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新世紀エヴァンゲリオンなどのタグがついたゆゆさんのAIイラストです。使用モデル: Tsubaki.2。

#碇シンジ #新世紀エヴァンゲリオン #渚カヲル

投稿日は Sep 13, 2026

ゆゆ

さらに表示

character: ikari_shinji, nagisa_kaworu, Neon Genesis Evangelion, Shinji Ikari, Kaworu Nagisa, two people, full body, distant cinematic composition, strong negative space, quiet melancholic post-apocalyptic atmosphere, Shinji Ikari sitting on the edge of a low concrete seawall in the lower-left area of the composition, sitting in a compact knees-to-chest pose, both knees drawn tightly up toward his chest, arms loosely wrapped around his bent knees, back slightly rounded, shoulders slightly hunched, head lowered, withdrawn and exhausted posture, seen mostly from behind and slightly from the side, Kaworu Nagisa standing upright directly on top of the same concrete seawall beside Shinji, positioned slightly farther back and to the right, his feet clearly planted on the narrow upper surface of the seawall, quietly standing beside Shinji while looking out toward the blood-red sea, close enough to silently accompany him but without touching him, relaxed natural posture, calm and gentle expression, short silver-gray hair softly blown sideways by the sea wind, wearing his recognizable school uniform, an endless blood-red sea stretching immediately beyond the concrete seawall, deep crimson and muted scarlet water with subtle irregular reflections, the entire ocean unmistakably red, a long flat horizon extending across the image, a vast pale blue sky dominating most of the composition, soft desaturated cyan-blue and faded azure tones, slightly hazy atmosphere, subtle thin clouds barely visible in the distance, bright but strangely empty and quiet sky, strong visual contrast between the cool blue sky and the blood-red sea, distant horizon softened by atmospheric haze, very tall vertical composition, Shinji and Kaworu positioned very low in the frame, Shinji forming a small compact seated silhouette on the left while Kaworu forms a slender standing silhouette on the right, enormous open blue sky occupying most of the upper frame, large areas of empty space, asymmetrical composition, distant observational camera, strong cinematic depth of field, layered spatial depth, Shinji and Kaworu in clear focus, large dark coastal grasses and reeds extremely close to the camera in the foreground and heavily out of focus, soft blurred vegetation partially crossing the bottom of the frame and overlapping parts of the seawall and characters, natural foreground bokeh, the blood-red sea becoming gradually softer toward the distant horizon, distant scenery dissolving into atmospheric haze, soft focus falloff, clear separation between foreground, characters, sea, and distant background, late-1990s Japanese anime atmosphere, hand-painted cel animation feeling, rough painterly background, slightly imperfect linework, restrained character rendering, coarse brush texture, dry-brush scuffs, faded analog texture, subtle film grain, slight chromatic aberration, subtle VHS-like color bleeding, limited contrasting palette of blood red, crimson, pale cyan-blue, faded azure, dark charcoal, silver-gray and off-white, subtle red reflected light from the sea falling onto the lower parts of Shinji, Kaworu and the concrete seawall, deep cool shadows, restrained saturation, quiet natural lighting, melancholic, unsettling, lonely, silent, nostalgic, cinematic

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