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AI artwork featuring #ペット擬人化
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Setagaya

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えっ、うちのペットが人間になっちゃった!?
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An image depicting three anime-style adorable, childish baby girls in a distant shot. Each exhibits extremely exaggerated proportions: unnaturally long, skinny legs and extremely short, almost nonexistent torsos, making tiny clothes like short pants appear to cover nearly their entire upper bodies. Their limbs, including long, skinny arms, are stretched in confident yet playful poses. They have delicate, small baby faces with unique expressions, hairstyles, and kawaii outfits. They stand against a detailed urban background featuring an overpass, bridge railing, street pavement, buildings with architectural details and graffiti, utility poles with power lines, and a traffic light. The girls exude moe charm, proudly showcasing their extreme, surreal proportions against the intricate cityscape.
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オリジナルプロンプト
so distant shot of An image depicting three strikingly tall anime-style adorable childish baby girls,each with exaggeratedly long, skinny legs and extremely short torsos, striking confident yet playful childish poses. Their limbs stretch in surreal, with delicate, small baby faces framed by flowing hair, unnaturally thin elongated arms, and legs glowing with a pale, dewy radiance. Each girl features a unique face, expression, hairstyle, and outfit ranging from short pants( their torsos are so short, almost nonexistent, that even tiny short pants take up almost all of their tiny tiny torsos!!) to kawaii aesthetics, all sharing the same surreal proportions. Their tiny tiny clothes barely cover their extremely short torsos, which are much shorter than their faces, further emphasizing their impossibly long legs. their torsos are so short that they look nonexistent,They stand against a plain background, proudly showcasing their extreme proportions, exuding moe charm with intricate detailing.,extremely_long_legs, extremely_short_torso,extremely_tall_girl,extremely_skinny_legs, long_arms,overpass, bridge, railing, street, pavement, building, architecture, graffiti, utility pole, power lines, traffic light, detailed background, urban
品質タグ
high quality, year_2025, year_2024, ﹝プロンプト﹞
縦横比
768 x 1280
サンプリングステップ
25
サンプリング方法
Euler
CFGスケール
4.5
ネガティブ
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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