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AI art "メシア教大天使アキト（ラファエル）" featuring #オリジナル, #男性, #ハイソックス, #天使, #無表情, #廃墟, #シャツ, #男の子, #瓦礫, #閉じ口, #足がフレームアウト, #ポケット and #ラファエル
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メシア教大天使アキト（ラファエル）

ハルシオン（ミカエル）やアブディエル達は今頃自分達の甘さと遅さを悔やんでいるでしょうね。 「もっと早く行動すべきだった」と。 …まぁ雪歩（ガブリエル）やバジル（セラフ）達はこれでも相変わらず「救われるべきだった」「導いてあげられなかった」とかほざいてますが。 …ま、天使どもの勢力争いとか興味ないんですけどね。カレン（セラフィエル）や僕達が所属する粛清派がどうなろうと構わないし。

#オリジナル#男性#ハイソックス#天使#無表情#廃墟#シャツ#男の子#瓦礫#閉じ口#足がフレームアウト#ポケット#ラファエル
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サードニクスエレク

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A medium shot from a slightly high-angle perspective depicts a young shota boy named Raphael sitting atop a pile of concrete debris in a desolate wasteland. He has short white hair, expressionless yellow eyes, and a look of profound sadness and disappointment. He is dressed in a neat summer school uniform, contrasting with the surrounding devastation. From his back emerge complex, ethereal wings: a combination of translucent light wings, golden thunder wings, and intricate white mechanical structures. He sits with his hands resting limp on the rubble, his posture slumped. The background is a haunting post-apocalyptic landscape of collapsed ruins, shattered buildings, and grey dust under a bleak sky. The atmosphere is oppressive and melancholic, featuring a muted color palette with sharp details on the mechanical wing textures and floating particles of ash and debris in the air.
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オリジナルプロンプト
1boy, shota, white hair, angel, raphael, seraph, sadness, disappointed, yellow eye, mechanical wing, light wing, thunder wing, white, expressionless, summer uniform, best quality, ultra details, collapse, ruins, after apocalypse, wasteland, debris, sitting on debris,
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standard
縦横比
768 x 1280

利用したモデルとLoRA

Tsubaki.2 - AI Modelのカバー画像

PixAI DiT.2

Tsubaki.2
18.77k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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