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AI art "新山聡美(センダイヘンジ:中央通)" featuring #看板, #熟女, #肩掛け, #夕焼け, #ショルダーバッグ, #響け!ユーフォニアム, #夕焼, #商店街, #新山 聡美 and #Tsubaki.3
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新山聡美(センダイヘンジ:中央通)

参加作品
PixAI Tsubaki.3 スペシャルコンテスト開催中#Tsubaki.3
#看板#熟女#肩掛け#夕焼け#ショルダーバッグ#響け!ユーフォニアム#夕焼#商店街#新山 聡美
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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, a realistic and immersive high-quality photo set in the Marble Road Omachi Shopping District in Sendai City, Miyagi Prefecture, during the sunset of mid-October. The scene looks through a wide roofed arcade shopping street from the inside, capturing the glowing setting sun far in the distance of the passage. Commercial buildings and shops line the left and right sides of the arcade, and the passage extends straight toward the back. The high ceiling has frames and light-transmitting sections, and the structure of the ceiling and the lines of the buildings on both sides converge toward a single point in the distance, creating a strong sense of perspective. At the end of the passage, the sinking sun is visible between buildings, and golden light shines into the interior of the arcade from there. The sun is located at the center-back of the screen, and the surrounding area glows with a dazzling white-gold and golden color. This scene depicts "Sendai Henji," where the sunset sinks between buildings in the city of Sendai, viewed from inside the Marble Road Omachi arcade. Ensure the positional relationship between the sunset itself and the buildings is clear, with a composition where the sun is visible in the center at the end of the passage. Depict this not as a simple indoor shopping mall or a typical station concourse, but as a roofed pedestrian shopping street in Sendai's central shopping district with actual stores lining both sides. At the end of the passage, the dusk sky and the outlines of buildings are visible, and light emitted from the sun reaches the floor of the passage. Light diffuses through the lighting sections of the ceiling and glass, stretching soft streaks of light inside the arcade. The season is mid-October. Instead of a midsummer blue sky or a cold winter landscape, evoke the golden light and calm air characteristic of an autumn evening. The sun is low, sending strong light through the gaps in the buildings to the end of the passage. The light of the sunset reflects long on the floor tiles, extending forward as bands of gold and orange. Areas hit directly by light shine brightly, while the eaves of stores and shadows of buildings sink into calm brown or dark amber. The strong light of the sunset creates a thin haze of light in the air, with light rays piercing diagonally. Make it a landscape with natural backlight, the brilliance of the sunset, and an impressive sharp contrast between light and shadow. On the left and right of the arcade are stores typical of an urban shopping street, such as clothing stores, department stores, cafes, and restaurants. Glass showcases, store entrances, pillars, guide signs, and signboards are naturally placed, depicting it as an everyday space where shoppers walk. Warm reflections of the sunset are mirrored in store lights and glass surfaces. The ceiling structure and floor tile patterns are neatly aligned toward the back of the passage, giving a linear depth to the entire screen. Several shoppers and pedestrians naturally pass through the passage, and those caught in the backlight of the sunset appear as dark silhouettes. People's long shadows stretch on the floor, clearly conveying the position of the sunset and the direction of the light. Ensure it is not too crowded, leaving sufficient open space where light breaks through at the end of the passage. The woman is a married person in her early 30s, a neat and elegant woman with long hair. Leave the character modeling of facial features and hair to the character LoRA; clothing, accessories, posture, and expression should follow these specifications: The woman is located near the center of the passage, in front of the sunset, walking toward the viewer with the sunset behind her. The walking direction is straight from the back of the passage toward the camera, in a composition where she walks along the path of light from directly beneath the sunset. The woman's body is in a natural walking posture facing the camera, and her face is also turned toward the viewer. Her gaze is gently directed toward the camera, capturing the moment she naturally walks toward the viewer within the space illuminated by the sunset. One foot is stepped forward, and her arms move lightly in sync with her walking, in an effortless posture with relaxed shoulders. She does not appear to be in a hurry, but rather has an atmosphere of walking slowly while enjoying the beautiful sunset scenery. Her expression is calm, with a reserved, modest smile. Avoid exaggerated poses or unnatural hand movements, making it a natural snapshot of a daily moment. The woman's clothing is neat and elegant autumn outing wear suitable for an evening in Sendai in October. She wears a thin, knee-length coat in beige or camel color, with an ivory blouse underneath. For bottoms, a below-the-knee skirt in greige or a subdued brown. On her feet are elegant dark brown short boots. She naturally carries a small leather handbag in one hand, and accessories are modest, such as small earrings or a thin necklace. The overall look is not too flashy, unified in subdued colors for a neat and mature impression. Her long hair and the hem of the coat sway naturally in the slight breeze passing through the passage. Do not use thick winter clothes or midsummer light clothing that does not fit the season. Behind the woman, the very bright sunset at the end of the passage is glowing. The strong backlight of the sunset edges the woman's hair, shoulders, and the outline of her coat in gold, beautifully highlighting the silhouette of her long hair and clothes. A long shadow extends from the woman's feet toward the foreground, conveying that she is walking through the golden reflected light on the floor. While maintaining the brightness of the sunset and the beauty of the backlight, do not make the woman's face a completely black silhouette; allow her eyes, mouth, and calm expression to be naturally visible through weak reflected light from the front. The face should not be unnaturally bright, and the warm tones of the surroundings should be reflected in her skin, hair, and clothing. The woman is positioned in the center of the path of the sunset's light, but ensure she does not completely hide the sun itself. The camera is inside the arcade passage, positioned to look straight through to the back. The ceiling frames, stores on the left and right, and the tiled floor converge toward the center-back according to perspective, creating a composition where the gaze is naturally led to the sunset and the walking woman. Place the woman in the mid-ground, slightly back from the center of the screen, at a size where it is clear she is walking toward the viewer with the sunset behind her. The woman's full body, or at least down to below the knees, should be visible so that her walking posture and clothing can be identified. There are other shoppers around the woman, but ensure they do not hide her figure or the position of the sunset. Leave the arcade stores and pedestrians on the left and right of the screen, and show the ceiling structure at the top. Make it an expansive urban landscape photo where the position of the sunset, the light stretching on the floor, the depth of the passage, and the walking woman are all conveyed at a glance. The expression of light is very important; long light rays extending from the sunset pierce diagonally into the arcade, floating softly due to particles in the air. Bright golden reflections stretch in bands on the floor, and pedestrians' shadows extend long and in a natural direction. The area around the sunset glows strongly, with parts close to the sun being a yellow near white, and the surrounding area changing from gold to orange. Slight details remain in the dark parts of stores and pillars, preventing them from being crushed into extreme black. Add moderate lens flare and natural light bleeding, but ensure the image does not blow out too much, preserving the outlines of buildings and people. The overall style is a realistic photographic expression as if actually taken with a camera. Emphasize realistic stores, natural ceiling structures, realistic pedestrians, accurate perspective, delicate floor reflections, strong sunset backlight, long shadows, and the warm tones of dusk. The brilliance of an autumn sunset, the daily life of a shopping street with shoppers coming and going, the fantastical light shining into a roofed passage, and the woman walking toward the viewer from directly beneath the sunset are all naturally integrated into one scene. Not a depiction like anime or illustration, but an immersive photo that looks as if the moment of sunset was captured in a real Sendai shopping street. Do not add titles, decorative text, watermarks, or signatures to the image.
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オリジナルプロンプト
10月中旬の夕暮れ時、宮城県仙台市のマーブルロードおおまち商店街を舞台にした、写実的で臨場感のある高品質な写真。屋根付きの広いアーケード商店街を内部から見通し、通路のはるか奥に輝く夕日を捉えた風景。アーケードの左右には商業ビルや店舗が連なり、通路は奥へ向かってまっすぐ伸びている。高い天井には骨組みや採光部があり、天井の構造と左右の建物のラインが奥の一点へ向かって収束し、強い遠近感を生み出している。通路の奥、建物と建物の間に沈みかけた太陽が見え、そこから黄金色の光がアーケードの内部へ差し込んでいる。太陽は画面中央の奥に位置し、周囲は眩しいほど明るい白金色と黄金色に輝いている。 この情景は、仙台の街なかで建物の間に夕日が沈む「センダイヘンジ」を、マーブルロードおおまちのアーケード内部から眺めたもの。夕日そのものと建物の間の位置関係が分かるようにし、太陽が通路の奥の中央に見える構図にする。単なる屋内のショッピングモールや一般的な駅構内ではなく、仙台の中心商店街にある、両側に実店舗が並ぶ屋根付きの歩行者用商店街として描く。通路の奥には夕暮れの空と建物の輪郭が見え、太陽から放たれた光が通路の床まで届いている。天井の採光部やガラス越しに光が拡散し、アーケード内部に柔らかな光の筋が伸びている。 季節は10月中旬。真夏の青空や冬の冷たい景色ではなく、秋の夕方特有の黄金色の光と穏やかな空気を感じさせる。太陽は低い位置にあり、建物の隙間から通路の奥へ強い光を送り込んでいる。夕日の光は、床のタイルに長く反射し、黄金色や橙色の帯となって手前へ伸びる。光が直接当たる場所は明るく輝き、店舗の軒下や建物の陰は落ち着いた茶色や暗い琥珀色に沈んでいる。夕日の強い光によって空気中に薄い光の霞が生まれ、光芒が斜めに差し込む。自然な逆光、夕日のまぶしさ、光と影の鮮明な対比が印象的な風景にする。 アーケードの左右には、衣料品店や百貨店、カフェ、飲食店など、都市の商店街らしい店舗が並んでいる。ガラスのショーウィンドウ、店舗の入口、柱、案内板、看板などが自然に配置され、買い物客が歩く日常的な空間として描く。店舗の明かりやガラス面には夕日の暖かな反射光が映り込む。天井の構造や床のタイル模様は通路の奥へ向かって整然と並び、画面全体に直線的な奥行きを与えている。通路には複数の買い物客や通行人が自然に行き交い、夕日の逆光を受けた人々の姿が暗いシルエットとなって見える。人々の長い影が床に伸び、夕日の位置と光の方向が明確に伝わる。混雑しすぎず、通路の奥に光が抜ける空間を十分に残す。 女性は30代前半の既婚者で、清楚で上品なロングヘアの女性。顔立ちや髪などのキャラクター造形はキャラクターLoRAに任せ、服装、アクセサリ、姿勢、表情は以下の指定に従う。 女性は通路の中央付近、夕日の手前に位置し、夕日を背にしてこちら側へ歩いてくる。歩行方向は通路の奥からカメラの方向へまっすぐ向かっており、夕日の真下から光の道筋に沿って歩いてくるような構図にする。女性の身体はカメラに正対する自然な歩行姿勢で、顔もこちら側を向いている。視線はカメラの方向へ穏やかに向け、夕日に照らされた空間の中で、自然にこちらへ歩いてくる瞬間を捉える。片足を前に踏み出し、腕は歩行に合わせて軽く動かし、肩の力を抜いた無理のない姿勢。急いでいる様子ではなく、夕暮れの美しい景色を楽しみながらゆっくり歩いている雰囲気。表情は穏やかで、落ち着いた控えめな微笑みを浮かべている。大げさなポーズや不自然な手の動きは避け、日常の一瞬を切り取った自然な姿にする。 女性の服装は10月の仙台の夕方にふさわしい、清楚で上品な秋の外出着。ベージュまたはキャメル色の薄手の膝丈コートを羽織り、その下にはアイボリーのブラウスを着ている。ボトムスはグレージュまたは落ち着いたブラウンの膝下丈スカート。足元は上品なダークブラウンのショートブーツ。小ぶりな革のハンドバッグを片手に自然に持ち、アクセサリは小さなイヤリングや細いネックレスなど控えめなものにする。全体は派手すぎず、落ち着いた色合いで統一し、清楚で大人らしい印象にする。ロングヘアやコートの裾は、通路を抜けるわずかな風で自然に揺れている。季節に合わない厚手の冬服や真夏の薄着にはしない。 女性の背後には、通路の奥にある非常に明るい夕日が輝いている。夕日の強い逆光が女性の髪、肩、コートの輪郭を黄金色に縁取り、ロングヘアや服のシルエットを美しく浮かび上がらせる。女性の足元から手前へ向かって長い影が伸び、床の黄金色の反射光の中を歩いている様子が伝わる。夕日の明るさと逆光の美しさは保ちながら、女性の顔は真っ黒なシルエットにせず、正面からの弱い反射光によって目元や口元、穏やかな表情が自然に見えるようにする。顔だけが不自然に明るくならず、肌、髪、衣服に周囲の暖かな色調が反映されている。女性は夕日の光の道筋の中央に位置するが、太陽そのものを完全に隠さないようにする。 カメラはアーケードの通路内にあり、通路を正面から奥へ見通す位置にする。天井の骨組み、左右の店舗、タイル張りの床が遠近法に沿って中央奥へと収束し、視線が夕日と歩いてくる女性へ自然に導かれる構図。女性は画面中央のやや奥から中景に配置し、夕日を背にしながらこちらへ向かって歩いていることが分かる大きさにする。女性の全身、または少なくとも膝下までが見え、歩行姿勢と服装が判別できるようにする。女性の周囲にはほかの買い物客がいるが、女性の姿や夕日の位置を隠さないようにする。画面の左右にはアーケードの店舗や通行人を残し、上部には天井の構造を見せる。夕日の位置、床に伸びる光、通路の奥行き、歩いてくる女性がひと目で伝わる、広がりのある都市風景写真にする。 光の表現は非常に重要で、夕日から伸びる長い光芒がアーケードの内部に斜めに差し込み、空気中の微粒子によって柔らかく浮かび上がっている。床には明るい黄金色の反射が帯状に伸び、歩行者の影が長く、自然な方向へ伸びている。夕日の周囲は強く発光し、太陽に近い部分は白に近い黄色、周囲は黄金色から橙色へと変化する。店舗や柱の暗部には細部がわずかに残り、極端に黒くつぶれない。適度なレンズフレアと自然な光のにじみを加えるが、画像全体が白飛びしすぎず、建物や人物の輪郭が保たれている。 全体は実際にカメラで撮影したような写実的な写真表現。リアルな店舗、自然な天井構造、現実的な歩行者、正確な遠近感、繊細な床面の反射、強い夕日の逆光、長い影、夕暮れの暖かな色調を重視する。秋の夕暮れのまぶしさ、買い物客が行き交う商店街の日常、屋根付きの通路に差し込む幻想的な光、そして夕日の真下からこちら側へ歩いてくる女性が一つの場面として自然にまとまっている。アニメやイラストのような描写ではなく、現実の仙台の商店街で夕日の瞬間を撮影したような臨場感のある写真にする。画像内にタイトル、装飾文字、透かし、署名を追加しない。
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
2496 x 1872
ネガティブ
前髪が額の中央に垂れる, lowres, worst quality, low quality, bad anatomy, explicit

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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