AI art "二乃" featuring #五等分の花嫁 and #中野 二乃
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二乃

#五等分の花嫁#中野 二乃
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character: nakano_nino Nakano Nino, drawn as a Japanese anime character illustration with fluid lines, vivid colors, and a light, floating feel. Aspect ratio approximately 6:5, using a three-quarter perspective slightly above the character. The subject is centered and gently tilted from the top-left to the bottom-right, with the body in a relaxed semi-reclining pose; one leg is naturally bent, while the other extends toward the bottom of the frame and is partially cropped, with the hem of the clothing spreading according to the pose. The head is slightly lowered, eyes looking toward the viewer, eyebrows slightly contracted, and the corners of the mouth forming a small curve, presenting a reserved, playful, and slightly aggrieved expression. Both hands are raised to the sides of the eyes, with the thumbs and index fingers bent into loose arcs and the remaining fingers naturally spreading along the temples, forming a symmetrical gesture surrounding the eyes; the wrists are hidden within wide knitted cuffs, keeping the facial features and finger structures clear. <Hair is bright coral-red, extremely long and straight, with straight bangs on the forehead divided into thin, sharp points, and the ends gradually transitioning to bright orange and golden orange; a large amount of long hair spreads from the head in all directions, forming wide loops, slender arcs, and interlocking swirls at the top, sides, and behind the body, with some hair strands naturally cropped out of the frame.><A large deep charcoal-blue bow is worn on the side of the hair, with the bow surface featuring feather-like patterns in cyan-green, light blue, and pale purple; slender dark ribbons extend and curve to both sides.><Eyes are bright jewel-blue and blue-purple with tiny cyan-white light spots; skin is light cream color with soft peach-pink blush on the cheeks.><Nails are accented with small points of light cyan-blue.> Wearing a loose white collared shirt with the hem naturally hanging at the waist, layered with a long deep charcoal-purple knitted cardigan; the front panels overlap gently at the waist, and the wide sleeves and hem spread to the sides of the body, with fine ribbing at the hem and cuffs. Paired with a bright yellow-green pleated skirt and white stockings; the skirt pleats are rendered with irregular long facets and grass-green shadows. The shirt collar, placket, and buttons are clear, and the clothing folds are arranged naturally according to the pose. The background is pure white, scattered with deep wine-red and dark purple petals of varying sizes. The petals are slender oval and slightly curled pointed leaf shapes, with small rose-red glossy areas on the surface; they are distributed in a loose surround along the arcs of the hair and the outer edges of the clothing, with some petals covering hair strands and some located behind the body, while clear gaps are maintained near the face and upper body. The overall color scheme is a striking contrast between the coral-red to golden-orange long hair, the near-black cardigan, the cool white shirt, and the yellow-green skirt; the blue-purple eyes and hair accessory provide small areas of cool-color variation, while the wine-red petals echo the dark clothing. Bright, soft lighting from above is used, with light golden short-strip reflections interspersed in the bangs; milky white highlights accent the tip of the nose, the back of the hands, and the bright areas of the fabric. Skin shadows are light peach and warm apricot; dark areas of white fabric use light grayish-purple; the cardigan uses deep grayish-purple facets to define volume; and skirt shadows use grass-green and olive-green, maintaining clear color blocks and thin shadows. Using slender, clean warm-brown and dark-gray line art; hair is organized into large bundles of long curves; facial features, fingers, and cuff details are exquisite, and clothing folds are moderately summarized. Using cel-shading combined with a small amount of free digital layering; the hair and skirt retain fragmentary reflective brushstrokes; petals are rendered with simple color planes, and a few small white dots are scattered on the hair and clothing. Space is established through foreshortening of the limbs, occlusion of the clothing hem, interlocking hair strands, and scale changes of the petals. The overall composition is clear and tends toward flatness, with the visual flow gathering toward the center along the swirling trajectories of the long hair and ribbons, capturing the instant where the hands frame the eyes while the long hair and petals scatter simultaneously, presenting a light, dreamy, intimate, and decorative character illustration quality.
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中野二乃,绘制成线条流畅、色彩鲜明而带有轻盈漂浮感的日系动漫人物插画,横幅约6:5,采用略高于人物的三分之四视角,主体居中并沿左上至右下方向轻轻倾斜,身体呈放松的半躺姿态,一条腿自然弯曲,另一条腿向画面下方延伸并局部裁切,衣摆随姿态舒展。头部微微低垂,目光望向观者,眉眼略收,嘴角带小小的弧线,呈现含蓄、俏皮而略显委屈的表情;双手抬至眼睛两侧,拇指与食指分别弯成松散圆弧,其余手指沿太阳穴自然展开,形成围绕双眼的对称手势,手腕藏在宽大的针织袖口内,保持五官与手指结构清楚。<头发为明亮的珊瑚红色极长直发,额前齐刘海分成细长尖角,发梢逐渐过渡至鲜橙与金橙色;大量长发从头部向四周铺展,在画面顶部、左右两侧和身体后方形成宽阔环线、细长弧线与交错回旋,局部发束自然裁出画面。><发侧佩戴深炭蓝色宽大蝴蝶结,结面带青绿、浅蓝和淡紫色羽片状纹样,细长深色飘带向两侧延伸并弯曲。><眼睛呈明亮的宝石蓝与蓝紫色,带细小青白光点,肤色为浅奶油色,脸颊带柔和桃粉色红晕。><指甲以浅青蓝色作细小点缀。>穿宽松的白色翻领衬衫,衣摆自然垂在腰侧,外搭深炭紫色长款针织开衫,前襟在腰部轻轻交叠,宽袖与衣摆向身体两侧展开,下摆和袖口带细密罗纹;搭配明亮的黄绿色百褶裙与白色长袜,裙褶以不规则长折面和草绿色阴影表现,衬衫领口、门襟与纽扣清楚,服装褶皱顺着姿态自然排列。背景采用纯白色,散布大小错落的深酒红与暗紫色花瓣,花瓣呈细长卵形和略有卷曲的尖叶状,表面带少量玫红亮面,分布沿头发弧线与衣摆外缘形成疏松环绕,部分花瓣遮住发束,部分位于身体后方,脸部与上身附近保留清楚空隙。整体以珊瑚红至金橙色长发、近黑色开衫、冷白衬衫和黄绿色裙装形成鲜明配色,蓝紫色眼睛与发饰提供小面积冷色变化,酒红花瓣呼应深色衣料。采用明亮柔和的上方光线,额前发束穿插浅金色短条反光,鼻尖、手背和衣料亮部点缀乳白高光,皮肤阴影呈浅桃与暖杏色,白色布料暗部使用浅灰紫,开衫以深灰紫折面区分体积,裙装阴影采用草绿与橄榄绿,保持清楚色块与轻薄暗部。使用纤细利落的暖褐色和深灰线稿,发丝按大束长曲线组织,五官、手指与袖口细节精致,衣褶适度概括;以赛璐璐平涂结合少量自由数字叠色,头发和裙装保留碎片状反光笔触,花瓣以简洁色面表现,少量白色细点散落于发丝与衣料。空间通过肢体缩短透视、衣摆遮挡、发束交错和花瓣尺度变化建立,整体清晰而偏平面化,视觉沿长发与飘带的回旋轨迹向中心聚拢,定格双手围住双眼、长发和花瓣同时散开的一瞬,呈现轻快、梦幻、亲近而富有装饰性的角色插画气质。
モード
pro
縦横比
1232 x 1632
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit

利用したモデルとLoRA

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