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AI art "バットマン・モノクローム" featuring #モノクロ, #バットマン, #ケープ, #男の子, #DCコミックス, #バットマン, #コウモリ耳 and #黒マスク
無料で生成

バットマン・モノクローム

DCコミックスのバットマンをモノクロで描いてみました。彼の持つ静かなる強さと、背後に広がるデジタルな世界観がクールにマッチしていると思います。気に入っていただけたら、いいねやフォローをよろしくお願いします！感想もお待ちしています。

#モノクロ#バットマン#ケープ#男の子#DCコミックス#バットマン#コウモリ耳#黒マスク
Avatar image of mamenata

mamenata

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コメント

manga style, printed manga, black ink, white paper, monochrome, black and white, pure black, pure white, no gray, high contrast, binary shading, solid black shadows, cel shading, flat color, limited palette, hard edge shading, graphic design, white skin, 1man, batman\(dc comics\), black background, looking at viewer, cape, cowl, bat logo
パラメーターを見る
オリジナルプロンプト
manga style, printed manga, black ink, white paper, monochrome, black and white, pure black, pure white, no gray, high contrast, binary shading, solid black shadows, cel shading, flat color, limited palette, hard edge shading, graphic design, white skin, 1man, Batman, black background
縦横比
768 x 1280
サンプリングステップ
28
サンプリング方法
Euler a
CFGスケール
5
ネガティブ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

利用したモデルとLoRA

Haruka v2 - AI Modelのカバー画像

PixAI XL

Haruka v2
24.96k

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AI artwork
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1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim. In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood. The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below. Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete. Eerie and monolithic.
Roger Albertsen
AI artwork
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim. In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood. The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below. Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete. Eerie and monolithic.
Roger Albertsen
#ファイナルファンタジー
AI artwork
d
A medium shot from a low angle depicts a solitary figure suspended six feet in the air within a vast, oppressive black void. The man is positioned in a cruciform posture with arms outspread, legs together, and head tilted back toward the heavens, his eyes closed and mouth set in a neutral, unreadable line. He is draped in stiff, board-like black robes that hang unnaturally straight, with a deep black hood casting a heavy shadow over his upper face. His hands are open, palms facing upward with fingers spread. A single, tight pillar of red flame erupts from the void directly beneath his feet, casting a harsh, deep red glow upon his jaw and the underside of his garments. Orbiting his chest in a slow horizontal ring are small, dense, faintly glowing white symbols of an unknown language. The image is a high-contrast dark fantasy illustration characterized by heavy negative space and bold silhouettes, where the only light source is the fiery red pillar below, leaving his upper body as a stark silhouette against the void.
Diablogrim
#ツインテール大集合

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