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AI artwork featuring #宝石の国
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宝石の国

#宝石の国
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コメント

no humans, hand, severed hand, floating hand, close-up, dutch angle, crystal, faceted, translucent, transparent, black crystal, white crystal, money gesture, rubbing fingers, clean cross-section, wrist, cel shading, anime screencap, sharp clean outlines, flat colors, high contrast, off-white background, minimalist background In a dynamic Dutch-angle close-up, a solitary disembodied hand sculpted entirely from faceted crystal floats weightlessly against a clean, minimalist anime backdrop. The hand terminates abruptly at the wrist in a smooth, flat geometric crystal cross-section, showing a neat polished break with no forearm, clothing, or organic tissue visible. The hand actively performs the universal money-counting gesture: the pad of the translucent thumb rubs firmly against the tip of the raised index finger, while the middle, ring, and little fingers curl gracefully inward toward the palm. The index finger alone is cut from dense, opaque obsidian-black crystal with hard lustrous facets and deep slate-blue rim reflections. In stark contrast, the thumb, palm, wrist, and all other fingers are crafted from near-transparent, gleaming white crystal with internal refractions shimmering in pale periwinkle, soft ice-blue, and faint dusty rose. A crisp directional key light strikes from the upper right, causing the opaque black index finger to cast a sharp, well-defined cel-shaded shadow directly across the translucent palm beneath it, while specular glints highlight every chiseled edge. The background is a seamless, warm off-white graphic field accented by subtle periwinkle and vivid cobalt blue cast shadows. Cute cel-shaded anime style with strong hand-drawn animation vibes, crisp inked contour lines, flat high-contrast fills, and bold geometric clarity. Effortlessly stylish.
パラメーターを見る
オリジナルプロンプト
人差し指だけが黒の結晶で、それ以外は透明に近い白の結晶で手首からしか無い手がお金のジェスチャーをしている
モード
flash
スタイル
90年代レトロセル画
縦横比
1104 x 1824
スタイル: 90年代レトロセル画
プロンプト自動変換

利用したモデルとLoRA

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AI artwork
Avatar image of キッチンペーパー
no humans, still life, disembodied hand, single hand, floating hand, severed at wrist, white crystal, translucent crystal, faceted, holding, small black crystal, gemstone, close-up, from above, dutch angle, cel shading, clean outlines, simple shadows, retro anime screencap, creamy pearl white background, soft periwinkle, sky blue, pristine In a close-up shot from above with a gentle dutch angle, a solitary disembodied hand sculpted entirely from translucent white crystal floats weightlessly in the center of the frame, terminating abruptly and cleanly at the wrist joint with a polished geometric cross-section, leaving the space behind the wrist completely bare with no forearm, sleeve, or body attached. The crystalline fingers are posed in an elegant, poised curve: the thumb and index finger delicately pinch and support the tapered edges of a small, sharply faceted bipyramidal black crystal, while the middle, ring, and pinky fingers curl softly beneath to cradle it above the palm. Rendered in a cute cel-shaded anime style with strong hand-drawn animation vibes, the scene features crisp, uniform dark ink outlines, flat high-contrast color fills, and bold, simple cel shadows. The multifaceted white crystal surfaces catch the ambient light with clean-edged reflections tinted in pale rose quartz, dusty pink, pale periwinkle, and clear azure, accented by faint flashes of deep magenta along the inner refraction planes. In stark counterpoint, the held black crystal is opaque and mirror-smooth, absorbing surrounding illumination while reflecting a single crisp white triangular specular glint off its topmost facet. The background is a seamless, graphic gradient field washing from creamy pearl white down into muted sky blue and rich cornflower blue, suffused with a gentle ambient wash of pale icy blue and slate indigo. Pristine, enigmatic.
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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