background is deliberately minimal and softly out of focus — a suggestion of a weathered mast and patched sail behind her rendered in soft desaturated blues and browns — keeping full compositional focus on the character herself. The overall palette anchors in warm brown, off-white, soft black, a single accent of faded red at the neckerchief, and pale straw-yellow in the rope and stitching details, giving her a lived-in, homely, deeply loyal presence rather than a polished or intimidating one. Render hands anatomically correctly with clearly separated fingers gripping each weapon independently — right hand wrapped around the cutlass hilt with the thumb in natural opposition, left hand gripping the boarding hook lower on its shaft with visible knuckle tension.,.,((improve_image)),cinematic lighting , cinematic angle, soft light , color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors,
モード
pro
縦横比
768 x 1280
ネガティブ
worst quality, photorealistic, bad anatomy, blur, low resolution
プロンプト自動変換

利用したモデルとLoRA

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続きを読む
AI artwork
f2
A full-body dynamic character illustration of a spirited pirate girl, around ten years old, who is the human personification of a small, beloved wooden pirate ship, rendered in the bold, expressive shonen manga art style of Eiichiro Oda's One Piece — clean confident G-pen linework with dynamic thick-to-thin contours, flat cel-shaded coloring with crisp hard-edged shadow shapes, and the exaggerated warm facial expressiveness typical of Oda's character design. She has a compact, energetic build with entirely child-appropriate proportions — no adult musculature, just the lean, springy physicality of a kid who runs and climbs rigging all day. She stands in a confident three-quarter battle stance, weight grounded through both feet, one small carved wooden cutlass raised at shoulder height in her right hand and a second shorter rope-wrapped boarding hook held low and ready in her left hand, chin level and eyes bright with fearless determination — a fighting stance built for scrappy improvisation rather than brute power, exactly the kind of pose a small, clever ship's spirit would use. Her hair is a wild, tousled shock of pure white, cut short at the sides and slightly longer on top, with two small curved ivory ram-horn ornaments woven in just above her temples, echoing the ram-head figurehead she was carved with; a few loose strands fall over her forehead in deliberate windswept asymmetry. Her skin is pale and fair-toned. Her face carries a warm, gap-toothed grin balanced by one eyebrow raised in playful challenge, a light scattering of freckles across her nose and cheeks, and a faint healed crescent-shaped scar along one cheekbone — a small mark of years spent weathering storms and battles alongside her crew. Her clothing tells the story of a ship patched and repaired across years of voyages rather than one built new: a sleeveless brown canvas sailor's vest clearly assembled from several mismatched fabric patches in slightly different brown tones, each stitched on with visibly different pale-yellow and off-white thread, worn specifically at the shoulder seams and left hip where rigging rope would have rubbed for years. Beneath it, a simple white long-sleeved shirt with the cuffs rolled past the elbow, small ink and rope stains on her fingers from tinkering with rigging knots. A short red neckerchief is tied loosely at her throat, its edges slightly frayed. A wide black leather belt cinches her waist with a brass buckle shaped like a small ram's head matching the horns in her hair, and from it hangs a coil of pale rope and a small wooden charm carved in the shape of her own figurehead. Her trousers are warm sandy brown, cropped at the calf and reinforced with an extra canvas layer at the knees, cinched at the ankle with wrapped rope ties. Her boots are scuffed black leather, low and practical, built for climbing rigging rather than looking impressive. A single embroidered patch on her back, visible only in three-quarter rear lighting, shows a small skull-and-crossbones wearing a straw hat — the flag her ship once flew — stitched in white thread against the brown canvas. She stands on sun-bleached wooden decking at early morning, golden low-angle light raking in from the left and casting long warm shadows, catching the frayed edges of her neckerchief and the loose strands of her hair with a soft amber rim light; the background is deliberately minimal and softly out of focus — a suggestion of a weathered mast and patched sail behind her rendered in soft desaturated blues and browns — keeping full compositional focus on the character herself. The overall palette anchors in warm brown, off-white, soft black, a single accent of faded red at the neckerchief, and pale straw-yellow in the rope and stitching details, giving her a lived-in, homely, deeply loyal presence rather than a polished or intimidating one. Render hands anatomically correctly with clearly separated fingers gripping each weapon independently — right hand wrapped around the cutlass hilt with the thumb in natural opposition, left hand gripping the boarding hook lower on its shaft with visible knuckle tension., ((improve_image)), cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors.
Famcast 2024
AI artwork
f2
A full-body dynamic character illustration of a spirited pirate girl, around ten years old, who is the human personification of a small, beloved wooden pirate ship, rendered in the bold, expressive shonen manga art style of Eiichiro Oda's One Piece — clean confident G-pen linework with dynamic thick-to-thin contours, flat cel-shaded coloring with crisp hard-edged shadow shapes, and the exaggerated warm facial expressiveness typical of Oda's character design. She has a compact, energetic build with entirely child-appropriate proportions — no adult musculature, just the lean, springy physicality of a kid who runs and climbs rigging all day. She stands in a confident three-quarter battle stance, weight grounded through both feet, one small carved wooden cutlass raised at shoulder height in her right hand and a second shorter rope-wrapped boarding hook held low and ready in her left hand, chin level and eyes bright with fearless determination — a fighting stance built for scrappy improvisation rather than brute power, exactly the kind of pose a small, clever ship's spirit would use. Her hair is a wild, tousled shock of pure white, cut short at the sides and slightly longer on top, with two small curved ivory ram-horn ornaments woven in just above her temples, echoing the ram-head figurehead she was carved with; a few loose strands fall over her forehead in deliberate windswept asymmetry. Her skin is pale and fair-toned. Her face carries a warm, gap-toothed grin balanced by one eyebrow raised in playful challenge, a light scattering of freckles across her nose and cheeks, and a faint healed crescent-shaped scar along one cheekbone — a small mark of years spent weathering storms and battles alongside her crew. Her clothing tells the story of a ship patched and repaired across years of voyages rather than one built new: a sleeveless brown canvas sailor's vest clearly assembled from several mismatched fabric patches in slightly different brown tones, each stitched on with visibly different pale-yellow and off-white thread, worn specifically at the shoulder seams and left hip where rigging rope would have rubbed for years. Beneath it, a simple white long-sleeved shirt with the cuffs rolled past the elbow, small ink and rope stains on her fingers from tinkering with rigging knots. A short red neckerchief is tied loosely at her throat, its edges slightly frayed. A wide black leather belt cinches her waist with a brass buckle shaped like a small ram's head matching the horns in her hair, and from it hangs a coil of pale rope and a small wooden charm carved in the shape of her own figurehead. Her trousers are warm sandy brown, cropped at the calf and reinforced with an extra canvas layer at the knees, cinched at the ankle with wrapped rope ties. Her boots are scuffed black leather, low and practical, built for climbing rigging rather than looking impressive. A single embroidered patch on her back, visible only in three-quarter rear lighting, shows a small skull-and-crossbones wearing a straw hat — the flag her ship once flew — stitched in white thread against the brown canvas. She stands on sun-bleached wooden decking at early morning, golden low-angle light raking in from the left and casting long warm shadows, catching the frayed edges of her neckerchief and the loose strands of her hair with a soft amber rim light; the background is deliberately minimal and softly out of focus — a suggestion of a weathered mast and patched sail behind her rendered in soft desaturated blues and browns — keeping full compositional focus on the character herself. The overall palette anchors in warm brown, off-white, soft black, a single accent of faded red at the neckerchief, and pale straw-yellow in the rope and stitching details, giving her a lived-in, homely, deeply loyal presence rather than a polished or intimidating one. Render hands anatomically correctly with clearly separated fingers gripping each weapon independently — right hand wrapped around the cutlass hilt with the thumb in natural opposition, left hand gripping the boarding hook lower on its shaft with visible knuckle tension., ((improve_image)), cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors.
Famcast 2024
AI artwork
f2
A full-body dynamic character illustration of a spirited pirate girl, around ten years old, who is the human personification of a small, beloved wooden pirate ship, rendered in the bold, expressive shonen manga art style of Eiichiro Oda's One Piece — clean confident G-pen linework with dynamic thick-to-thin contours, flat cel-shaded coloring with crisp hard-edged shadow shapes, and the exaggerated warm facial expressiveness typical of Oda's character design. She has a compact, energetic build with entirely child-appropriate proportions — no adult musculature, just the lean, springy physicality of a kid who runs and climbs rigging all day. She stands in a confident three-quarter battle stance, weight grounded through both feet, one small carved wooden cutlass raised at shoulder height in her right hand and a second shorter rope-wrapped boarding hook held low and ready in her left hand, chin level and eyes bright with fearless determination — a fighting stance built for scrappy improvisation rather than brute power, exactly the kind of pose a small, clever ship's spirit would use. Her hair is a wild, tousled shock of pure white, cut short at the sides and slightly longer on top, with two small curved ivory ram-horn ornaments woven in just above her temples, echoing the ram-head figurehead she was carved with; a few loose strands fall over her forehead in deliberate windswept asymmetry. Her skin is pale and fair-toned. Her face carries a warm, gap-toothed grin balanced by one eyebrow raised in playful challenge, a light scattering of freckles across her nose and cheeks, and a faint healed crescent-shaped scar along one cheekbone — a small mark of years spent weathering storms and battles alongside her crew. Her clothing tells the story of a ship patched and repaired across years of voyages rather than one built new: a sleeveless brown canvas sailor's vest clearly assembled from several mismatched fabric patches in slightly different brown tones, each stitched on with visibly different pale-yellow and off-white thread, worn specifically at the shoulder seams and left hip where rigging rope would have rubbed for years. Beneath it, a simple white long-sleeved shirt with the cuffs rolled past the elbow, small ink and rope stains on her fingers from tinkering with rigging knots. A short red neckerchief is tied loosely at her throat, its edges slightly frayed. A wide black leather belt cinches her waist with a brass buckle shaped like a small ram's head matching the horns in her hair, and from it hangs a coil of pale rope and a small wooden charm carved in the shape of her own figurehead. Her trousers are warm sandy brown, cropped at the calf and reinforced with an extra canvas layer at the knees, cinched at the ankle with wrapped rope ties. Her boots are scuffed black leather, low and practical, built for climbing rigging rather than looking impressive. A single embroidered patch on her back, visible only in three-quarter rear lighting, shows a small skull-and-crossbones wearing a straw hat — the flag her ship once flew — stitched in white thread against the brown canvas. She stands on sun-bleached wooden decking at early morning, golden low-angle light raking in from the left and casting long warm shadows, catching the frayed edges of her neckerchief and the loose strands of her hair with a soft amber rim light; the background is deliberately minimal and softly out of focus — a suggestion of a weathered mast and patched sail behind her rendered in soft desaturated blues and browns — keeping full compositional focus on the character herself. The overall palette anchors in warm brown, off-white, soft black, a single accent of faded red at the neckerchief, and pale straw-yellow in the rope and stitching details, giving her a lived-in, homely, deeply loyal presence rather than a polished or intimidating one. Render hands anatomically correctly with clearly separated fingers gripping each weapon independently — right hand wrapped around the cutlass hilt with the thumb in natural opposition, left hand gripping the boarding hook lower on its shaft with visible knuckle tension., ((improve_image)), cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors.
Famcast 2024
AI artwork
f2
A full-body dynamic character illustration of a bright, athletic pirate girl, around eleven years old, who is the human personification of a larger, more advanced pirate ship built for adventure, rendered in the same bold Eiichiro Oda-inspired shonen manga style — confident G-pen linework, flat cel-shaded color blocks with crisp shadow edges, and expressive, slightly exaggerated proportions typical of official One Piece character art. She has a lean, athletic, entirely child-appropriate build, energy radiating from a wide triangular stance — both feet planted apart, torso twisted mid-motion as though she has just leapt down from the rigging, one clawed gauntlet-fist thrust forward at chest height, the other arm swept back for counterbalance, foreshortened toward the viewer for kinetic impact. Her hair is a thick, wild mane of bright orange, longer and more voluminous than a typical child cut, styled to fan outward like both a lion's mane and rays of sunlight at once — a deliberate double reading, since her own ship's figurehead was mistaken for a sunflower and then the sun during its own construction — with a few sun-bleached lighter streaks near the tips. Her skin is pale and fair-toned. Her expression is a wide, confident grin with sharp canine-like teeth bared in excitement rather than aggression, both eyebrows raised in delighted challenge, eyes wide and gleaming with restless energy — the face of a ship's spirit who has already sailed further and seen more than her ship-sibling, and knows it. Her clothing is more structurally ambitious than a simple sailor's outfit, reflecting a ship built with real shipwright craftsmanship: a sleeveless bright yellow high-collared jacket with a bold sun-ray pattern radiating outward from the sternum in stitched red thread, the collar standing tall and slightly overlapping at the throat like a lion's ruff. Beneath it, a fitted white undershirt with short red sleeve panels at the shoulders. Each forearm wears an articulated brown leather vambrace ending in a bronze clawed gauntlet with three blunt retractable-looking talons, referencing her ship's own powerful bow-mounted cannon housed in a lion's roaring mouth. Her shorts are warm brown canvas, reinforced at the knees, with a woven grass-green rope belt slung low at the hip and a small cluster of dried mikan-orange charms tied to one side — a nod to the citrus grove she carries on her own deck. Her boots are sturdy black leather with yellow sole trim, laced with red cord. A small circular patch on her shoulder shows a stylized sun with a lion's face at its center, embroidered in gold thread against black fabric — her own ship's emblem worn as a badge of identity. She is captured mid-leap on sun-warmed deck planking, a bright midday sun positioned high and slightly behind her, creating a strong warm rim light along her hair and shoulders while her front remains in slightly softer fill light bounced from the pale ground below; the background stays intentionally minimal — a soft blurred suggestion of open sky and a distant mast — so nothing competes with her silhouette. The palette leads with saturated sun-yellow across the largest surfaces, supported by warm brown leather and canvas, crisp white undershirt, black accents in the boots and emblem, and red as the sharp focal accent in the stitching and sleeve panels. Describe each hand and gauntlet independently and anatomically correctly — front clawed fist with visible knuckle and talon articulation, rear hand open and mid-motion with natural finger spacing. Avoid adult muscular definition, avoid a static symmetric pose, avoid plastic or glossy skin rendering, avoid a flawless airbrushed complexion, avoid a generic unstructured pirate outfit — every design choice should read as purpose-built rather than decorative filler., cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors, ((improve_image))
Famcast 2024
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