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AI artwork

Nicolas Gimenez

投稿日は Aug 27, 2026
ng

Nicolas Gimenez

さらに表示
yamada_anna, Anna Yamada from 'The Dangers in My Heart', is depicted with her long, polished black hair styled in a high ponytail featuring neat central bangs and long hime-cut side locks. Her brown eyes reflect a profound sadness as she wears a tight, seamless leather orange zipped bodysuit with a ruffled choker, sitting alone inside a dimly lit police transport bus. The scene captures a moment of intense vulnerability, showing Anna handcuffed with silver metal cuffs in front of her, looking down with a depressed expression. The interior details are meticulously rendered, including rows of empty, slightly worn seats, metal bars over the windows, and warning signs with Asian characters and the word 'POLICE'. Outside the barred windows, a rainy city night blurs glowing neon lights and wet streets visible through rain-streaked glass. Cinematic lighting emphasizes the highly detailed environment, enhancing the emotional depth of Anna's struggle and shame within this confined space.
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オリジナルプロンプト
Anna Yamada from 'The Dangers in My Heart'. She has long, polished black hair tied into a high ponytail, with neat central bangs and long hime-cut side locks.brown eyes,sad , outfit ,tight seamless leather orange zipped bodysuit, orange zipped prison leather bodysuit,ruffled choker,orgasm, squirting, shamed, one side up. strugglingr,Anna is sad, is sitting alone inside a dimly lit police transport bus. She is looking down with a depressed expression, handcuffed in front of her with silver metal cuffs. The interior of the bus shows rows of empty, slightly worn seats, metal bars over the windows, and warning signs with Asian characters and the word 'POLICE'. Outside the barred windows, it is a rainy night in the city, with blurred glowing neon lights and wet streets visible through the rain-streaked glass. Cinematic lighting, highly detailed environment.
品質タグ
high quality, year_2025, year_2024, ﹝プロンプト﹞
縦横比
768 x 1280
Sampling Steps
25
Sampling Method
Euler
CFGスケール
4.5
ネガティブ
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

続きを読む
AI artwork
ng
yamada_anna, Anna Yamada is a teenage girl with long, polished black hair tied into a high ponytail, neat central bangs, and long hime-cut side locks. Her large brown eyes are looking down with a deeply sad and depressed expression, and she has a mole on her neck. She is sitting alone inside a dimly lit police transport bus, wearing a tight seamless leather orange zipped bodysuit, which fits her slender frame, and a ruffled choker around her neck. She is handcuffed in front of her with silver metal cuffs, her posture slouched in resignation. The interior of the bus shows rows of empty, slightly worn seats, metal bars over the windows, and warning signs with Asian characters and the word 'POLICE'. Outside the barred windows, it is a rainy night in the city, with blurred glowing neon lights and wet streets visible through the rain-streaked glass. The lighting is cinematic, creating dramatic shadows and highlights that emphasize the character's sorrow and the oppressive, lonely environment. The image is highly detailed, with textures on the leather suit, the worn metal and plastic of the bus interior, and the atmospheric rain effects visible through the window. The atmosphere is one of melancholy, isolation, and a sense of being trapped.
Nicolas Gimenez
AI artwork
ng
yamada_anna, Anna Yamada from 'The Dangers in My Heart', is depicted with her long, polished black hair styled in a high ponytail featuring neat central bangs and long hime-cut side locks. Her brown eyes reflect a profound sadness as she wears a tight, seamless leather orange zipped bodysuit with a ruffled choker, sitting alone inside a dimly lit police transport bus. The scene captures a moment of intense vulnerability, showing Anna handcuffed with silver metal cuffs in front of her, looking down with a depressed expression. The interior details are meticulously rendered, including rows of empty, slightly worn seats, metal bars over the windows, and warning signs with Asian characters and the word 'POLICE'. Outside the barred windows, a rainy city night blurs glowing neon lights and wet streets visible through rain-streaked glass. Cinematic lighting emphasizes the highly detailed environment, enhancing the emotional depth of Anna's struggle and shame within this confined space.
Nicolas Gimenez
AI artwork
ng
yamada_anna, from 'The Dangers in My Heart', with long polished black hair tied in a high ponytail, central bangs, and hime-cut side locks, has brown eyes reflecting profound sadness. She wears a tight seamless orange leather zipped bodysuit with a ruffled choker, sitting handcuffed with silver cuffs inside a dimly lit police transport bus. The interior features rows of worn seats, metal-barred windows with Asian character 'POLICE' warnings, while outside, a rainy city night blurs glowing neon lights on wet streets through rain-streaked glass. Cinematic lighting highlights every texture—from the leather's sheen to condensation on windows—creating a highly detailed environment that amplifies her shamed, isolated despair.
Nicolas Gimenez
AI artwork
ng
yamada_anna, from 'The Dangers in My Heart', with long polished black hair tied in a high ponytail, central bangs, and hime-cut side locks, has brown eyes reflecting profound sadness. She wears a tight seamless orange leather zipped bodysuit with a ruffled choker, sitting handcuffed with silver cuffs inside a dimly lit police transport bus. The interior features rows of worn seats, metal-barred windows with Asian character 'POLICE' warnings, while outside, a rainy city night blurs glowing neon lights on wet streets through rain-streaked glass. Cinematic lighting highlights every texture—from the leather's sheen to condensation on windows—creating a highly detailed environment that amplifies her shamed, isolated despair.
Nicolas Gimenez
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