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AI art "新婚生活" featuring #エプロン, #ツンツン頭, #黒髪, #動物のぬいぐるみ, #腕まくり, #パンダ, #シャツ, #女の子, #男の子, #料理, #呪術廻戦, #釘崎野薔薇, #虎杖悠仁, #伏黒恵 and #Tsubaki.3
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新婚生活

休むとか言っておいて投稿する中毒人間です… たまには好きな作品で投稿するのも良いなと思い、理想と欲望だけを詰め込みました。 2人がただ幸せな新婚生活している妄想です(*ﾉω・*)

参加作品
PixAI Tsubaki.3 スペシャルコンテスト開催中#Tsubaki.3
#エプロン#ツンツン頭#黒髪#動物のぬいぐるみ#腕まくり#パンダ#シャツ#女の子#男の子#料理#呪術廻戦#釘崎野薔薇#虎杖悠仁#伏黒恵
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モモンガ

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コメント29

masterpiece, best quality, highly detailed Japanese anime illustration, refined linework, beautiful anime coloring, warm cinematic lighting. Megumi Fushiguro and Nobara Kugisaki from Jujutsu Kaisen, cooking together behind a stylish kitchen island. Megumi on the left, Nobara on the right. Standing close together, relaxed everyday atmosphere. Tight close-up two-shot from across the kitchen counter. Camera positioned on the dining side, very close to the island, slightly BELOW the countertop, looking upward at both characters. Strong low-angle perspective. Their heads, shoulders, and upper torsos fill most of the image. Lower torsos and legs completely hidden behind the counter. Small space above their heads, both faces large and clearly detailed. A substantial built-in kitchen island spans the entire width of the lower foreground, continuing beyond both side edges of the image. Thick pale marble countertop with a clearly visible front edge and a broad walnut-paneled vertical front beneath it. The countertop edge forms a strong horizontal boundary between the viewer and the characters. A narrow strip of the work surface remains visible above the edge. Clearly recognizable kitchen counter in the immediate foreground, strong foreground depth, realistic architectural structure. Megumi Fushiguro, spiky black hair, blue-green eyes, composed expression, subtle gentle smile. Dark shirt with rolled-up sleeves, charcoal-gray apron. Holding a mixing bowl close to his body just above the counter edge, stirring ingredients with a whisk. His hands and the upper part of the bowl visible. Nobara Kugisaki, short auburn bob haircut, lively brown right eye, cheerful confident smile. Plain black eyepatch covering her anatomical LEFT eye, on the viewer’s RIGHT side of her face. Right eye uncovered. Cream-colored shirt, terracotta apron. Holding a wooden spatula, cooking in a shallow frying pan on the island cooktop. Her cooking hand visible above the counter. Slightly turning toward Megumi as they prepare the meal together. One small black-and-white panda plush toy sitting upright on the countertop near the front edge, between the two characters. Entire plush visible above the countertop edge, round black ears, tiny paws, soft fluffy fabric. Small compared with the characters, separated from the ingredients. Stylish kitchen suggested in the upper background: walnut upper cabinets, warm brass pendant lights, pale tile backsplash, neatly arranged ceramic dishes. Ceiling partially visible behind their heads, reinforcing the upward camera angle. Soft window light, warm highlights on their faces, delicate steam. Sharp focus on both characters and the panda plush, softly detailed background. Intimate composition, natural expressions, foreground counter framing the scene.
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モード
pro
縦横比
1280 x 768
ネガティブ
wide shot, distant camera, full body, visible legs, eye-level view, high-angle view, overhead view, looking down at countertop, large empty kitchen, tiny characters, excessive headroom, missing kitchen island, missing counter front, thin floating countertop, dining table, characters in front of counter, counter blocking faces, cropped heads, eyepatch on anatomical right eye, both eyes covered, extra people, oversized panda plush, living panda, extra arms, extra fingers, malformed hands, floating utensils, text, watermark

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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