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AI art "ロップイヤー" featuring #オリジナル, #後ろ姿, #窓, #見返り, #ピンク髪, #制服, #うさぎしっぽ, #うさぎ耳, #パステルカラー, #ウサギ娘 and #うさぎキャラクターコンテスト
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ロップイヤー

ロップイヤーはもっと認知されてほしい。『ウサギ娘』のタグがおすすめで出てこない事が多い。それは兎も角、上履きも描いて欲しかった。

参加作品
うさぎをテーマにしたキャラクター創作コンテスト🐇🤍#うさぎキャラクターコンテスト
#オリジナル#後ろ姿#窓#見返り#ピンク髪#制服#うさぎしっぽ#うさぎ耳#パステルカラー#ウサギ娘
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A rabbit beastman girl A looking back on the school stairs. Fluffy beastman hands with paw pads. No fur except for the ears, hands, and tail, with human white skin. Folded ears like a lop-ear. Human ears are not visible. The position of the human ears is covered by hair. A fluffy tail. Fluffy bright pink hair styled in twin-tails. The twin-tails are very fluffy and long. Large round eyes. Long eyelashes, wearing gal makeup. The figure is very good. The height is short. Wearing a blazer-type uniform, soft pastel colors, delicate lineart, soft shading, dreamy aesthetic, detailed eyes, translucent skin, turning around, view from behind, climbing stairs, twisting at the waist, low angle, fluffy pink lop-rabbit ears drooping down from her head, fluffy animal paws with visible paw pads instead of human hands, and a round, fluffy rabbit tail
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オリジナルプロンプト
学校の階段で振り返る兎の獣人の少女A。 肉球のあるモコモコとした獣人の手。 耳と手と尾以外に毛皮はなく人間の白い肌。 ロップイヤーの様な折れた耳。 人間の耳は見えない。 人間の耳の位置は髪で覆われている。 フワフワの尾。 フワフワの明るいピンクの髪をツインテールにしている。 ツインテールは凄くフワフワして長い。 大きいな丸い目。 まつ毛は長く、ギャルメイクをしている。 スタイルはすごく良い。 身長は低い。 ブレザータイプの制服を着ている。, soft pastel colors, delicate lineart, soft shading, dreamy aesthetic, detailed eyes, translucent skin, turning around, view from behind, climbing stairs, twisting at the waist, low angle, fluffy pink lop-rabbit ears drooping down from her head, fluffy animal paws with visible paw pads instead of human hands, and a round, fluffy rabbit tail
モード
flash
縦横比
1104 x 1824
プロンプト自動変換

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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