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AI art "光橋 芹華"
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光橋 芹華

主人公が出入りしている空港で再会した元同級生で客室乗務員の女性。 職業柄表面上の人当たりはいいが、内面は自己中心的でプライドが高く、いつも他人を見下している。 誰もが振り返る美貌と、外国人のような抜群のスタイルを誇る。 その外見のおかげで担ぎ上げられることが多く、それが原因で女王様気質の性格になった。 自分よりも劣った相手には容赦がなく、学生時代は同級生だった主人公をいつもバカにしていじめていた。 主人公と再会した後も、格好のストレス発散の相手と見て、顔を合わせるたびに嫌味を言う。 主人公にとっては憎い相手。打ち倒して乗り越え、征服すべき敵。

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<final_output>Mitsuhashi_Serika, mature female, 1girl, solo, blond hair, long hair, blue eyes, tsurime, huge breasts, flight attendant, blue scarf, dark blue jacket, formal jacket, red trimmed, white shirt, collared shirt, long sleeves, dark blue skirt, pencil skirt, black pantyhose, 2010s (style), game cg
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オリジナルプロンプト
미소녀, 금색 롱 웨이브 헤어, 파란 눈동자, 립스틱을 바른 입술, 파란 스카프, 검정 스튜어디스 유니폼, 검정 팬티스타킹, 전신 이미지컷,Mitsuhashi_Serika, mature female, 1girl, solo, blond hair, long hair, blue eyes, tsurime, huge breasts, flight attendant, blue scarf, dark blue jacket, formal jacket, red trimmed, white shirt, collared shirt, long sleeves, dark blue skirt, pencil skirt, black pantyhose, 2010s (style), game cg,
縦横比
768 x 1280
サンプリングステップ
16
サンプリング方法
Euler a
CFGスケール
5
ネガティブ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, White miniskirt, odd part, strange part, men around, Ankleless stockings, six toes, odd part, strange part, odd phenomenon, strange phenomenon
HiRes

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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