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- オリジナルプロンプト
- psychedelic background,wide eyed,upper body,hands on face,evil smile,surrounded evil eyes,shadow face,black face,upside down,falling,(((distortion))),(((distortion face))),distortion background,depth of field,
- モード
- pro
- 品質タグ
- best quality,super detailed skin, beautiful detailed eyes, perfect anatomy,, ﹝プロンプト﹞
- 縦横比
- 1104 x 1824
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
蜉ｩ縺代※
架蓮
1
g
(masterpiece best quality 1.2) ultra-detailed malevolent deity character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The Waking Nightmare god of sleepless dreams and insomnia-induced madness body humanoid and tall and thin and stretched in the way that a person who has not slept for three weeks is stretched — the skin is paper-thin and translucent and the veins beneath are dark and prominent and the eyes the eyes are the center the eyes are enormous not in size but in presence the eyes have grown inward not outward — the sockets are deep and recessed and the eyeballs have sunk into the skull from exhaustion but the irises have expanded the irises fill the entire visible eye enormous and dark and containing within them visible dreams not sleeping dreams but waking dreams — the hallucinations of a mind that has not slept in weeks the dreams are visible inside the irises as moving images tiny shifting scenes playing on the surface of each eye like film projected onto darkened lenses the dreams are not pleasant the dreams are the dreams of someone who cannot sleep but cannot stop dreaming the dreams play in the waking world because the sleeping world has been locked and the key is lost the god's mouth is open in a permanent yawn — the jaw stretched wide in the universal expression of fatigue the yawn does not end it does not refresh it does not reset the yawn is eternal the god yawns forever and the yawning is the curse being near the god induces yawning and the yawning does not bring sleep it brings only the feeling of needing sleep without the relief of obtaining it the god's skin is covered in eye-patterns — not its own eyes but the eyes of sleepers who tried to rest near the god and could not hundreds of closed eye-shapes tattooed across the deity's body each one a stolen moment of rest each one a nap interrupted each one a dream denied the god's body is a record of every sleep it has prevented the god's hands are raised to its own face — one hand covering the left eye the other pressing against the right temple the gesture of someone with a migraine trying to hold their skull together the god is in pain the god has not slept and the not-sleeping is pain and the pain is the god and the god is the pain the god wears sleeping clothes — a nightgown or sleep-shirt but the garment is wrong it is made of dream-material it shifts and flows like the fabric of a dream not opaque but translucent with hypnagogic imagery drifting across the surface — fragments of half-formed thoughts and disjointed images and the faces of people the dreamer has not seen in years all flickering across the fabric in slow rotation the god's hair is wild and tangled — the specific tangle of bedhead that belongs to someone who lay in bed for hours trying to sleep and could not the hair sticks in every direction a bird's nest of insomnia body language the god stands swaying — not falling but oscillating in the specific rhythm of a body trying to function on no sleep the sway is not weakness it is the god's heartbeat the god sways and the swaying is the metronome of the sleepless and the metronome is the worship environment shown as a bedroom at three AM — the most desperate hour the hour when the body screams for sleep and the mind refuses and the ceiling is stared at and the ceiling is the god the ceiling of the bedroom has the god's face pressed into it enormous and watching and the god is in the room and above the room and the room is the god and the sleep does not come rim light along paper-thin translucent skin showing dark veins rim light catching enormous dark irises with visible waking-dreams playing within them rim light catching eternal yawn mouth stretched wide in permanent fatigue rim light catching closed-eye tattoos covering body like stolen sleep-marks rim light catching hypnagogic dream-imagery drifting across nightgown fabric rim light catching tangled insomnia-hair sticking in every direction rim light catching swaying body posture oscillating in sleepless rhythm rim light catching three-AM bedroom environment with god's face pressed into ceiling shadow sleepless shadow with three-AM bedroom despair chiaroscuro malevolent divine lighting with dark-iris dream-glow ambient and insomniac yellow-vein ambient highly detailed 8K cinematic composition detailed Waking Nightmare god of sleepless dreams insomniac texture
Grammy
g8
(masterpiece best quality 1.2) ultra-detailed eldritch deity character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The Screaming Eye a god that is an eye that is also a mouth that is also a god the body is a single enormous eye suspended in space — not levitating not floating but existing in the way that stars exist without support the eye is the size of a human torso and the iris is the face the sclera is not white — it is black the deep black of the space between galaxies the white of a normal eye inverted to the void-color of cosmic emptiness the black sclera makes the iris appear to float in nothing the iris is the horror — the iris is not a flat disc it is a depth the iris is a tunnel going inward into the god's body and the tunnel is lined with teeth the iris is a throat the eye is a mouth the opening of the iris functions as the pupil but also as the entrance to a digestive system the pupil is not a hole it is the god's gullet and the gullet goes forever inward the god sees by swallowing light the god observes by consuming photons the iris-teeth are visible — arranged in concentric rings going inward each ring smaller than the last each ring sharper the teeth are not bone they are crystalline — vitreous-humor crystals grown into dental formations the teeth shimmer with the wet glassiness of eye-fluid the teeth catch light like a chandelier in a cathedral the god's eyelids are not eyelids — they are lips thick and full and fleshy and dark red and the lips-frame the eye-mouth the way normal lips frame teeth the eyelid-lips are slightly parted the eye is not fully open the mouth is not fully open the god is mid-expression between seeing and screaming the god's body extends behind the eye — a trunk of nervous tissue an optic nerve the size of a human spine trailing behind the eye-m Mouth into darkness the optic nerve is the god's body the nerve-fiber is the god's spine the god is an eye connected to a brain that is not visible because the brain is in another dimension the god's body is a door between the visible world and the god's actual mind and the door is the eye and the eye is the mouth and the mind behind the door is the size of a solar system and it is hungry the god does not have hands the god has lashes — the eyelashes are not hair they are tendrils wet and prehensile and sensitive each lash is a sensory organ that tastes the air for suffering the lashes extend outward in a radial halo around the eye-mouth each lash tasting the emotional state of everything within range and the tasting is the god's touching the god touches your pain the god licks your fear the god savors your despair and the savoring makes the iris-teeth gleam brighter and the gleaming is the god's arousal and the arousal is the god's hunger body language the god does not stand the god hovers — the enormous eye suspended at eye-level with the viewer the optic nerve trailing behind into invisible dimensions the god confronts you face-to-face but the face is an eye that is a mouth and the confrontation is being seen AND being eaten simultaneously and the simultaneity is the god's greeting environment shown as a dark void — not the void of space but the void behind a closed eyelid the specific darkness of the space between seeing and not-seeing the god lives in the place where sight goes when you blink and the place is the god and the god is the place and the place is watching you from inside your own skull rim light along enormous eye-mouth silhouette edges rim light catching black sclera void-color surrounding the iris rim light catching concentric iris-teeth rings in vitreous-crystal shimmer going inward toward the gullet-pupil rim light catching dark-red lid-lips parted mid-expression between seeing and screaming rim light catching prehensile lash-tendrils extending radially tasting air for suffering rim light catching optic-nerve trunk trailing behind into other-dimensional darkness rim light catching lid-lip wetness glisten rim light catching void-environment behind closed-eyelid darkness shadow the screaming eye shadow with closed-eyelid void environment chiaroscuro eldritch divine lighting with vitreous-crystal iris-teeth shimmer ambient and black-sclera void-contrast illumination and dark-red lid-lip warm illumination highly detailed 8K cinematic composition detailed Screaming Eye god of consuming sight texture
grim_83189#0
g
(masterpiece best quality 1.2) ultra-detailed character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward extreme wide angle full body framing 1creature solo Zion Tenth Birth Catastrophe form a being so massive the camera cannot contain it the frame is filled by the creature's body and the body extends beyond the frame edges in every direction implying infinite continuation the creature has six arms three on each side each arm a different length and thickness and angle — the topmost arms reaching upward and outward like grasping hands the middle arms extended sideways like balancing poles the lowest arms hanging downward like afterthoughts each arm ends in a hand with too many fingers and each finger ends in a different shape — a claw a point a mouth an eye a key each hand is a different tool for a different catastrophe four legs visible beneath the massive form not legs in the traditional sense but structural pillars thick and root-like and spread wide like the legs of a spider or the roots of a tumor-tree the legs are not separate from the ground they have fused with it the creature is rooted into reality and reality is rooting into the creature body bulbous and massive and covered in tumors but not random tumors — each tumor is a face a different face a face of someone whose fortune has been stolen each tumor-face has milky white eyes with crimson irises and each pair of eyes sees a different possible future each tumor-face has a mouth filled with sharp teeth and each mouth is whispering a different prediction the whispers overlap and combine into a cacophony of prophecy that drives everything in proximity to madness the primary face is at the top of the body — the largest face the original face its mouth is lipless and stretched wide showing massive teeth each tooth carved with a tiny engraved symbol representing a different form of misfortune the primary face's eyes are the largest — milky white with crimson irises that swirl like weather patterns the eyes do not look at the viewer they look at everything simultaneously because catastrophe does not choose a target it targets choice itself thick black smoke billowing from every tumor-face and from the primary mouth and from every crack in the creature's skin the smoke does not dissipate it accumulates it builds and layers and creates a canopy of darkness above and around the creature like a private storm system the smoke obscures vision and within the smoke visible hallucination-flickers — images of people's worst fears projected in shadow-play against the smoke walls the karma meter visible not on the creature's forehead but as a floating phenomenon — a massive glowing dial hovering above the primary face like a second sun the dial is split into halves one dark one light and the dark half is growing the karma meter is climbing and the higher it climbs the more the environment warps structures in the background not just collapsing but rearranging — buildings swapping floors the sky changing color weather inverting rain falling upward the ground splitting into chessboard tiles that rearrange themselves the environment is not being destroyed it is being reorganized by misfortune and the reorganization is more terrifying than destruction because destruction at least leaves ruins but catastrophe leaves nothing recognizable the creature's body language is immobile it does not need to move it has rooted into reality and now reality orbits it it is the center of gravity for misfortune and everything falls toward it and breaks rim light along six arm silhouettes reaching in different directions rim light catching tumor-faces with milky crimson eyes whispering overlapping prophecies rim light catching primary lipless mouth with carved misfortune-teeth rim light catching massive milky eyes with swirling crimson weather-pattern irises rim light catching floating karma meter dial overhead dark half growing rim light catching billowing accumulated black smoke canopy with hallucination-shadow projections rim light catching rearranging environment — buildings swapping floors sky inverting chessboard ground tiles rim light catching four root-like legs fused with ground rim light catching hands ending in different shapes — claw mouth eye key shadow cataclysmic catastrophe shadow with reality rearranging around rooted god-thing chiaroscuro catastrophic divine lighting with milky-crimson irises and black smoke canopy and floating karma-meter dial ambient glow highly detailed 8K cinematic composition detailed Zion Form 10 Catastrophe rooted tumor-faced karma-dial reality-rearranging texture
Grim
もっと探す
おすすめユーザー
あなたにおすすめ
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
xd
Midnight Aesthetic: Monochrome Vibe
xDezi
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
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