Cruled angel

参加作品

PixAI × ハレルヤスイーツキッチン公式コラボコンテスト ― スイーツ擬人化

#裸足 #跪く #ドレス #ロングヘア #十字架 #黒髪 #天使 #天使の羽 #女の子 #お辞儀

投稿日は Aug 22, 2026

Coconuthorizon

さらに表示

1girl, high angle, bird's-eye view, kneeling, collapsed, dark stone floor, vast empty dark space, body curled, torso bowed, face hidden, dark hair, long white dress, white robe, fabric pooling, large white feathered wings, angel wings, spread wings, exhaustion, surrender, detailed feathers, volumetric, ethereal glow, shaft of light, cold blue-teal light, geometric shadow, cross pattern, monochromatic, cool palette, film grain, vignette, melancholic, sacred, haunting, fallen angel, religious iconography

パラメーターを見る

オリジナルプロンプト: A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has dark hair falling loosely around her head and shoulders. She wears a long flowing white dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
縦横比: 1024 x 1024
Sampling Steps: 5
Sampling Method: DPM++ SDE Karras
CFGスケール: 3
ネガティブ: (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)

顔修正

プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

A high-angle bird's-eye view anime illustration looking straight down at a girl collapsed on a bare, dark stone floor within a vast, empty void. The girl is curled forward in a position of surrender, her face hidden as her long dark hair falls loosely over her shoulders, her hands resting limp on the cold stone. She wears a flowing white robe that pools around her like spilled liquid, contrasting with the dark ground. Large, volumetric white feathered angel wings extend from her back, splayed open in exhaustion with meticulously detailed primary feathers and soft downy coverts. A single diagonal shaft of cold, pale blue-teal light pours from an unseen high window in the upper right, casting sharp-edged grid shadows across her form and the floor. The surroundings are shrouded in near-total blackness, emphasizing her profound isolation. The color palette is monochromatic with a strong teal cast, featuring subtle film grain and a heavy vignette. The overall mood is melancholic, sacred, and haunting, depicting a fallen angel in quiet defeat with a cinematic, ethereal quality.

Eclipse16hswf

Cruled angel

参加作品

PixAI × ハレルヤスイーツキッチン公式コラボコンテスト ― スイーツ擬人化

#裸足 #跪く #ドレス #ロングヘア #十字架 #黒髪 #天使 #天使の羽 #女の子 #お辞儀

投稿日は Aug 22, 2026

Coconuthorizon

さらに表示

新しい作品を生成

パラメーターを見る

オリジナルプロンプト: A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has dark hair falling loosely around her head and shoulders. She wears a long flowing white dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
縦横比: 1024 x 1024
Sampling Steps: 5
Sampling Method: DPM++ SDE Karras
CFGスケール: 3
ネガティブ: (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)

顔修正

プロンプト自動変換