Taravangian

投稿日は a day ago

Dermot

A cowboy shot at eye level, framed from mid-thigh up, featuring an elderly king seated on a stone bench in a three-quarter view within a serene, terraced seaside garden. The king, a man in his seventies with papery tan skin, deep wrinkles, and a bald, liver-spotted scalp with wispy white hair, possesses tired, pale grey almond-shaped eyes and a wistful smile. He wears a plain gold circlet on his brow and layered robes consisting of a heavy burnt-orange outer garment with wide sleeves over a white silk under-robe. His swollen knuckles are visible as both hands fold together, resting atop the brass head of a dark wood walking cane planted between his feet. The surrounding environment is a quiet civic corner of a high fantasy world, with low stone walls, trimmed shrubs, and numerous small bronze bells hanging from arches and branches, with a hazy grey sea visible far below. The lighting is flat overcast daylight with cool pearl-grey tones, yet the scene is rendered in a Luminous Impasto anime style, featuring clean digital linework and a dramatic, glossy warm-toned rim light that edges his silhouette against the darker terrace wall. The palette is dominated by deep burnt orange and old gold against slate-grey and sea-green, creating a sophisticated, luminous glow.

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オリジナルプロンプト: A cowboy shot at eye level, framed from mid-thigh up, of a kindly old king seated on a stone bench in a garden hung with bells, a gentle-faced ruler of a city of hospitals who carries a schemer's secret behind the softest eyes in the picture. He is a man in his seventies, once stocky and sturdy, now gone soft and stooped with age, and the hushed garden is the quiet civic corner of a high fantasy adventure world. His face is open, kindly and deeply lined, tan skin gone papery with age, with drooping lids over almond-shaped eyes under an epicanthic fold in a pale, washed grey that are tired and far away. He wears a soft, sad, wistful smile that never reaches those eyes. His scalp is bald and liver-spotted with a few wispy white strands above the ears, and a thin, wispy white beard trails from his chin. His knuckles are swollen with age where his hands fold together. He wears layered robes in the colors of his city, a heavy burnt-orange outer robe with wide, deep sleeves and a white silk under-robe showing at the collar and cuffs, a plain gold circlet resting on his brow. Both hands are folded on the brass head of a walking cane of dark wood planted between his feet. The setting is a terraced garden on the cliffs of a seaside city, low stone walls and trimmed shrubs, with small bronze bells hung everywhere on cords from arches, posts and branches, and a grey sea spread out far below beyond the terrace edge. A few dry petals lie on the bench beside him. At this framing the garden stays layered but softened, the bench and the nearest bells rendered crisply and the sea dissolving into haze. He sits stooped on the bench in three-quarter view to the viewer, shoulders rounded, both hands stacked on the cane's head, chin slightly lowered, his gaze directed out past the viewer's shoulder toward nothing in particular. Nothing about him moves; only the bells around him stir faintly in the sea breeze and the petals shift on the stone. Flat overcast daylight is the source, a soft light with gentle gradients and almost no hard shadow, falling evenly on the lined face and the folds of orange silk and giving the bronze bells a dull sheen. Cool pearl-grey dominates the color of the light; the burnt-orange robe is the single warm mass in the frame, and the gold circlet the brightest small point. Luminous Impasto style: clean digital-painted linework with glossy, warm-toned rim and backlighting as the dominant shading trait, the pale sky behind him edging the bald scalp, the wispy beard and the orange shoulders with a soft bright rim against the darker terrace wall. The palette skews warm and deep, burnt orange and old gold over slate-grey and sea-green, and the finish is defined by that dramatic luminous glow rather than visible paint texture.
モード: standard
縦横比: 768 x 1280

プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

A medium shot from a low angle captures an elderly villain king with a muscular giant body, standing centrally in a commanding presence. He is an aged man with short, cropped hair and piercing, glowing eyes that emit a faint supernatural light, his face etched with deep wrinkles of age and malice. He wears tattered ancient fabric clothing made of heavy, coarse textures and faded gold embroidery that clings to his massive frame, while his large, weathered hands grip a heavy ornate cane topped with a gemstone. He is positioned within a desolate, ruined throne room with cracked marble floors and crumbling pillars casting long shadows. The lighting is high-contrast and dramatic, with a dark, oppressive color palette punctuated by the vivid glow of his eyes. A thick atmosphere of dread is enhanced by floating dust motes and a slight depth of field, creating a powerful and menacing mood in a polished anime illustration style.

Kylee Violette (Kiy Chan)

Taravangian

#男性 #座る #白髪 #ローブ #老人

投稿日は a day ago

Dermot

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新しい作品を生成

パラメーターを見る

オリジナルプロンプト: A cowboy shot at eye level, framed from mid-thigh up, of a kindly old king seated on a stone bench in a garden hung with bells, a gentle-faced ruler of a city of hospitals who carries a schemer's secret behind the softest eyes in the picture. He is a man in his seventies, once stocky and sturdy, now gone soft and stooped with age, and the hushed garden is the quiet civic corner of a high fantasy adventure world. His face is open, kindly and deeply lined, tan skin gone papery with age, with drooping lids over almond-shaped eyes under an epicanthic fold in a pale, washed grey that are tired and far away. He wears a soft, sad, wistful smile that never reaches those eyes. His scalp is bald and liver-spotted with a few wispy white strands above the ears, and a thin, wispy white beard trails from his chin. His knuckles are swollen with age where his hands fold together. He wears layered robes in the colors of his city, a heavy burnt-orange outer robe with wide, deep sleeves and a white silk under-robe showing at the collar and cuffs, a plain gold circlet resting on his brow. Both hands are folded on the brass head of a walking cane of dark wood planted between his feet. The setting is a terraced garden on the cliffs of a seaside city, low stone walls and trimmed shrubs, with small bronze bells hung everywhere on cords from arches, posts and branches, and a grey sea spread out far below beyond the terrace edge. A few dry petals lie on the bench beside him. At this framing the garden stays layered but softened, the bench and the nearest bells rendered crisply and the sea dissolving into haze. He sits stooped on the bench in three-quarter view to the viewer, shoulders rounded, both hands stacked on the cane's head, chin slightly lowered, his gaze directed out past the viewer's shoulder toward nothing in particular. Nothing about him moves; only the bells around him stir faintly in the sea breeze and the petals shift on the stone. Flat overcast daylight is the source, a soft light with gentle gradients and almost no hard shadow, falling evenly on the lined face and the folds of orange silk and giving the bronze bells a dull sheen. Cool pearl-grey dominates the color of the light; the burnt-orange robe is the single warm mass in the frame, and the gold circlet the brightest small point. Luminous Impasto style: clean digital-painted linework with glossy, warm-toned rim and backlighting as the dominant shading trait, the pale sky behind him edging the bald scalp, the wispy beard and the orange shoulders with a soft bright rim against the darker terrace wall. The palette skews warm and deep, burnt orange and old gold over slate-grey and sea-green, and the finish is defined by that dramatic luminous glow rather than visible paint texture.
モード: standard
縦横比: 768 x 1280

プロンプト自動変換