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PixAI iOS版 App Storeでの一時配信停止について — PixAIをご利用の皆さまへ 現在、PixAI iOSアプリはApp Storeでの検索およびダウンロードができない状態となっております。早期の配信再開に向けて、Appleと協議を進めております。ご不便をおかけし、誠に申し訳ございません。…

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hdksbskaia

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, in a room, fluke of her tail, monster girl, mermaid, on a bed, covered in a blanket, sleeping in a blanket, just the fluke of her tail sticking out
パラメーターを見る
縦横比
768 x 1280
サンプリングステップ
28
サンプリング方法
Euler a
CFGスケール
5
ネガティブ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

利用したモデルとLoRA

Haruka v2 - AI Modelのカバー画像

PixAI XL

Haruka v2
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Serena trout mermaid - AI Modelのカバー画像

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1

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character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking down, 1girl, solo, lying on back, lying on bed, hotel bed, bed sheet, messy bedding, disheveled sheets, arms at sides, arms splayed, limp arms, palms up, open hands, exhausted, tired, blush, flushed face, embarrassed, averted eyes, purple eyes, brown hair, long hair, braid, ahoge, black bra, lingerie, bare shoulders, bare arms, collarbone, sweaty skin, moist skin, sweat, dim lighting, warm light, ambient light, intimate, mature female, large breasts, from ceiling, room interior, dim room The camera hangs straight overhead at the ceiling, aimed directly down, so the whole bed fills the frame as a rectangle of rumpled white sheeting and the girl lies along its diagonal. She is on her back, her long brown hair fanned out and tangled across the pillow and the sheet, the thin braid trailing to one side against the linen, the short ahoge sprung loose; her face is turned slightly toward her own left shoulder, chin tipped away, so the top-down view gives her flushed cheeks full play — colour high across both cheekbones and the bridge of her nose, mouth slightly open on a shallow breath, brows drawn up in the middle, eyelids low and glancing off to the side rather than up at the ceiling, the whole expression embarrassed and spent. Her black bra sits against her chest, the straps pushed slightly out of line by the way she has collapsed, the cups shifting as her ribcage rises and falls. Both arms lie flung out to either side, well away from her body, elbows slightly bent and wrists slack, the backs of her hands against the sheets and every finger uncurled, palms facing straight up to the lens — nothing gripped, nothing closed. Her legs stretch down the bed with one knee fallen outward and one foot turned in. The bedding is a wreck: the duvet kicked into a ridge along the foot of the bed, the flat sheet pulled loose from the near corner and creased in diagonals under her hips, one pillow shoved half off the far edge, the mattress visibly dipping where her shoulder and hip press it down. In one cupped fold of the sheet beside her hand a small pool of moisture darkens the cotton, and a fine sheen of sweat sits on her throat, her shoulders and the tops of her breasts, catching the light along the bone edges rather than glowing. The only light source is a single warm bedside lamp off-frame to the upper left, so the lamp side of her body is gilded and the opposite side falls into soft brown shadow that deepens into the corners of the room; the shadows of her splayed arms stretch short and soft across the sheets away from the lamp. The palette is held to warm amber light, cream-white linen, deep brown shadow and the flat black of the bra, with the pink flush and faint violet of her irises the only cool accents. Intimate, heavy with fatigue.
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