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AI artwork
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Ryan Perilloux

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A high-quality, ultra-detailed anime illustration of the fox girl from image1 — long black hair with purple inner streaks, black fox ears with purple fur, golden eyes, black collar with a gold ring, glossy skin — lying seductively on her side atop an enormous parfait glass, posed as if she herself were the dessert centerpiece. Her arms are propped under her chest and one leg is bent playfully, a sly smile on her lips as she looks toward the viewer. She wears dessert-inspired lingerie: a frilly cupcake-style bra and panties in cream and berry pink with whipped-trim lace, plus thigh-high stockings striped like strawberry and vanilla layers, glossy like glazed sugar. The parfait glass beneath her is layered with cream, syrup, and fruit, surrounded by a vibrant food-themed background of whipped cream mounds, golden waffles, sliced kiwi, blueberries, strawberries, and drizzled chocolate that frame her like a decadent banquet. Warm, bright patisserie lighting gives everything a glossy, appetizing sheen, with soft highlights reflecting off her skin and the glass. The style is changed to polished digital anime rendering with rich saturation, smooth cel-shaded gradients, and high-gloss specular highlights on skin, cream, and fruit.
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オリジナルプロンプト
best quality, ultra-detailed anime illustration , Visual Keywords: Glossy textures, vibrant food-themed background, Atmosphere: The overall theme is "fruit-inspired dessert," often set against a background of whipped cream, waffles, and various fruits like kiwi and blueberries.  They are wearing dessert inspired lingerie with thigh highs Pose: looking seductive laying on top of a parfait looking like a dessert, fox girl form image 1 in middle
モード
flash
縦横比
1152 x 2048
プロンプト自動変換

利用したモデルとLoRA

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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