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AI art "YoyoYo"
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YoyoYo

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5 humanoid canines, 2 children, 2 women, 1 man, nighttime, backyard, open car trunk, tied wrists, tied legs, tied ankles, ball gag, ribbon tie, secretary outfit, spy costume, toy money, stuffed animals, toys, from above, wide shot, looking at another, holding object, `cel-shaded`, `flat color` A high-angle wide shot looks down into a suburban backyard at night, centered on the open trunk of a car. Inside the trunk, two canine women are sitting side-by-side, acting as pretend captives in a children's game; one has long fluffy hair and wears an elegant secretary's white button-up blouse and dark pencil skirt, while the other has short wavy hair and wears a cozy knit sweater and trousers. Both women have their wrists tied behind their backs and their legs and ankles bound together with soft rope, with a small ball held between the lips of their muzzles, secured by ribbons tied in bows at the back of their heads; they gaze at the children with playful, indulgent expressions. Standing on the grass before the trunk, two humanoid puppy children in oversized spy costumes—complete with tiny trench coats, fedoras, and toy sunglasses—peer up at the women, holding up printed photographs of them. Beside the children, a tall canine man in a matching dark spy trench coat and hat leans down, his hand extended as he hands colorful toy banknotes to his children. The grass around them is littered with colorful stuffed animals, plastic building blocks, and toy cars. The scene is lit by a single bright porch light from the house, casting long, soft shadows across the lawn and creating a pool of warm light that contrasts with the deep blue of the night sky. The palette is dominated by the midnight blue of the yard and the stark white of the secretary's blouse, rendered in a clean cel-shaded anime style with flat colors and sharp outlines. Playful and tender.
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Crea una imagen de dos cachorros humanoides que juegan a los espías, de noche en el patio de su casa, su madre y su tía juegan con ellos, una mujer canina de cabello largo y esponjoso vestida con ropa elegante de secretaria y una mujer canina de cabello corto ondulado quienes tienen las muñecas atadas tras la espalda y sus piernas y tobillos atados con una pelota entre los labios de su hocico asegurada con unos lacitos tras su cabeza, se encuentran en el interior del maletero abierto de un auto, los cachorros disfrazados de espías miran a las mujeres mientras sostienen unas fotos suyas, las mujeres actúan se adentran en su papel de este juego INFANTIL que están jugando, en el suelo hay peluches y juguetes INFANTILES tirados y objetos INFANTILES, el padre de los cachorros también juega con ellos disfrazado de espia y juega a entregar billetes de juguete INFANTILES a sus hijos
モード
flash
スタイル
90年代レトロセル画
縦横比
1744 x 1152
スタイル: 90年代レトロセル画
プロンプト自動変換

利用したモデルとLoRA

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character: koga_koharu, girl, copyright: (u149 2girls, 1boy, koga_koharu, short hair, brown hair, bangs, hair bow, brown eyes, pink cardigan, white skirt, white thighhighs, loafers, flat chest, lying, lying on floor, on back, bound, bound legs, bound arms, arms behind back, hands tied, duct tape, duct tape on mouth, blindfold, black blindfold, eye mask, fully restrained, unable to resist, in background, out of focus, man, adult male, all black outfit, black shirt, black trousers, sitting, folding chair, cell phone, phone to ear, talking, close-up, cowboy shot, from side, foreground, shallow depth of field, abandoned factory, industrial, corrugated metal walls, rusty metal, dim lighting, concrete floor, dust, single light source, cool palette, tense, ominous, dramatic A close-up, shot from a low three-quarter side angle: in the foreground, a man dressed entirely in black — black button-down shirt and black trousers — sits on a dark metal folding chair, the frame cutting him off at the waist so his lower body and the chair legs fall out of shot. His shoulders are turned slightly toward the camera-left, his weight settled back on the chair, one forearm propped on his knee out of frame, and his free hand holds a slim black cell phone pressed flat to his right ear. His jaw is loose and mid-sentence, his gaze aimed past the camera toward the middle distance of the factory floor, focused on the call and not on anything behind him. His silhouette is a hard dark mass against a dim background. Behind him and lower in the frame, Koga Koharu lies on her back on the dusty concrete floor, arranged at a slight diagonal across the background so the man's shoulder and arm partially occlude her middle. Her short brown hair with bangs is fanned flat against the floor, the hair bow sitting slightly askew at one side of her head. She wears her pink cardigan buttoned loosely over a white skirt that has ridden up a little at the hem, white thighhighs and brown loafers on both feet. Her chest is flat beneath the cardigan. A wide strip of silver duct tape seals her mouth, pressed smooth with one corner slightly lifted; a black eye mask covers both eyes, its band pressing down her hair on both sides. Her wrists are crossed and bound together behind her back, her arms pinned under her body, and both legs are bound together at the ankles and mid-calf with cord, knees slightly bent and feet turned to one side, loafers scuffing the concrete. She is completely still, chin tilted, her whole posture slack and unresisting. The environment is an abandoned factory: tall corrugated metal walls run behind them, ribs of rust and flaking paint catching a thin cold light from a high broken window out of frame at camera-left. The light rakes across the corrugation, throwing repeating vertical shadows down the wall, and picks out the dust in the air. The concrete floor is grimy and stained, scattered with grit and a few fallen bolts. The foreground man is rimmed by that cold light along his shoulder and the phone's edge, while his face falls into shadow on the near side; Koharu on the floor catches a narrow band of light across her pink cardigan and white thighhighs, the rest of her body in murk. Where her bound wrists press the floor, the dust is smeared in a disturbed patch. The palette is muted — cold grey-blue steel, dusty concrete, the man's black, with the pink cardigan, white skirt and thighhighs as the only pale colours in the frame. Clean, polished linework with smooth digital colouring and professional studio rendering, shadows rendered with deliberate gradation and industrial texture. Tense, ominous.
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