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- オリジナルプロンプト
- 女性キャラクター。 黒髪の癖っ毛ロングヘア。腰よりさらに下まで届く非常に長い髪で、毛先まで自然なゆるい癖がある。髪は多めでふんわりとした質感。完全に整えすぎず、ところどころ髪束が自然に跳ねたり曲がったりしている。前髪は目の下まで伸びており、目元にかかる長さ。顔の両側にも長い髪束があり、頬に沿って柔らかく落ちている。後ろ髪は背中から腰、さらに腰下まで流れ、毛先がゆるくまとまっている。 瞳は深い黒色。大きく丸みのあるタレ目で、優しく柔らかな印象。黒目がちで愛嬌があり、少し眠たげにも見える可愛らしい目元。まつ毛はほどよく長く、目尻にかけて自然に下がっている。表情は穏やかで親しみやすく、どこかふわっとした雰囲気がある。顔立ちは可愛い系だが、落ち着いた大人っぽさも感じられる。 体型はメリハリのある女性らしいグラマラスなシルエット。上半身から腰にかけて自然な丸みがあり、ウエストはすっきりとしている。華奢すぎず、健康的で柔らかな印象。服を着ていてもシルエットから女性らしいスタイルが伝わる。 服装は白いワイシャツにテーラードスーツ。スカートはタイトなスーツスカートで、片側に縦のスリットが入っている。全体的にシンプルで上品なスーツスタイル。 ポーズは、顔を覗くように身体を少し斜めに向けて、片手を胸元あたりに添える。もう片方の手は自然に下ろす。少し首を傾け、柔らかく微笑みながらこちらを見る。 全体の魅力は、可愛い顔立ちと大人っぽいスタイルのギャップ。黒髪の超ロングヘアと大きなタレ目による柔らかな可愛さに対して、スーツ姿では知的で落ち着いた雰囲気が加わる。普段の可愛らしさと、ふとした瞬間に見える大人っぽさの差が印象的なキャラクター。 顔を近づけ、長い髪の流れや毛先の癖、タレ目の表情、スーツのシルエットがしっかり分かるように描写する。
- モード
- lite
- 縦横比
- 1024 x 1024
利用したモデルとLoRA
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high-quality 2D anime illustration, anime style, highly detailed rendering, fine details, delicate features, delicate lineart, detailed eyes, detailed hair, detailed hair strands, desaturated colors, soft lighting, subtle gradients, cute, masterpiece, best quality, top aesthetic, soft hair, calm hair texture, best quality, korean manhwa style, clean lines, rich texture, variety of styles, 1girl, enhanced background details, smooth hair, high quality, glossy eyes, newest, sharp focus, highly detailed, korean manhwa art style, semi-realistic anime rendering, cinematic lighting, soft atmospheric shading, black hair, brown eyes, pretty, innocent, front view, black tight skirt, white collared shirt
baek lyung
2
お姉さん
えす
girl, long black hair, black eyes, blazer, yume335 style, masterpiece, clean lineart, detail illustration, glossy hair
ねぎ
검은 정장의 카리스마 오피스룩
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おすすめユーザー
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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