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AI artwork

artist:pochi_(pochi-goya), A woma

投稿日は 3 days ago
a6

a6

さらに表示
artist:pochi_(pochi-goya), A woman stands alone, characterized by ((enormous breasts, long breasts)), a smiling face showing shy embarrassment, and pink hair. Utilizing pochi_(pochi-goya)'s signature style—clean delicate linework, stylized bishoujo anatomy with voluptuous proportions, soft cel-shading, smooth skin gradients, luminous bloom, dramatic rim lighting, cool-toned dominance with lavender and gold accents, expressive glossy eyes, intricate flowing hair, ornate jewelry, vibrant atmosphere—the scene places her in an unspecified but ethereal space, with subtle diffuse lighting highlighting soft textures of her skin and hair. Every detail, from the precise shading along her silhouette to the intricate reflections in her glossy eyes, is crafted with meticulous precision, aiming to evoke a gentle yet strikingly beautiful character portrait.
パラメーターを見る
オリジナルプロンプト
女性が1人、(((巨乳、長い乳房、)))笑顔、照れ、ピンク色の髪、 (((pochi_\(pochi-goya\),)))
品質タグ
high quality, year_2025, year_2024, ﹝プロンプト﹞
縦横比
768 x 1152
Sampling Steps
12
Sampling Method
Euler
CFGスケール
4.5
ネガティブ
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name,accessory,vest,
プロンプト自動変換

利用したモデルとLoRA

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続きを読む
AI artwork
a6
artist:pochi_(pochi-goya), A woman stands alone, characterized by ((enormous breasts, long breasts)), a smiling face showing shy embarrassment, and pink hair. Utilizing pochi_(pochi-goya)'s signature style—clean delicate linework, stylized bishoujo anatomy with voluptuous proportions, soft cel-shading, smooth skin gradients, luminous bloom, dramatic rim lighting, cool-toned dominance with lavender and gold accents, expressive glossy eyes, intricate flowing hair, ornate jewelry, vibrant atmosphere—the scene places her in an unspecified but ethereal space, with subtle diffuse lighting highlighting soft textures of her skin and hair. Every detail, from the precise shading along her silhouette to the intricate reflections in her glossy eyes, is crafted with meticulous precision, aiming to evoke a gentle yet strikingly beautiful character portrait.
a6
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a6
artist:pochi_(pochi-goya), A woman stands alone, characterized by ((enormous breasts, long breasts)), a smiling face showing shy embarrassment, and pink hair. Utilizing pochi_(pochi-goya)'s signature style—clean delicate linework, stylized bishoujo anatomy with voluptuous proportions, soft cel-shading, smooth skin gradients, luminous bloom, dramatic rim lighting, cool-toned dominance with lavender and gold accents, expressive glossy eyes, intricate flowing hair, ornate jewelry, vibrant atmosphere—the scene places her in an unspecified but ethereal space, with subtle diffuse lighting highlighting soft textures of her skin and hair. Every detail, from the precise shading along her silhouette to the intricate reflections in her glossy eyes, is crafted with meticulous precision, aiming to evoke a gentle yet strikingly beautiful character portrait.
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artist:pochi_(pochi-goya), A woman stands alone, characterized by ((enormous breasts, long breasts)), a smiling face showing shy embarrassment, and pink hair. Utilizing pochi_(pochi-goya)'s signature style—clean delicate linework, stylized bishoujo anatomy with voluptuous proportions, soft cel-shading, smooth skin gradients, luminous bloom, dramatic rim lighting, cool-toned dominance with lavender and gold accents, expressive glossy eyes, intricate flowing hair, ornate jewelry, vibrant atmosphere—the scene places her in an unspecified but ethereal space, with subtle diffuse lighting highlighting soft textures of her skin and hair. Every detail, from the precise shading along her silhouette to the intricate reflections in her glossy eyes, is crafted with meticulous precision, aiming to evoke a gentle yet strikingly beautiful character portrait.
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